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Isaac Watts

1674 - 1748 Person Name: Isaac Watts, 1674-1748 Author of "I Sing The Mighty Power" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Reginald Heber

1783 - 1826 Person Name: Bishop R. Heber, 1783-1826 Author of "The Son of God goes forth to war" in Songs of Praise Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

William J. Irons

1812 - 1883 Person Name: W. J. Irons Author of "Father of Love, our Guide and Friend" in The Westminster Abbey Hymn-Book Irons, William Josiah, D.D., son of Joseph Irons, was born at Hoddesdon, Herts, Sep. 12, 1812, and educated at Queen's College, Oxford (B.A. 1833, D.D. 1854), and took Holy Orders 1835. In 1837 he became Incumbent of St. Peter's, Walworth, and was subsequently Vicar of Barkway, Incumbent of Brompton, Rector of Wadingham; and in 1872, Rector of St. Mary-Woolnoth, formerly held by his father's friend, John Newton. He was also Bampton Lecturer in 1870, and Prebendary of St. Paul's Cathedral. He died June 18, 1883. Dr. Irons took a somewhat prominent part in the ecclesiastical controversies of his day, and published extensively thereon in the form of Sermons, Letters, Pamphlets, &c. His important work, the Bampton Lectures, 1870, was on Christianity as taught by St. Paul. His hymnwriting and translating began during his Curacy at St. Mary, Newington, 1835-1837, and was continued to his death. Many were first printed as broadsheets, and subsequently included in the Rev. R. T. Lowe's (Rector of Lea, Lincolnshire) Hymns for the Christian Seasons, Gainsburgh, 1st ed., 1854, and in his own collections. Of these separate publications the most important were his translation of the Dies Irae, and Quicumque vult, and a few special Hymns (Hayes) in 1867. His hymnological works, in addition to these, were:— (1) Metrical Psalter, 1857; (2) Appendix to the Brompton Metrical Psalter, 1861 (22 hymns); (3) Hymns for Use in Church, 1866 (100 hymns). These contained hymns by Dr. Irons, and others. The next contains his Translations and Original Hymns only. (4) Psalms and Hymns for the Church, 1st ed., 1873 (126 h.); 2nd ed., 1875 (190 h.); 3rd ed., 1883 (308 h.). The principal object of this last work was to supply special hymns on the Collects, Epistles, and Gospels, and for Advent and Lent, together with special hymns for the Festivals; and this to a great extent Dr. Irons was enabled to accomplish. His versions of individual Psalms are directly from the Hebrew, line for line. In addition to those of Dr. Irons's hymns and translations, which are annotated under their respective first lines, the following are in common use outside of his own collections, the details appended being from his MS. notes:— 1. Blest voice of love, 0 Word divine. Confirmation. Written for a Confirmation at Brompton, and published in Lowe's Hymns for the Christian Seasons, 1854, No. 184; in the Appendix to the Brompton Metrical Psalter, 1861; and the author's later collections. 2. Can earthly voices fitly sing. Public Opening of a School. Written at Brompton on the occasion of the opening of a School, and published in the 1861Appendix as above, and in the author's later collections. 3. Children of earth, for heaven we seek. Epiphany. A meditation on the Collect for the first Sunday after the Epiphany, and published in his Psalms & Hymns, 1875. 4. Eternal Spirit, God of Grace. Whitsuntide. Written in 1865, and published in his Hymns for Use in Church, 1866, and in a revised form in his Psalms & Hymns, 1873. 5. Faithful Creator, Lord Divine. Consecration to God. Published in his Psalms & Hymns, &c, 1873. 6. Father of love, our Guide and Friend. Confirmation. Written for a large Confirmation at Brompton, in 1844, and published in Lowe's Hymns for the Christian Seasons, 1854, No. 185, and in the 1861 Appendix as above, and the author's later collections. 7. Hail, holy rest, calm herald of that day. Sunday. Published in his Psalms & Hymns, &c, 1873. 8. Is not this our King and Prophet? Palm Sunday. Published in his Psalms & Hymns, &c, 1873. 9. It is not finished, Lord of grace. Preparation for Heaven. Written in 1850. It is No. 45 of his Hymns, 1866, in 6 stanzas of 5 lines. 10. Jesu, Who for us didst bear. Words from the Cross. In his Hymns, 1866, No. 42. 11. Joy of joys, He lives, He lives. Easter. Written in 1873. In the New Mitre, 1875; and the author's Hymns, 1875. 12. Lord, hear my prayer, bow down Thine ear. Lent. Published in Psalms & Hymns, 1873. 13. Lord, in Thy wrath Thou thinkest yet. Lent. In his Hymns, 1866, No. 91. 14. Lord, Thy voice hath spoken. The Beatitudes. In Hymns for use in the Church of Saint Ethelburga, Bishopsgate, 1873, and Dr. Irons's Psalms & Hymns, 1875. 15. No sorrow and no sighing. Heaven. Published in his Psalms & Hymns, 1873, in 5 stanzas of 4 lines. In Thring's Collection 1882, stanzas i.-iii. were given from the 1875 text, and a new stanza was added by Dr. Irons at Prebendary Thring's request. 16. 0 God with us, the Saviour. For use during a Retreat. Given in Psalms & Hymns, 1873. 17. 0 how long, how long. Ps. xiii. Appeared in his Psalms & Hymns, &c, 1873. 18. 0 Saviour, now at God's right hand. Jesus the High Priest. Published in the 1861 Appendix as above, and revised in the author's latter collections. In the Psalms & Hymns, 1873., stanzas i., ii., v. are from 1861, iv. from 1866; and iii. is new. 19. 0 who are they so pure and bright? Holy Innocents . Written on the death of Infants in the Epidemic of 1837, and published in Lowe's Hymns for the Christian Seasons, 1854, No. 20, and in the 1861 Appendix as above, in 3 stanzas of 8 lines. In the 1866 Hymns it was divided into 6 stanzas of 4 lines, and this arrangement was repeated in the 1873 Psalms & Hymns. 20. Sing with all the sons of men. Easter. Given in his Psalms & Hymns, 1873. 21. Thanks be to God for meet and right. Processional. Published in his Hymns, &c, 1866, and again in his Psalms & Hymns, 1873. 22. To whom but Thee, 0 God of Grace. Passiontide. Appeared in his Hymns, &c, 1866; and in his Psalms & Hymns, 1873. 23. Triumphant Lord, Thy work is done. Ascension. Published in the 1861 Appendix as above, in 3 st. of 4 1. In the 1866 Hymns the st. (iii.) “0 by Thy spotless, wondrous birth " was added; and in this enlarged form the hymn was repeated in the Psalms & Hymns, 1873. 24. We praise Thee, 0 our God--to Thee. Children's Hymn of Praise to the Holy Trinity. Written for the Schools at St. Mary's Newington, and published in the 1861 Appendix as above, and repeated in the Hymns, &c, 1866, and the Psalms & Hymns, 1873. 25. Who is this from Bethlehem coming? Purification of Blessed Virgin Mary. Appeared in the Psalms & Hymns, 1873. 26. Why art thou weary, 0 my soul? Ps. lxi. Given in his Hymns, &c, 1866, and his Psalms & Hymns, 1873, in 6 stanzas of 7 lines. In Thring's Collection, 1882, stanza iii. is omitted. Amongst modern hymnwriters, Dr. Irons ranks with the first. His hymns have not been largely used outside of his own congregation; but their high excellence, variety of subjects and metres, intense earnestness, powerful grasp of the subject, and almost faultless rhythm must commend them to the notice of hymnbook compilers. Prebendary Thring has enriched his Collection (1882) with most of those named above. They are of more than usual excellence, and others remain of equal merit. -- John Julian, Dictionary of Hymnology (1907) ====================== Irons, W. J., p. 571, ii. Of the hymns noted under his name, Nos. 13, 21, and 26, appeared in Chope's Hymnal, 1862. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Thomas Norton

1532 - 1584 Person Name: N. Author of "Laudate nomen" in The Whole Booke of Psalmes

Richard Mant

1776 - 1848 Author of "Accept, O Lord, Thy servants' thanks" in Church Book Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

George Gascoigne

1525 - 1577 Person Name: George Gascoigne, 1540-1577 Author of "Ye that have spent the silent night" in Hymns and Chorales Gascoigne, George, son and heir of Sir John Gascoigne. The date and place of his birth are unknown, but it is probable that he was born about 1525, and from a statement in the Address to Queen Elizabeth prefixed to one of his works, he seems to have spent a part of his early life in Westmoreland. He was educated at Trinity College, Cambridge, from whence he entered the Middle Temple as a student of law before 1548; but neglecting his studies he led a life of reckless extravagance and dissipation, on account of which he was disinherited by his father. In 1555 he migrated to Gray's Inn, but seems to have left it also. In 1557-58 he represented Bedford in Parliament. In 1565 he returned to Gray's Inn, and there, in the following year, two plays by him were represented, The Supposes, translated from the Italian of Ariosto, and Jocasta, adapted from the Phoenissae of Euripides. To the latter Gascoigne contributed three acts. In 1572 he was returned to Parliament as member for the borough of Midhurst: but objections being made to his character he appears not to have taken his seat, and not long afterwards went to the Low Countries and took service with William of Orange, from whom he received a captain's commission. His gallant conduct in the field obtained the favourable notice of that Prince, but after some time he was taken prisoner by the Spaniards and sent back to England. During Gascoigne's absence his first book, A Hundredth sundrie Floures bound up in one small Poesie, the manuscript of which he had left in the hands of a friend, was printed in 1572 or 1573 without his permission, and after his return from Holland, he published in 1575 a corrected and enlarged edition of his Poesies. Thenceforward he seems to have led a literary life, and is said to have been in some way attached to the court. On the occasion of Elizabeth's celebrated visit to Kenilworth in the summer of 1575, Gascoigne was commissioned by Leicester to devise the masques, &c, performed for the Queen's entertainment. He died at Stamford, Lincolnshire, Oct. 7, 1577, and was probably buried by his friend George Whetstone in the family vault of the Whetstones at Barnack, but this id not certainly known. At some time between 1558 and 1568 Gascoigne married Elizabeth Breton, mother, by her first husband, of the poet Nicholas Breton, and by her had a son. His widow survived until 1585. Gascoigne is noticeable as being one of the earliest English dramatists, the first English satirist, and the first English critic in poetry. In 1869 his poems were collected and edited for the Roxburghe Library by W. C. Hazlitt, and in 1868 his Notes of Instruction in English Verse; The Steele Glas; and The Complaynt of Philomene were included in English reprints edited by Edward Arber, together with Whetstone's metrical life of Gascoigne. To modern hymnody he is known by "We that have passed in slumber sweet," an altered version of his morning hymn, "Ye that have spent the silent night;" and other religious poems. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907)

John Hopkins

1470 - 1570 Person Name: J. H. Author of "Voce mea" in The Whole Booke of Psalmes

E. J. Newell

1853 - 1916 Person Name: Ebenezer J. Newell Author of "We Praise Thy Name, All-Holy Lord" in The Cyber Hymnal Newell, Ebenezer Josiah, M.A., son of C. W. Newell, was born in Southwark, Surrey, June 22,1853, entered Worcester College, Oxford, as an exhibitioner in 1871 (B.A. 1876, M.A. 1878) was ordained D. 1890, P. 1891, and has been since 1900 rector of Neen Sollars, Salop. His hymn, We praise Thy Name, all-holy lord [St. David], was written 1896, and first printed in the Northern Churchman and St. David's Weekly, Feb. 29, 1896, as a hymn of the Welsh Saints, for St. David's Day, with 7 verses. In The English Hymnal, 1906, No. 211, with three verses, relating to St. David alone. [Rev. James Mearnes, M.S.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph Anstice

1808 - 1836 Author of "When came in flesh th' Incarnate Word" in Christian Chorals Anstice, Joseph , M.A., son of William Anstice of Madeley, Shropshire, born 1808, and educated at Enmore, near Bridgwater, Westminster, and Ch. Church, Oxford, where he gained two English prizes and graduated as a double-first. Subsequently, at the ago of 22, he became Professor of Classical Literature at King's College, London; died at Torquay, Feb. 29, 1836, aged 28. His works include Richard Coeur de Lion, a prize poem, 1828; The Influence of the Roman Conquest upon Literature and the Arts in Rome (Oxford prize Essay); Selections from the Choice Poetry of the Greek Dramatic Writers, translated into English Verse, 1832, &c. His hymns were printed a few months after his death, as:— Hymns by the late Joseph Anstice, M.A., formerly Student of Christ Church, Oxford, and Professor of Classical Literature, King’s College, London, Bridgwater, 1836, and thus introduced:— "As none of the following Hymns had the advantage of being corrected and prepared for the press by their lamented Author, his family have not considered themselves at liberty to bring them before the public; but, having reason to believe that a large circle of surviving friends will be gratified by possessing a memorial of the manner in which some of his leisure hours were employed, and of the subjects which chiefly occupied his thoughts, during the last few months of his life, they have consented to their being printed for private distribution.—-Bridgwater, June, 1836." This work contains 52 hymns on various subjects, together with a poem "To my Hymn Book." The circumstances under which they were written are thus detailed by Mrs. Anstice in a communication to the Rev. Josiah Miller, author of Singers and Songs of the Church:— "The hymns were all dictated to his wife during the last few weeks of his life, and were composed just at the period of the day (the afternoon) when he felt the oppression of his illness—all his brighter morning hours being given to pupils up to the very day of his death."-—S. & S., p. 495. A few of the hymns are of a joyful character, but the circumstances under which they were written account for the prevailing tone of sadness by which they are chiefly characterized. About one half of these hymns were included by Mrs. Yonge in her Child's Christian Year, 1841. Being thus brought before the public, many soon came into common use. Those in most extensive use are: "Father, by Thy love and power;" "In all things like “Thy brethren, Thou;" "Lord of the harvest, once again;" and, "O Lord, how happy should we be." -- John Julian, Dictionary of Hymnology (1907)

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