You help make Hymnary.org possible. More than 10 million people from 200+ countries found hymns, liturgical resources and encouragement on Hymnary.org in 2025, including you. Every visit affirms the global impact of this ministry.

If Hymnary has been meaningful to you this year, would you take a moment today to help sustain it? A gift of any size—paired with a note of encouragement if you wish—directly supports the server costs, research work and curation that keep this resource freely available to the world.

Give securely online today, or mail a check to:
Hymnary.org
Calvin University
3201 Burton Street SE
Grand Rapids, MI 49546

Thank you for your partnership, and may the hope of Advent fill your heart.

Almighty one, whose tender thought

Author: Rosalie M. Cody

(no biographical information available about Rosalie M. Cody.) Go to person page >

Text Information

First Line: Almighty one, whose tender thought
Author: Rosalie M. Cody
Copyright: Public Domain

Tune

BROMLEY (Haydn)

The tune BROMLEY is usually credited to Jeremiah Clarke (1674-1707) but there is an authorship problem: the first published use of the tune and setting was Franz Josef Haydn's "O let me in th'accepted hour," a metrical setting of Psalm 69 in Improved Psalmody (1794). The earliest extant version attr…

Go to tune page >


EISENACH (Gesius)

MACHS MIT MIR was first published in the collection of music Das ander Theil des andern newen Operis Geistlicher Deutscher Lieder (1605) by Bartholomäus Gesius (b. Münchenberg, near Frankfurt, Germany, c. 1555; d. Frankfurt, 1613). A prolific composer, Gesius wrote almost exclusively for the churc…

Go to tune page >


Timeline

Instances

Instances (1 - 3 of 3)
Page Scan

Hymns for the Living Age #243

The Hymnal #333

The Saints' Hymnal #d14

Suggestions or corrections? Contact us
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.