

1 Arise, my soul, arise,
shake off your guilty fears;
the bleeding Sacrifice
in my behalf appears.
Before the throne my Surety stands,
before the throne my Surety stands;
my name is written on his hands,
my name is written on his hands.
2 He ever lives above,
for me to intercede,
his all-redeeming love,
his precious blood to plead.
His blood atoned for ev'ry race,
his blood atoned for ev'ry race,
and sprinkles now the throne of grace,
and sprinkles now the throne of grace.
3 Five bleeding wounds he bears,
received on Calvary;
they pour effectual prayers,
they strongly plead for me.
"Forgive him, O forgive," they cry,
"forgive him, O forgive," they cry,
"nor let that ransomed sinner die,
nor let that ransomed sinner die!"
4 My God is reconciled;
his pard'ning voice I hear.
He owns me for his child,
I can no longer fear.
with confidence I now draw nigh,
with confidence I now draw nigh,
and "Father, Abba, Father!" cry,
and "Father, Abba, Father!" cry.
Source: Christian Worship: Hymnal #569
First Line: | Arise, my soul, arise, Shake off thy guilty fears |
Title: | Arise, My Soul, Arise |
Author: | Charles Wesley (1742) |
Meter: | 6.6.6.6.8.8.8 |
Language: | English |
Copyright: | Public Domain |
Arise, my soul, arise, Shake off, &c. C. Wesley. [Christ the Mediator.] First published in Hymns & Sacred Poems, 1742, p. 264, in 5 stanzas of 6 lines and entitled "Behold the Man." (Poetical Works, 1868-72, vol. ii. p. 323.) In 1780 it was included in the Wesleyan Hymn Book. as No. 194 in an unaltered form, and has been repeated in all subsequent editions (ed. 1875, No. 202). From the Wesleyan Hymn Book it has passed into all the collections of the Methodist bodies in all English-speaking countries, and also into many hymnals outside of Methodism both in Great Britain and America. It has also been rendered into various languages. One in Latin, by the Rev. B. Bingham:—"Surge, surge, Mens mea," is given in his Hymnologia Christiana Latina, 1871. Mr. Stevenson has collected in his Methodist Hymn Book Notes, 1883, numerous illustrations of the direct value which this hymn has been to many.
-- John Julian, Dictionary of Hymnology (1907)