Cuando andamos con Dios

coro: Vicente Mendoza

Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Buried: Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly… Go to person page >

Author: John H. Sammis

John H. Sammis was born in Brooklyn. He moved to Logansport, Indiana when ye was 22, where he was converted to Christianity. He was active in the Y.M.C.A., serving as secretary for the Terre Haute Association and later becoming State Secretary. After this, he studied at Lane and McCormack seminaries and was ordained in the Presbyterian church at Glidden, Iowa. He also pastored churches in Indianapolis, Grand Haven, MI, Red Wing and St. Paul, Minn. In 1909 he became associated with the Los Angeles Bible Institute. He wrote more that 100 hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916) Go to person page >

trad. estr.: Pedro Grado

(no biographical information available about Pedro Grado.) Go to person page >

Text Information

First Line: Cuando andamos con Dios
Author: John H. Sammis (1887)
trad. estr.: Pedro Grado (alt.)
coro: Vicente Mendoza
Language: Spanish
Refrain First Line: Obedecer, y confiar en Jesús

Tune

TRUST AND OBEY

One of the sturdiest of the some two thousand tunes Daniel Brink Towner (b. Rome, PA, 1850; d. Longwood, MO, 1919) composed, TRUST AND OBEY is also among the most popular. It is cast in the verse-refrain form typical of gospel hymns. Sing in harmony throughout. Though the use of a fermata in the re…

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Instances

Instances (1 - 1 of 1)

Celebremos Su Gloria #394

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