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Dulces momentos, consoladores

Alterer: Walter Shirley

Walter Shirley was born in 1725. He was the friend of Whitefield and Wesley. After preaching with great success in England, he received the living of Loughrea, Ireland, where he continued to exercise his ministry for many years. His last sickness was of a lingering character, and it is related of him that when no longer able to leave his house he used to preach, seated in his chair in his drawing room, to many who gladly assembled to hear. He died in 1786. He published one volume of sermons and two poems. --Annotations of the Hymnal by The Rev. Charles L. Hutchins, M.A. (1872).… Go to person page >

Translator: Juan Bautista Cabrera Ivars

(no biographical information available about Juan Bautista Cabrera Ivars.) Go to person page >

Author: James Allen

Allen, James, born at Gayle, Wensleydale, Yorkshire, June 24, 1734, and educated with a view to taking Holy Orders, first with two clergymen at different times, and then for one year at St. John's Coll., Cambridge. Leaving the University in 1752 ho became a follower of Benjamin Ingham, the founder of the sect of the Inghamites, but subsequently joined himself to the Sandemanians; and finally built a chapel on his estate at Gayle, and ministered therein to the time of his death; died 31st Oct., 1804. He published a small volume, Christian Songs, containing 17 hymns, and was the editor and a principal contributor to the Kendal Hymn Book, 1757, and Appendix to the 2nd edition, 1761. -- John Julian, Dictionary of Hymnology (1907)  Go to person page >

Text Information

First Line: Dulces momentos, consoladores
English Title: Sweet the moments, rich in blessing
Alterer: Walter Shirley
Translator: Juan Bautista Cabrera Ivars
Author: James Allen
Meter: 10.9.10.9.
Language: Spanish
Copyright: Public Domain

Tune

[Come, ye disconsolate, where'er ye languish]

CONSOLATION was originally set for solo voice to "Alma redemptoris mater" by Samuel Webbe, Sr. (PHH 112), in his Collection of Motetts and Antiphons (1792). Thomas Hastings adapted the tune for use with Moore's text in Spiritual Songs for Social Worship (1831). CONSOLATION is also known as ALMA and…

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