Seu Maravilhoso Olhar

Translator: Joan Larie Sutton

Joan Larie Sutton (nee Riffey) was born in Louisville, KY but lived most of her life in Brazil with her missionary parents. She began the study of violin at the age of ten, continuing her studies at Baylor University. She earned a Masters Degree in sacred music at Southern Baptist Theological Seminary in Louisville. She married William Boyd Sutton and together they worked in Brazil. She translated many hymns into Portuguese.… Go to person page >

Author: John W. Peterson

Pseudonymn: John Willard. John W. Peterson (November 1, 1921 – September 20, 2006) was a songwriter who had a major influence on evangelical Christian music in the 1950s through the 1970s. He wrote over 1000 songs, and 35 cantatas. Born in Lindsborg, Kansas, he served as an Army Air Force pilot flying the China Hump during World War II. Later, he attended Moody Bible Institute and served on the radio staff there for a number of years. In 1953, he graduated from the American Conservatory of Music in Chicago and shortly thereafter settled in Pennsylvania to continue his songwriting career. He then moved to Grand Rapids, Michigan, where for over ten years he was President and Editor-in-Chief of Singspiration, a sacred music publish… Go to person page >

Translator: Helene de Morais Teixeira

(no biographical information available about Helene de Morais Teixeira.) Go to person page >

Translator: Irmgard Rehn

(no biographical information available about Irmgard Rehn.) Go to person page >

Text Information

First Line: Vivi tão longe do Senhor
Title: Seu Maravilhoso Olhar
English Title: His Wonderful Look of Love
Translator: Joan Larie Sutton
Translator: Helene de Morais Teixeira (1968-1969)
Translator: Irmgard Rehn (1968-1969)
Author: John W. Peterson (1958)
Meter: with refrain
Language: Portuguese
Refrain First Line: Seu maravilhoso olhar
Publication Date: 1991
Copyright: This text may still be under copyright because it was published in 1991.


Instances (1 - 1 of 1)

Hinário para o Culto Cristão #312

Suggestions or corrections? Contact us