1 Give to our God immortal praise;
mercy and truth are all His ways;
wonders of grace to God belong,
repeat His mercies in your song.
2 Give to the LORD of lords renown,
the King of kings with glory crown;
His mercies ever shall endure,
when lords and kings are known no more.
3 He built the earth, He spread the sky,
and fixed the starry lights on high;
wonders of grace to God belong,
repeat His mercies in your song.
4 He fills the sun with morning light,
He bids the moon direct the night;
His mercies ever shall endure,
when suns and moons shall shine no more.
5 The Jews He freed from Pharaoh's hand
and brought them to the promised land;
wonders of grace to God belong,
repeat His mercies in your song.
6 He saw the Gentiles dead in sin
and felt His pity move within;
His mercies ever shall endure,
when death and sin shall reign no more.
7 He sent His Son with pow'r to save
from guilt, and darkness, and the grave;
wonders of grace to God belong,
repeat His mercies in your song.
8 Through this vain world He guides our feet
and leads us to His heav'nly seat;
His mercies ever shall endure,
when this vain world shall be no more.
Source: Psalms and Hymns to the Living God #179
First Line: | Give to our God immortal praise |
Title: | Give to Our God Immortal Praise |
Author: | Isaac Watts |
Meter: | 8.8.8.8 |
Language: | English |
Copyright: | Public Domain |
Give to our God immortal praise. I. Watts. [Ps. cxxxvi.] This L.M. version of Ps. 136 appeared in his Psalms of David in 1719, in 8 stanzas of 4 lines. In modern collections we find it given thus:—
1. The original in the New Congregational Hymn Book, No. 227; Spurgeon's Our Own Hymn Book, No. 136, and others; and in the Baptist Psalms & Hymns, 1858-80, No. 8, with stanza v., line 1, "Israel" for "The Jews" of the original.
2. A cento composed of stanzas i., iv., vii. and viii. This was given in Cotterill's Selection, 1810-19, and from thence has passed into numerous collections, including Windle, Society for Promoting Christian Knowledge Psalms & Hymns, and Stevenson's Hymns for Church & Home, amongst modern hymnals, with slight variations in the refrain. This is the most popular form of the hymn.
3. A cento combining stanzas i.-iv. and vii., viii. This appeared in Conyers's Collection, 1161, and amongst later hymnals the Leeds Hymn Book, 1853, the Islington Psalms & Hymns, Kemble's New Church Hymn Book, and other collections. This form is also in use in America.
--John Julian, Dictionary of Hymnology (1907)