Composer: John Chetham
Published in 33 hymnals

Printable scores: PDF, MusicXML
Audio files: MIDI, Recording

Composer: John Chetham

Baptized: Feb­ru­a­ry 4, 1665, Ash­ton-un­der-Lyne, Lan­ca­shire, Eng­land. Buried: 1746, Skip­ton, York­shire, Eng­land. After at­tend­ing Deck­er­field School, then tak­ing or­ders, Che­tham be­came Cur­ate of Skip­ton, North York­shire. His col­lection A Book of Psalmody was first pub­lished in 1718, and had at least ele­ven edi­tions, through 1787. Music: BARRAGH MARLOW WIRKSWORTH --www.hymntime.com/tch/ Go to person page >

Tune Information

Composer: John Chetham
Incipit: 15432 15765 45321
Key: a minor
Source: J. Chetham's A Book of Psalmody, 1718; "A Book of Psalm Tunes," by James Green, 5th edition, 1724; From "A Book of Psalm Tunes," by James Green, 5th edition, 1724; A Book of Psalmody, 1718


Resurrection of the Saints

Breathe on me, Breath of God

Breathe on me, Breath of God,
fill me with life anew,
that I may love the way you love,
and do what you would do.

Go to text page...


Also called: WIRKSWORTH WIRKSWORTH was first published in John Chetham's collection A Book of Psalmody (1718) and gained its present shape in James Green's Book of Psalm Tunes (1724). Set in minor tonality, WIRKSWORTH has a folk-like charm. The tune's name derives from the town Wirksworth in Derbyshire, England. Antiphonal performance is desirable for singing the entire group of seven stanzas; each stanza could also be divided so that each group sings one of the Beatitudes. Another option is to alternate unison and harmony singing throughout. Everyone should sing the final stanza. Samuel S. Wesley (b. London, England, 1810; d. Gloucester, England, 1876) harmonized the tune and published it in his European Psalmist (1872). A grandson of Charles Wesley (PHH 267), Samuel Sebastian was a chorister at the Chapel Royal and sang in St. Paul's Cathedral. He learned composition and organ from his father, Samuel (PHH 1), completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Exeter Cathedral (1835-1842), Leeds Parish Church (1842¬1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. --Psalter Hymnal Handbook


You have access to this FlexScore.
Are parts of this score outside of your desired range? Try transposing this FlexScore.
General Settings
Stanza Selection
Voice Selection
Text size:
Music size:
Transpose (Half Steps):
Contacting server...
Contacting server...

Questions? Check out the FAQ

A separate copy of this score must be purchased for each choir member. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. CCLI, OneLicense, etc).

This is a preview of your FlexScore.
Psalter Hymnal (Gray) #206
Text: Blest Are the Contrite Hearts
  • Bulletin Score (PDF)
  • Bulletin Score (melody only) (PDF)
  • Full Score (PDF, XML)


Instances (1 - 5 of 5)
Text InfoTune InfoScoreAudio

Psalter Hymnal (Gray) #206


Small Church Music #6582

TextFlexscorePage Scan

The New English Hymnal #342b

The Sacred Harp (Rev. Cooper Ed.) #28a


The Sacred Harp #28a

Include 28 pre-1979 instances
Suggestions or corrections? Contact us