Lord, you make a pink flower from a gray seed,

an ear from a kernel,

a carrot from a seed the size of a pinhead,

an oak tree from an acorn.

You have programmed your soil to provide food for your plants,

wooden trees to make apples, feathered hens to lay eggs,

grass-eating cows to give milk.

And you, grand Creator, you have us take care of your grand creation.

In your mercy, Lord, send rain to water our crops and gardens.

Let your sun shine on our fields so that seeds will produce abundantly,

so that vines and stalks and trees will hang heavy with fruit and grain.

And Lord, let your grace be as rich to our cattle as it is to us;

let it keep our hogs free of disease,

our hens laying eggs, and our cows giving milk.

May our animals be fertile;

may our lambs and calves and pigs frolic in your green pastures

so that even in their play we may see your grace.

Help us to live on your good earth—

preserving and caring for the life and soil you bless,

ever thankful that for our good

you gave your laws of nature and your law of love.

Help us for our good and your glory to see those laws as you see them

and as the psalmist saw them—as good and perfect, pleasant to think about.

And Lord, teach us to share the abundance you have given us,

never gloating in our excess

but always giving our first bushels to feed the hungry in your name.

Enlighten our hearts, Lord,

so that our thank-yous ever rise in a crescendo to your throne.

See and hear us through the blood of your Son, Jesus. Amen.

 

Alfred Fedak’s arrangement of the KINGSFOLD tune brings out the joyful, bouncy side of creation. Organists should play lightly with some space between the notes, and at a faster tempo than the traditional harmonization (#162).

Isaac Watts (b. Southampton, England, 1674; d. London, England, 1748) was a precocious student and voracious reader. As a youth he studied Latin, Greek, French, and Hebrew. He declined an offer to study at Oxford and chose instead to attend an independent academy in Stoke Newington (1690-1694). From 1696 to 1701 Watts was tutor for the family of Sir John Hartopp, and in 1702 he became the pastor of Mark Lane Independent Chapel in London. However, ill health, which he had suffered for some years, took a serious turn in 1712. After that time he served the Mark Lane Chapel only on a part-time basis and moved in to the estate of Sir Thomas Abney to became the family chaplain, a position he held for the rest of his life. During the following thirty-six years Watts was a prolific author–writing books about theology, philosophy (including an influential textbook, Logic), and education, as well as con­ducting a voluminous correspondence.

 

Today, Watts is best remembered for his psalm paraphrases and hymns, while many of his contemporaries were exclusive psalm singers. After complaining about the poor quality of many of the psalm paraphrases, the teenager Watts was challenged by his father, "Give us something better!" So, he began to write new psalm versifications in which he deliberately chose not to follow closely the King James text but instead to interpret the Old Testament psalms through contemporary British Christian and New Testament eyes.

 

The next step was to write hymns rather than Scripture paraphrases. What he called "hymns of human composure" established him as the creator of the modern English hymn; he is known as the "father of English hymnody." Altogether, Watts wrote more than six hundred psalm and hymn texts, which were published in his Horae Lyricae (1706), Hymns and Spiritual Songs (1707), Divine Songs . . . for the Use of Children (1715), The Psalms of David Imitated in the Language of the New Testament (1719), and Sermons and Hymns (1721-1727). Most of Watts' texts use the traditional British ballad meters (Short Meter, Common Meter, and Long Meter) and state their theme in often memorable first lines. His work became immensely popular in the English-speaking world, including the United States, where, following the American Revolution, Watts' texts were edited by Timothy Dwight in 1801 to remove their British connotations. Several of his versifications and hymns are still found in most hymnals; especially loved are the paraphrase of Psalm 90, "O God, Our Help in Ages Past" (405), and the hymn "When I Survey the Wondrous Cross" (175).