O God, Your Deeds Are Unsurpassed (Psalm 75)

Scripture References

Thematically related:

Further Reflections on Scripture References

Throughout this Psalm runs the theme of God’s compassionate and faithful love which enfolds each yearning heart, a reference also found in Psalm 91.

The danger of pride, expressed in stanza 2, is referenced also in Proverbs 11:2; 16:18 and 29:23.


O God, Your Deeds Are Unsurpassed (Psalm 75)

Additional Prayers

Sovereign God, in your mighty acts you revealed your justice and truth.
With Mary we sing your praise,
for you bring down the tyrant and raise the poor from the dust.
May your Son be our confidence and strength
as you judge the world in righteousness. Amen.
— Psalms for All Seasons (http://www.psalmsforallseasons.org)

O God, Your Deeds Are Unsurpassed (Psalm 75)

Tune Information

E♭ Major


Musical Suggestion

It is dangerous to sing a psalm calling for God to judge the powerful or to pour a draught of bitter wine down the throats of the proud when the singers themselves may in fact be the powerful and the proud. Rather than representing the psalm as a call for judgment on others, this versification imagines that we may be the ones in danger of being judged as insolent. The psalm could first be read, after which the worship leader might ask, “Is it possible that some may be able to pray this psalm against us? Have we lifted ourselves up?” After a moment of silence for contemplation, the congregation can sing this song with humility and contrition.
— Psalms for All Seasons (http://www.psalmsforallseasons.org)

O God, Your Deeds Are Unsurpassed (Psalm 75)

Hymn Story/Background

The author, Michael Morgan, writes:
Martin Tel asked me to write a text based on the “humility” imagery of Psalm 75, in contrast to the wonderfully triumphant allusions, where the poor are raised up and the mighty made low. He asked, “What if we are the mighty? We need to be reminded that we must  “taste the judgment cup of bitter gall.” The result was three verses of humble thanks growing out of an implicit “kyrie.”
The tune “Baca” is a simple, gentle tune which Martin Tel also suggested. The repeated final line of each stanza lends a natural emphasis on the gifts achieved through a life of humility.
— Michael Morgan

Author Information

Michael Morgan (b. 1948) is a church musician, Psalm scholar, and collector of English Bibles and Psalters from Atlanta, Georgia. After almost 40 years, he now serves as Organist Emeritus for Atlanta’s historic Central Presbyterian Church, and as Seminary Musician at Columbia Theological Seminary. He holds degrees from Florida State University and Atlanta University, and did post-graduate study with composer Richard Purvis in San Francisco. He has played recitals, worship services, and master classes across the U. S., and in England, France, Spain, Switzerland, and Germany. He is author of the Psalter for Christian Worship (1999; rev. 2010), and a regular contributor in the field of psalmody (most recently to the Reformed collections Psalms for All Seasons and Lift Up Your Hearts, and the new Presbyterian hymnal, Glory to God).
— Michael Morgan

Composer Information

William B. Bradbury (b. York, ME, 1816; d. Montclair, NJ, 1868) came from a musical family who encouraged him from an early age to learn to play various musical instruments. In 1830 his family moved to Boston. There he studied singing with Lowell Mason and sang in Mason's Bowdoin Street Church choir. In 1841 Bradbury moved to Brooklyn, New York, and became the organist at the Baptist Tabernacle in New York City. He organized children's singing classes, which developed into annual singing festivals and stimulated the teaching of music in the New York public schools. In 1854 William joined his brother Edward and a German piano maker to begin a piano firm, which became the Bradbury Piano Company. Bradbury wrote or edited sixty collections of popular music and edited and published numerous song books, including The Psalmodist (1844) and Golden Shower of Sunday School Melodies (1862). He is sometimes known as "the father of Sunday school hymnody."
— Bert Polman

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