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Cesáreo Gabarain

1936 - 1991 Person Name: Cesáreo Gabaráin, 1936-1991 Topics: Amor de Dios; Comunion; Hospitalidad; Luz; Niños; Palabra de Dios; Primera Comunón; Salvación; Cuaresma Domingos y Ferias; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Author of "Porque Nos Invitas" in Flor Y Canto (2nd ed.) Cesáreo Gabaráin, a Spanish priest involved in liturgical renewal following Vatican II. Bert Polman

Mary Frances Reza

Person Name: Mary Frances Reza, siglo XX Topics: Ordinario de la Misa Rito de la Comunión Composer of "[Cordero de Dios]" in Flor Y Canto (2nd ed.)

Bob Hurd

b. 1950 Topics: Otros Cantos del Ordinario Aclamaciones Eucarísticas V: Misa de las Américas Composer of "[Santo, Santo, Santo es el Señor]" in Flor Y Canto (2nd ed.)

Miguel Manzano

b. 1934 Person Name: Miguel Manzano, n. 1934 Topics: Amor; Creación; Justicia Social; Paz; Reino de Dios; Segunda Venida; Sufrimiento; Verdad; La Liturgia de las Horas Vísperas; Cuaresma Misa Crismal; Solemnidades del Señor Durante el Tiempo Ordinario Nuestro Señor Jesucristo, Rey del Universo Author (es. 2-6) of "Tu Reino Es Vida" in Flor Y Canto (2nd ed.) Miguel Manzano is a Spanish composer and singer. He was born in Aillamor de Cardozo near the border with Portugal. Miguel began his religious musical career at the age of 8 as cantor at the Cathedral of Zamora, Spain. He studied solfeg, piano, organ and harmonium with the renowned teacher, Gaspar Arabaolaza. Later on, he began studies at the Higher School of Sacred Music in Madrid, where he studied Rhythm and Gregorian Modality, as well as Harmony and Religious Polyphony. He furthered his studies of language and musical rhythm at the Catholic Institute of Paris. Miguel's internationally recognized music has been chosen to complete the repertoire of the National Liturgical Hymnal of the Espicopal Committee of Spanish Liturgy. At present he is Professor of Ethnic Music at the Higher Conservatory of Music in Salamanca. --www.ocp.org/artists/1987

Jose Antonio Olivar

1939 - 2019 Person Name: José A. Olivar, n. 1939 Topics: Cantos de Entrada; Casa de Dios; Comunion; Primera Comunón; Ritual de Exequias; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Adapter of "A Casa del Padre" in Flor Y Canto (2nd ed.) José Antonio Olivar is also a writer and journalist Efe Agency and a very dear person in Lastres. The son of a seafaring family, Olivier went through difficult times during his childhood. He lost his parents and four brothers and faced the harsh post-war period as an orphan. Hosted by his grandmother, he studied at the Seminary of Covadonga and Oviedo and he built a career of great prestige and recognition throughout the country. He has won several national awards for poetry and has worked as a journalist in popular newspapers and national agencies. In his journalistic work out the last time as deputy director of the magazine "Hello!". Olivar printed in this genre of magazines and friendly style compatible with both newsworthy. He has traveled around the world, interviewing and making friends with the most diverse personalities from all fields of social life, art and politics. It also cites his role as music composer with known letters to both religious and secular songs. The prize "Honor Manín 2012" will be presented by the choir sailor on the eve of the big day the festival of San Roque de Llastres, on August 18th, at eight o'clock. --https://www.lne.es/oriente/2012/06/24/jose-antonio-olivar-subdirector-revista-20866231.html

Juan A. Espinosa

b. 1940 Person Name: Juan A. Espinosa, n. 1940 Topics: Alegría; Comunion; Conflicto; Discipulado; Justicia Social; Paz; Sanación; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Composer of "[El trabajo de toda la semana]" in Flor Y Canto (2nd ed.) Born: 1940, Badajoz, Spain. Internationally recognized as one of the leading composers of Spanish liturgical music, Juan Antonio Espinosa composes songs that emphasize hope for the oppressed, social justice, and the power of faith. Currently, he directs the Association for the Promotion of Religious Music (APROMUR) in Spain and serves as a liturgical musician at San Estanislao Parish in Madrid. After living for a time in Peru, Juan published music reflecting the Andes style and Latin American social realities. Hispanic assemblies in the U.S. are familiar with Juan's uplifting music through his songs in the OCP collections Pescador de Hombres and Resucitó, and in Cánticos, Segunda Edición, Misal Del Día, Unidos En Cristo Música and Flor y Canto, Segunda Edición. His first collection for OCP was Al Señor del Nuevo Siglo. --www.ocp.org/artists/358

John Schiavone

b. 1947 Person Name: John Schiavone, n. 1947 Topics: Comunion; Justicia Social; Primera Comunón; Segunda Venida; Unidad; Vida Cristiana; Ritos de la Iglesia Matrimonio; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Author of "Amén. El Cuerpo de Cristo" in Flor Y Canto (2nd ed.)

Barbara Bridge

b. 1950 Person Name: Barbara Bridge, b. 1950 Topics: Otros Cantos del Ordinario Aclamaciones Eucarísticas V: Misa de las Américas Composer of "[Santo, Santo, Santo es el Señor]" in Flor Y Canto (2nd ed.)

Perla Moré

1919 - 1985 Person Name: Perla Moré, m. 1985 Topics: Amor; Comunion; Salvación; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Author (sts. 1, 2) of "Cena Pascual" in Flor Y Canto (2nd ed.)

Rogelio Zelada

1944 - 2023 Person Name: Rogelio Zelada, n. 1944 Topics: Amor; Comunion; Salvación; Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor); Solemnidades del Señor Durante el Tiempo Ordinario El Cuerpo y la Sangre de Cristo Author (sts. 3, 4) of "Cena Pascual" in Flor Y Canto (2nd ed.)