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Text Identifier:"^for_all_the_saints_who_from_their_labors$"
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María Eugenia Cornou

b. 1969 Person Name: María Eugenia Cornou, b. 1969 Alterer (Spanish, sts. 5, 6) of "For All the Saints (Hoy, por los santos)" in Santo, Santo, Santo

Arthur H. Dyke Acland

1811 - 1857 Person Name: Arthur Henry Dyke Troyte, 1811-1857 Adapter of "CHANT (TROYTE, No. 2)" in The Hymnary of the United Church of Canada Arthur Henry Dyke Acland changed his last name to Troyte in 1852 when he succeeded to the estates of Rev. Edward Berkeley Troyte. A part of the requirement for this succession was that he change his last name to Troyte. Therefore he is also known as A. H. D. Troyte, however, Acland is his authority name.

William Hayes

1706 - 1777 Person Name: William Hayes, Mus. D. Composer of "TROYTE'S CHANT, No. 2" in The Scottish Hymnal William Hayes (26 January 1708 (baptised) – 27 July 1777) was an English composer, organist, singer and conductor. Hayes was born in Gloucester. He trained at Gloucester Cathedral and spent the early part of his working life as organist of St Mary’s, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at Oxford where he was appointed organist of Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Professor of Music and organist of the University Church. He presided over the city’s concert life for the next 30 years, and was instrumental in the building of the Holywell Music Room in Oxford in 1748, the oldest purpose-built music room in Europe. He was one of the earliest members of the Royal Society of Musicians, and in 1765 was elected a ‘privileged member’ of the Noblemen’s and Gentlemen’s Catch Club. He died in Oxford, aged 69. William Hayes was an enthusiastic Handelian, and one of the most active conductors of his oratorios and other large-scale works outside London. His wide knowledge of Handel left a strong impression on his own music, but by no means dominated it. As a composer he tended towards genres largely ignored by Handel—English chamber cantatas, organ-accompanied anthems and convivial vocal music—and his vocal works show an English preference for non-da capo aria forms. Hayes also cultivated a self-consciously ‘learned’ polyphonic style (perhaps inspired by his antiquarian interests) which can be seen in his many canons, full-anthems, and the strict fugal movements of his instrumental works. Nevertheless, several of his late trio sonatas show that he was not deaf to newly emerging Classical styles. Although he published virtually none of his instrumental music, his vocal works were extremely popular, and the printed editions were subscribed to by large numbers of amateur and professional musicians. Substantial works like his ode The Passions, the one-act oratorio The Fall of Jericho, and his Six Cantatas demonstrate that Hayes was one of the finest English composers of the eighteenth century. As a writer, his Art of Composing Music includes the first published description of aleatoric composition—music composed by chance—albeit deliberately satirical in intent. In his Remarks he reveals much about his aesthetic outlook: in particular that he valued the music of Handel and Corelli over that of Rameau, Benedetto Marcello and Geminiani. Finally, the Anecdotes offer insights into the organization of provincial music festivals in the mid-eighteenth century. Hayes bequeathed his important and wide-ranging music library to his son Philip Hayes; the manuscripts of both father and son eventually passed to the Bodleian Library, Oxford, in 1801. Sacred works The Fall of Jericho, oratorio, c. 1740–50 Sixteen Psalms (London, 1773) David, oratorio, completed by Philip Hayes around 20 anthems and service music, in Cathedral Music in Score, edited by Philip Hayes (Oxford, 1795) --en.wikipedia.org/wiki

John E. Gould

1821 - 1875 Composer of "[For all the saints, who from their labors rest]" in Select Songs No. 2 John Edgar Gould USA 1821-1875. Born in Bangor, ME, he became a musician. He managed music stores in New York City and Philadelphia, PA., the latter with composer partner, William Fischer. He married Josephine Louisa Barrows, and they had seven children: Blanche, Marie, Ida, John, Josephine, Josephine, and Augusta. He compiled eight religious songbooks from 1846 thru 1869. He died while traveling in Algiers, Africa, and was buried in Philadelphia, PA. John Perry

Arthur Henry Dyke Troyte

1811 - 1857 Person Name: A. H. D. Troyte, 1811-1857 Composer of "TROYTE NO. 2" in Church Hymns See Acland, Arthur H. Dyke (Arthur Henry Dyke), 1811-1857. Arthur Henry Dyke Acland changed his last name to Troyte in 1852 when he succeeded to the estates of Rev. Edward Berkeley Troyte. A part of the requirement for this succession was that he change his last name to Troyte.

Flossette Du Pasquier

Translator (French, vs. 6-8) of "For all the Saints who from their labours rest" in Cantate Domino

Johann Christoph Hampe

Translator (German, vs. 6-8) of "For all the Saints who from their labours rest" in Cantate Domino

J. C. Jones

Person Name: Parch J. C. Jones (Cyf.) of "Am bawb o'r saint sy'n gorphwys uwch pob clwy' (For all the saints who from their labors rest)" in Cân a Mawl

J. B.

Arranger of "SINE NOMINE" in Great Songs of the Church

Richard Clothier

b. 1937 Person Name: Richard Clothier 1937- Alterer (sts. 2-4) of "For All the Saints" in Community of Christ Sings

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