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Peter J. Scagnelli

b. 1949 Person Name: Peter Scagnelli, b. 1949 Translator (sts. 2-4) of "Now that the daylight fills the sky" in The Hymnal 1982

1934 - 2003 Person Name: Dale Wood, 1934-2003 Composer of "LAUREL" in Lutheran Service Book Dale Wood was born in Glendale, California, on February 13, 1934, of Finnish-Polish parentage (his father's last name was Wojtkiewiecz, which immigration authorities shortened to Wood). Dale grew up in Los Angeles and graduated from Franklin High School, where he was voted "most likely to succeed" in his class. Raised a Lutheran, his career as a composer was launched at age 13 when he won a national hymn-writing competition for the American Lutheran Church. His first choral anthem was accepted for publication one year later. His knowledge of music was immense, and his appreciation ran the gamut from classical to the Broadway stage. He admired composers from Leroy Anderson to Villa Lobos, and he was comfortably conversant with artists such as Marcel Dupré and many theatre organists. Although he attended Occidental College, he never received a college degree. In the words of his former wife, Gloria, "No, the boy didn't need any degree. He fell out of the nest with all he needed." Dale began playing the organ in church at age 14, and he served as organist and choirmaster at Eden Lutheran Church in Riverside and The Episcopal Church of St. Mary the Virgin in San Francisco. He published numerous articles on worship, liturgy, and church music and was a contributing editor to the Journal of Church Music for over a decade. He lectured and conducted choral festivals throughout the United States, Canada, and Northern Europe, and served as editorial consultant for several hymnals. He headed the publication committee of the Choristers Guild from 1970 to 1974. After serving as music director at the Grace Cathedral School for Boys in San Francisco from 1973 to 1974, he was appointed executive editor for The Sacred Music Press, a position he held from 1975 to 1996. He served as editor emeritus of The Sacred Music Press from 1996 until 2001. The American Society of Composers, Authors and Publishers (ASCAP) honored Dale Wood annually from 1967 for his work. In April 1993 Dale was honored with the prestigious Exemplar Medallion from California Lutheran University for his "more than forty years of joyful service to the church and humanity through the inspiration of his music." Hymns and canticles composed by Dale Wood are found in the Lutheran Book of Worship/, Worship II (a Roman Catholic hymnal), Seventh Day Adventist Hymnal, The Presbyterian Hymnal, The United Methodist Hymnal, the Agape Hymnal Supplement, the Moravian Book of Worship, the Chalice Hymnal, and several hymnal supplements. Wood's musical activities were not limited to sacred music. While still a college student, he entertained as organist at the Orpheum Theater in Los Angeles and appeared on television shows produced in Hollywood. In 1975 he was employed by the Royal Viking Line to entertain passengers on a 70-day cruise of the South Pacific and Orient. For many years Dale maintained his home and studio at The Sea Ranch, California, 115 miles north of San Francisco. It was here, amidst acres of redwood trees and gentle meadows on the rural and spectacular coastline of Northern California, that he composed most of his organ works, using a three-manual electronic theatre organ. Dale had a strong theatrical streak in him, and he maintained close ties with the American Theatre Organ Society. In his later years he collaborated with his partner, Ivan de la Garza, in designing the ATOS website. In 1977 Dale and jazz pianist George Shearing created a volume of organ settings of early American folk hymns entitled Sacred Sounds from George Shearing. Over a period of 11 weeks Shearing had recorded a series of improvisations at the piano. After the tapes were transcribed to paper, Shearing visited Dale in his studio at The Sea Ranch. Dale spent hours at the organ making suggestions of registrations and textures, while Shearing with his critical ear listened for accuracy. In recent years, Dale composed at the computer and was able to hear his work played back via MIDI, obviating the need for tedious proofreading. Most of his pieces were conceived with a three-manual organ in mind but are readily adaptable to smaller instruments. He gave general suggestions for registrations, but he always trusted in the performer's own imagination ("The printed music is just a blueprint, and it is the performer's job to complete the project," he liked to say). He used unusual techniques in several pieces, such as wedges in keys for pedal points ("Il est né," "Meditation on KEDRON"). His hymn arrangements were not all easy. Many require a significant amount of finger substitution; several involve "bridging" (playing on two manuals simultaneously with one hand); and his pedal lines sometimes go to the top of the pedalboard ("Amazing Grace" sports a high F#). Nor was he afraid to write pieces with accidentals. I cautioned him about a piece in six flats he planned to include in an upcoming volume, suggesting that some organists would find it overly challenging. He responded, "Well, then, they'll just need to practice!" --www.welchorganist.com/ Dale died peacefully at his Sea Ranch home on April 13, 2003.

John Bishop

1665 - 1737 Person Name: John Bishop, c.1665-1737 Composer of "JAM LUCIS" in The American Hymnal for Chapel Service John Bishop was born in 1665 in Winchester, Hampshire, England He served as lay vicar at King’s College, Cambridge (1687), as the organist (1695-1737) and lay clerk (1697) at Winchester College, and also as tge organist at Winchester Cathedral (1729-37). He died about December 19, 1737 in Winchester. His works include: A New Set of Psalm Tunes, 1710 A New Set of Psalm Tunes, 1722 A Supplement to the New Psalm-Book, 1725 A New Set of Psalm Tunes, 1730 NN, Hymnary. Source: http://www.hymntime.com/tch/bio/b/i/s/bishop_j.htm

George A. Macfarren

1813 - 1887 Person Name: George Alexander Macfarren (1813-1887) Composer of "[Now that the daylight fills the sky]" in Carmina for the Sunday School and Social Worship George Alexander Macfarren, Mus. Doc.; b. London, 1813; d. London, 1887 Evangelical Lutheran Hymnal, 1908 ======================= Born: March 2, 1813, Westminster, England. Died: October 31, 1887, St. Marylebone, England. Buried: Hampstead Cemetery, London, England. Brother of Walter Macfarren, George was a principal of the Royal Academy of Music; professor at Cambridge University; conductor at Covent Garden, London; program note writer for the Philharmonic Society; and editor of Handel and Purcell. He wrote 18 operas, 13 oratorios and cantatas, 9 symphonies, and 162 songs. He went blind in 1860, and was knighted in 1883. Sources: Frost, p. 681 Lightwood, p. 189 Nutter, p. 460 http://www.hymntime.com/tch/bio/m/a/c/macfarren_ga.htm =============================== http://en.wikipedia.org/wiki/George_Alexander_Macfarren

Howard Don Small

1932 - 2007 Person Name: Howard Don Small, b. 1932 Arranger of "VERBUM SUPERNUM PRODIENS" in The Hymnal 1982

E. Edwards

Person Name: E. Edwards, b. 1830 Composer of "LUX" in Church Hymns

John Chandler

1806 - 1876 Person Name: John Chandler, 1806-1876 Translator (st. 5) of "Now that the daylight fills the sky" in The Hymnal 1982 John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

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