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Thoro Harris

1874 - 1955 Composer of "[We speak of the land of the blest]" in Echoes of Paradise Born: March 31, 1874, Washington, DC. Died: March 27, 1955, Eureka Springs, Arkansas. Buried: International Order of Odd Fellows Cemetery, Eureka Springs, Arkansas. After attending college in Battle Creek, Michigan, Harris produced his first hymnal in Boston, Massachusetts, in 1902. He then moved to Chicago, Illinois at the invitation of Peter Bilhorn, and in 1932, to Eureka Springs, Arkansas. He composed and compiled a number of works, and was well known locally as he walked around with a canvas bag full of handbooks for sale. His works include: Light and Life Songs, with William Olmstead & William Kirkpatrick (Chicago, Illinois: S. K. J. Chesbro, 1904) Little Branches, with George J. Meyer & Howard E. Smith (Chicago, Illinois: Meyer & Brother, 1906) Best Temperance Songs (Chicago, Illinois: The Glad Tidings Publishing Company, 1913) (music editor) Hymns of Hope (Chicago, Illinois: Thoro Harris, undated, circa 1922) --www.hymntime.com/tch

Basil Manly

1825 - 1892 Person Name: B. Manly, Jr. Composer of "REALMS OF THE BLEST" in Kind Words Manly, Basil, junior, D.D., born in Edgefield County, South Carolina, Dec. 19, 1825, was educated at the State University of Alabama, and entered the Baptist ministry in 1848. He has held several important appointments amongst the Baptists. He is the author of nearly 40 hymns, several of which are in common use. Of these the following 9 appeared in The Baptist Psalmody, 1850, which he edited with his father:— 1. Before a pool the sufferer lay. The Pool of Bethesda. 2. God of the seas, Whose ruling voice. For those at Sea. 3. God with us, 0 glorious [wondrous] name, Manifest in flesh He came. Christmas. 4. Holy, holy, holy Lord, God of hosts in heaven adored. The Divine Holiness. 5. In doubt's dim twilight here I stray. 6. Jesus, my Lord, I own Thee God. Divinity of Jesus. 7. Lord, I deserve Thy deepest wrath. 8. Our God invites the wanderers home. Invitation. 9. There is a light which shines from heaven. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============================== Manly, Basil M., Jr. (Edgefield County, South Carolina, December 19, 1825--January 31, 1892, Louisville, Kentucky). Southern Baptist. University of Alabama, Dipl. 1844; honorary D.D. 1859; Princeton Theological Seminary, Dipl. 1847; Agricultural College, Auburn, Alabama, honorary LL.D. 1874. Pastorates in Sumter County, Ala., and Noxubee County, Mississippi, 1848; Richmond, Virginia, 1850-1854. President of Richmond Female Institute, 1854-1859, and Georgetown College, Ky., 1871-1879. Faculty member at Southern Baptist Theological Seminary, Ky., 1859-1871, 1879-1892. Leader in formation of first Southern Baptist Sunday School Board (1863-1873). His hymnal, The Baptist Psalmody (Charleston, 1850, with Basil Manly, Sr.), became quite popular among Southern Baptists; also compiled Baptist Chorals (Richmond, 1859) and The Choice (Louisville, 1891); served on editorial board for The Baptist Praise Book (New York, 1872). His best-known hymn, "Soldiers of Christ, in truth arrayed" was written for the first commencement at Southern Baptist Theological Seminary (1860), where it is still sung on every such occasion. Another of his hymns, "Holy, holy, holy Lord, God of hosts, in heaven adored" found its way into C.H. Spurgeon's Our Own Hymn-Book (London, 1866, No. 189). --David W. Music, DNAH Archives ========================= http://en.wikipedia.org/wiki/Basil_Manly,_Jr.

A. D. Fillmore

1823 - 1869 Composer of "IOWA" in New Christian Hymn and Tune Book Fillmore, Augustus Damon. (Gallia County, Ohio, September 7, 1823--June 10, 1870, Cincinnati, Ohio). Minister, Christian Church. Co-editor (with Silas White Leonard, 1814-1870) or Christian Psalmist (1847), which "probably had a more general circulation than any other of his publications." Author of "Come, come, come to the Saviour" and composer of several hymn tunes. --George Brandon, DNAH Archives

Elizabeth Mills

1805 - 1829 Person Name: Mrs. Elizabeth Mills Author of "To be there, to be there" in International Song Service Mills, Elizabeth, née King, daughter of Philip King, was born at Stoke Newington in 1805; married to Thomas Mills, M.P., and died at Finsbury Place, London, April 21, 1829. Her popular hymn:— We speak of the realms of the blest. [Heaven] is thus annotated in Miller's Singers and Songs, &c, 1869, p. 483: "We are much indebted to John Remington Mills, Esq., M.P. for information about this hymn, written by his accomplished relative. The original has 6 st. and was composed after reading ‘Bridges on the 119th Psalm' (on ver. 44, p. 116), ‘We speak of heaven, but oh! to be there.' . . . Already deservedly a favourite, new interest will be added to this hymn when we know that the authoress was early called to ‘the realms of the blest,' of which she sang so sweetly, and that she wrote this hymn a few weeks before her death." The text of this hymn is usually given in an imperfect form. The corrections are supplied by W. F. Stevenson in his Hymns for Church and Home, 1873, "Children's Hymns," No. 151, and the note thereon. Few children's hymns have been received with more favour. It is found in almost every hymn-book published for Children in Great Britain and America during the last fifty years. In some collections it begins, "We sing of the land of the blest"; and in others,"We talk of the land of the blest," --John Julian, Dictionary of Hymnology (1907)

Charles Edward Pollock

1853 - 1928 Person Name: Chas. E. Pollock Composer of "[We speak of the land of the blest]" in Crowning Day No. 3 Charles Edward Pollock USA 1853-1928. Born at Newcastle, PA, he moved to Jefferson City, MO, when age 17. He was a cane maker for C W Allen. He also worked 20 years for the MO Pacific Railroad, as a depot clerk and later as Assistant Roadmaster. He was a musician and prolific songwriter, composing 5000+ songs, mostly used in Sunday school settings and church settings. He took little remuneration for his compositions, preferring they be freely used. He produced three songbooks: “Praises”, “Beauty of praise”, and “Waves of melody”. In 1886 he married Martha (Mattie) Jane Harris, and they had three children: Robert, Edward, and a daughter. He died in Merriam, KS. John Perry ================= Pollock, Charles Edward. (Jefferson City, Missouri, 1853-1924). Records of Jefferson City indicate the following: 1897 clerk at depot; residence at 106 Broadway (with Mildred Pollock) 1904-1905 cane maker for C. W. Allen 1908-1909 musician; residence at 106 Broadway (with wife Matty) 1912-1913 residence at St. Louis Road, east city limits --Wilmer Swope, DNAH Archives Note: not to be confused with Charles Edward Pollock (c.1871-1924).

Arthur Patton

1854 - 1892 Composer of "URBS COELESTIS" in Children's Hymnal

Lewis Edson

1748 - 1820 Person Name: Lewis Edson Arranger of "GREEN FIELDS" in The Cyber Hymnal Lewis EdsonBorn in Massachusetts,he began working as a blacksmith and farmer. After marrying, he became a singing teacher, notable in his day. He taught singing in MA NY and CN, moving to NY in 1817. He was also an author. His 35 works consist of tunebooks, anthems, Psalm music, music scores and chants for choir use. John Perry

Joseph B. Moon

Composer of "[We speak of the realms of the blest]" in The Zion Songster Nos. 1 and 2 Combined

J. C. Ewing

1849 - 1937 Composer of "[We speak of the realms of the blest]" in Crown Him John Cook Ewing (1849-1937), who usually referred to himself as J.C. Ewing, was the pioneer Brethren musician, music teacher and composer. Before providing a synopsis of Ewing’s life and work it is appropriate to identify the Brethren of whom we are speaking, for several denominations have the term Brethren in their names, and to relate the religious and hymnological culture within which J. C. Ewing served. In the nineteenth century this particular body called themselves The Fraternity of German Baptists and the German Baptist Brethren. Their beginnings in 1708 were in the little village of Schwarzenau, Germany under the leadership of Alexander Mack Sr. (1679-1735). Due to religious persecution of Anabaptists, most of these Brethren emigrated for America by the 1730’s. By the 1880’s the Brethren were divided over several issues: notably whether or not they should be engaged in higher education, have Sunday Schools, participate in evangelistic endeavors, call persons to serve in foreign missions, sing from hymnals with musical notation, and use musical instruments in worship. The controversies led to schism and the establishment of three distinct Brethren groups: the more cautious, conservative parent body which retained the name German Baptist Brethren, a more “progressive” wing known as The Brethren Church, and the ultra-conservatives who referred to themselves as the Old German Baptist Brethren. Today there are several groups which share this common heritage: the German Baptist Brethren (renamed the Church of the Brethren in 1908, with administrative offices in Elgin, Illinois), The Brethren Church headquartered in Ashland, Ohio, The Fellowship of Grace Brethren Churches, Winona, Lake, Indiana (also known for business purposes as Charis Fellowship), the Conservative Grace Brethren Churches International, the Old German Baptist Brethren New Conference, and the Dunkard Brethren Church. The first Brethren hymnal in America was Das Kleine Davidische Psalterspiel der Kinder Zions (the Small Davidic Psaltery of the Children of Zion), a hymnbook for which early Brethren leaders and the prominent colonial American printer, Christopher Sauer, collaborated for its production in Germantown, Pennsylvania. In 1791 came the fifth edition of the Psalterspiel, and also the first English language hymnal of the Brethren, The Christian’s Duty. With this English language hymnbook began the second of two entirely separate tracks of Brethren hymnals in the nineteenth century. Over the course of the century there was a gradual shift to the English language among the Brethren and the demise of their hymnic heritage and original piety. During the first half of the nineteenth century the Brethren patterned their worship services according to what they believed to be the primitive church’s inclusions of singing, praying, reading Scripture, and preaching. Congregational hymn singing was “lined” and often led by a deacon serving as song leader (Vorsänger). Hymns were sung slowly and thoughtfully, with every stanza of a hymn sung, and rendered unaccompanied and in unison. Although it was stated at the denomination’s Annual Meeting of 1844 that four-part harmony was not acceptable as well as the use of musical instruments, four-part singing was evidenced in some Brethren congregations. Brethren hymnbooks in mid-century continued to be printed without musical notation. According to Annual Meeting decisions in 1825 and 1838, Brethren were also prohibited from providing a meeting place for or teaching in “singing schools.” The prohibition was moderated in later meetings (1862, 1874), most likely due to the fact that there was an interest in learning how to sing, and the pioneer Brethren musician traveled as a singing school teacher. John Cook Ewing, born near Benton, Holmes County, Ohio May 8, 1849, studied music with some of the foremost teachers of that era, including composer George Frederick Root of Chicago. Ewing became a skilled organist, pianist and song leader, a prolific composer of hymn tunes, and a very competent music teacher. Before the divisions of the early 1880’s, he served as the first instructor of music at the Brethren-affiliated Huntingdon Normal School (later Juniata College) in Huntingdon, Pennsylvania. He was entrusted with the 1879 revision of The Brethren’s Tune and Hymn Book (1872), the first Brethren hymnal with musical notation, set with shape-notes. Included were seventeen hymn tunes composed by Ewing. After the schism J. C. Ewing affiliated with The Brethren Church and was invited to be the first professor of music at the denomination’s newly established institution of higher learning, Ashland College, Ashland, Ohio. He was also called upon to serve as compiler and editor of the first of only two hymnals produced by The Brethren Church, The Brethren Hymnody with Tunes (for Sanctuary, Sunday School, Prayer Meeting, and Home Circle), published by J. C. Ewing in 1884 at Wilmington, Ohio, and set in round-note musical notation. Ewing contributed fourteen tunes to this hymnal. John Cook Ewing spent most of his career as a public school music teacher. He was teacher and music supervisor for the Lebanon, Ohio schools, and later the first music teacher of the South Bend, Indiana public schools. He also served as music director and deacon at the South Bend Brethren Church. In his later years he was music director at the First Brethren Church of Dayton, Ohio. Ewing died in Dayton May 27, 1937 and was buried in the Bear Creek Cemetery on Union Road in Dayton. Peter E. Roussakis

W. A. Ogden

1841 - 1897 Composer of "[We speak of the realms of the blest]" in The Gospel in Song William Augustine Ogden USA 1841-1897. Born at Franklin County, OH, his family moved to IN when he was age six. He studied music in local singing schools at age 8, and by age 10 could read church music fairly well. Later, he could write out a melody by hearing it sung or played. He enlisted in the American Civil War in the 30th IN Volunteer Infantry. During the war he organized a male choir which became well known throughout the Army of the Cumberland. After the war, he returned home, resumed music study, and taught school. He married Jennie V Headington, and they had two children: Lowell and Marian. He worked for the Iowa Normal School, Toledo Public School System. Among his teachers: Lowell Mason, Thomas Hastings, E E Baily and B F Baker, president of the Boston Music School. He wrote many hymns, both lyrics and/or music. He later issued his first song book, “The silver song” (1870). It became quite popular, selling 500,000 copies. He went on to publish other song books. Ogden also taught music at many schools in the U S and Canada. In 1887 he became superintendent of music in the public schools of Toledo, OH. His works include: “New silver songs for Sunday school” (1872), “Crown of life” (1875), “Notes of victory” (1885), “The way of life” (1886), “Gathering jewels” (1886). He was known as a very enthusiastic person in his work and a very congenial one as well. He died at Toledo, OH. John Perry