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Kenneth Munson

1916 - 1986 Person Name: Kenneth Munson, 1916-1988 Harmonizer of "SALVATION" in Psalms for All Seasons Kenneth John Munson (b. Galesburg, IL, 1916; d. Burlington, VT, 1986) and first appeared in the Unitarian Universalist Hymns for the Celebration of Life (1964) set to three different texts. Munson studied at Knox College, Galesburg, Illinois, and received a Ph.D. in music from Eastman School of Music, Rochester, New York. He served as chair of the music department at St. Lawrence University in Canton, New York, from 1942-1981, and was organist and choir director in several churches throughout his career. --Psalter Hymnal Handbook, 1988

Ada Cambridge

1844 - 1926 Person Name: Ada C. Cross Author of "Humbly Now, With Deep Contricion" in The Cyber Hymnal Cross, Ada, née Cambridge, daughter of Henry Cambridge, born at St. Germaine, Norfolk, Nov. 21, 1844, and married, in 1869, to George Frederick Cross, who, in 1870, took Holy Orders as a curate in England, and subsequently, after holding various curacies in Australia, became, in 1877, Incumbent of Coleraine, in the diocese of Ballarat. Her works include Hymns on the Holy Communion, 1866; Hymns on the Litany, 1865, &c.; and she has also contributed to Lays of the Pious Minstrels, 1862; English Lyrics, &c.; and published a prose story, "The Two Surplices,” 1865, and tales in various magazines. Her hymns have attained to some popularity, and are characterized by great sweetness and purity of rhythm, combined with naturalness and simplicity. The best known are:— 1. Humbly now with deep contrition. 1865. Lent. 2. Jesus, Great Redeemer. 1866. Holy Communion. 3. Light of the world, O shine on us. 1865. Domestic Worship. 4. Saviour, by [to] Thy sweet compassion. Lent. 5. The dawn of God's dear Sabbath, 1866. Sunday Morning. --John Julian, Dictionary of Hymnology (1907)

Horace Clarence Boyer

1935 - 2009 Arranger of "WAYFARING STRANGER" in Voices Together Horace Boyer (b. Winter Park, Flordia, July 28, 1935; d. Amherst, Massachusetts, July 21, 2009) was professor of music at the University of Massachussetts, Amhurst, editor of the African American hymnal Lift Every Voice and Sing, Lift Every Voice and Sing II, and author of How Sweet the Sound: The Golden Age of Gospel (Elliot & Clark, 1995). Sing! A New Creation

Gregory J. Wismar

b. 1946 Person Name: Gregory J. Wismar, b. 1946 Author (st. 26) of "By All Your Saints Still Striving" in Christian Worship

Roswell F. Cottrell

1814 - 1892 Person Name: R. F. Cottrell Author of "O solemn thought! and can it be" in The Seventh-Day Adventist Hymn and Tune Book Born: Jan­u­a­ry 17, 1814, Brookfield, New York. Died: March 22, 1892, Mill Grove, New York. Buried: West Ridgeway Cemetery, Me­di­na, New York. Cottrell was known as a writ­er, po­et and min­i­s­ter. A mem­ber of the Seventh-day Adventists, he served for a time on the ed­it­or­i­al com­mit­tee of The Re­view and Her­ald in Bat­tle Creek, Mi­chi­gan. As of 1857, he was liv­ing in Mill Grove, New York. --www.hymntime.com/tch

George MacDonald Mulrain

b. 1946 Person Name: George Mulrain Author of "Halle, Halle" in Celebrating Grace Hymnal Trinidad, Methodist minister Sing a New Song No. 3 by Patrick Prescod (Bridgetown, Barbados: Cedar Press, 1981)

John Theodore Mueller

1885 - 1967 Person Name: J. T. Mueller, 1885-1967 Translator of "O Sinner, Come Thy Sin to Mourn" in Evangelical Lutheran Hymnary

E. D. Mund

Author of "Do you Wonder that I Love Him?" in On Joyful Wing Pseudonymn. See also Lorenz, Edmund S. (Edmund Simon), 1854-1942

H. B. Townsend

Person Name: Rev. H. B. Townsend Author of "When Jesus Came Our Way (An Experience Meeting at Capernaum)" in Crowning Glory No. 2

B. C. Unseld

1843 - 1923 Person Name: Benjamin Carl Unseld, 1843-1923 Composer of "[He is ris'n, our Lord is risen]" in The Cyber Hymnal Benjamin Carl Unseld, 1843-1923 Born: Oc­to­ber 18, 1843, Shep­herd­stown, West Vir­gin­ia. Died: No­vem­ber 19, 1923. Buried: Elm­wood Ceme­te­ry, Shep­herd­stown, West Vir­gin­ia. After leav­ing school at age 14, Un­seld worked as a clerk in a coun­try store. He re­ceived his first mu­sic­al in­struct­ion around age 15, from a com­pan­ion who had at­tend­ed a sing­ing school. He was shown the rep­re­sen­ta­tion of the scale in the old Car­mi­na Sac­ra, and had it sung for him. At the friend’s sug­gest­ion, he got per­mis­sion from his pas­tor to prac­tice on the church or­gan. Since both boys worked, their on­ly chance to prac­tice was af­ter the store closed at 9:00 p.m., and oc­casion­al­ly at noon­time. They went to the church to­ge­ther and took turns, one at the key­board and the other at the bel­lows. Shortly af­ter the Bat­tle of An­tie­tam in Sep­tem­ber 1862, some of which Un­seld wit­nessed, he left home and be­came a book­keep­er in the gen­er­al of­fic­es of a rail­road in Co­lum­bia, Penn­syl­van­ia. He sang in a choir, and gained fur­ther prac­tice read­ing mu­sic. He rent­ed a mel­o­de­on and spent much time in his room im­pro­vis­ing on it. He bought a co­py of Wood­bur­y’s Har­mo­ny and Mu­sic­al Com­po­si­tion, and stu­died it as well as he could with­out a teach­er. He ac­cept­ed an in­vi­ta­tion to play the or­gan in the lo­cal Meth­od­ist church, on the con­di­tion that he re­ceived the tunes ear­ly in the week so he could learn them. This was his first po­si­tion as an or­ga­nist. In the spring of 1866, he en­tered the Mu­sic­al In­sti­tute in Pro­vi­dence, Rhode Is­land, con­duct­ed by Eben Tour­jée (found­er of the New Eng­land Con­serv­a­to­ry in Bos­ton, Mass­a­chu­setts, and fa­ther of Liz­zie Tour­jée). There he stu­died voice, pi­a­no, or­gan, and har­mo­ny. Af­ter learn­ing of Un­seld’s bus­i­ness ex­per­i­ence, Dr. Tour­jée made him sec­re­ta­ry of the school; in 1867, Un­seld be­came the first sec­re­ta­ry of the New Eng­land Con­ser­va­to­ry. Starting in 1870, Un­seld at­tend­ed schools led by The­o­dore F. Sew­ard. There he met George Webb, Low­ell Mason, James Mc­Gran­a­han, Charles Case, and other not­a­bles in the mu­sic com­mun­i­ty. In 1874, Uns­eld taught at Fisk Un­i­ver­si­ty in Nash­ville, Ten­nes­see, and helped train Fisk’s Ju­bi­lee Sing­ers for their Eur­o­pe­an trip. In 1877 and 1878, he was or­gan­ist and choir mas­ter at St. James’ Epis­co­pal Church, Lan­cas­ter, Penn­syl­van­ia. In 1879, Un­seld moved to New York Ci­ty, and for 15 years taught, led choirs, com­posed and pub­lished. In New York, his mu­sic­al head­quar­ters was the pub­lish­ing house of Big­low & Main Com­pa­ny, where he was in al­most dai­ly con­tact with the pop­u­lar com­pos­ers and teach­ers of the day: Ira San­key, Ho­ra­tio Palm­er, Hu­bert Main, Ro­bert Low­ry, et al. In 1894, Un­seld moved to Cin­cin­na­ti, Ohio, and worked as an ed­it­or for the Fill­more Mu­sic House. In 1898, he moved to Day­ton, Ohio, and worked in a sim­i­lar ca­pa­ci­ty for the Lo­renz Pub­lishing Com­pa­ny. He moved back to New York Ci­ty in 1901, then to Ha­gers­town, Ma­ry­land in 1905. He and his wife Sal­lie were ap­par­ent­ly liv­ing in Ten­nes­see as of 1920. Un­seld’s works in­clude: The Chor­al Stan­dard (New York: Fill­more Bro­thers, 1895) Progress in Song, with E. T. Hil­de­brand (Cin­cin­na­ti, Ohio: The Fill­more Bro­thers Com­pa­ny) Unseld was in­duct­ed in­to the South­ern Gos­pel Mu­sic As­so­ci­a­tion Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Ris­en Hordville Make Haste! Meschach Twilight Is Fall­ing Unseld Wonderful Mess­age --www.hymntime.com/tch

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