Person Results

Switch back to the old search page.Advanced Search

Showing 21 - 30 of 792Results Per Page: 10 20 50

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "ELLERS" in The Hymnbook Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Conrad Kocher

1786 - 1872 Person Name: Conrad Kocher, 1786-1872 Composer of "DIX" in Lutheran Service Book Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838). Bert Polman

David Evans

1874 - 1948 Person Name: David Evans (1874-1948) Harmonizer of "LLANFAIR" in Church Hymnary (4th ed.) David Evans (b. Resolven, Glamorganshire, Wales, 1874; d. Rosllannerchrugog, Denbighshire, Wales, 1948) was an important leader in Welsh church music. Educated at Arnold College, Swansea, and at University College, Cardiff, he received a doctorate in music from Oxford University. His longest professional post was as professor of music at University College in Cardiff (1903-1939), where he organized a large music department. He was also a well-known and respected judge at Welsh hymn-singing festivals and a composer of many orchestral and choral works, anthems, service music, and hymn tunes. Bert Polman

William Gadsby

1773 - 1844 Person Name: W. Gadsby Author of "Christ the Believer's Song" in A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) Gadsby, William , was born in 1773 at Attleborough, in Warwickshire. In 1793 he joined the Baptist church at Coventry, and in 1798 began to preach. In 1800 a chapel was built for him at Desford, in Leicestershire, and two years later another in the town of Hinckley. In 1805 he removed to Manchester, becoming minister of a chapel in Rochdale Boad, where he continued until his death, in January, 1844. Gadsby was for many years exceedingly popular as a preacher of the High Calvinist faith, and visited in that capacity most parts of England. He published The Nazarene's Songs, being a composition of Original Hymns, Manchester, 1814; and Hymns on the Death of the Princess Charlotte, Manchester, 1817. In 1814 he also published A Selection of Hymns for Public Worship, appending thereto a large number of his own compositions [Baptist Hymnody, § nr., 2]. The edition of 1882 pub. by his son J. Gadsby contains 1138 hymns, of which 157 are by William Gadsby, and form Pt. ii. of the Selection From his point of view they are sound in doctrine, but have little poetic fervour, and the rhyme is faulty in a large number of instances. Four of these hymns are in Denham's Selection and one in the Selection of J. Stevens. [Rev. W. R Stevenson, M.A. ] --John Julian, Dictionary of Hymnology (1907)

Joseph P. Holbrook

1822 - 1888 Composer of "SEGUR" in The New Christian Hymnal Joseph P. Holbrook was a tune writer in the parlor music style, and used the popular melodies of Mason and Hastings, Bradbury and Root, Greatorex and Kingsley in his collections. He furnished settings for the choir hymns in Songs for the Sanctuary in his Quartet and chorus Choir (New York, 1871, and sought more recogniation than had been given him in a hymnal of his own, Worship in Song (New York, 1880); a book that found no welcome. from The English hymn: its development and use in worship By Louis FitzGerald Benson

Richard Mant

1776 - 1848 Person Name: Richard Mant (1776-1848) Author of "Bright the vision that delighted" in Ancient and Modern Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

Thomas Olivers

1725 - 1799 Person Name: Thomas Olivers, 1725-1799 Paraphraser of "The God of Abraham Praise" in Gather Comprehensive Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868. --John Julian, Dictionary of Hymnology (1907)

Jane Eliza Leeson

1807 - 1882 Person Name: Jane E Leeson Author of "Gracious Saviour, Gentle Shepherd" in The A.M.E. Zion Hymnal Leeson, Jane E.. The earliest work by Miss Leeson with which we are acquainted is her Infant Hymnings. Then followed Hymns and Scenes of Childhood, or A Sponsor's Gift (London, James Burns; Nottingham, Dearden), 1842, in which the Infant Hymnings were incorporated. Concerning Pt. ii. of the Hymns and Scenes, &c, Miss Leeson says, "For the best of the Poems in the second part, the Writer is indebted to a friend." In the Rev. Henry Formby's Catholic Hymns arranged in order for the principal Festivals, Feasts of Saints, and other occasions of Devotion throughout the Year, London, Burns and Lambert, N.D. [1851], "Imprimatur, N. Cardinalis Wiseman, May 3rd, 1853," her translation of Victimae Paschali (“Christ the Lord is risen to-day"), and her "Loving Shepherd of Thy Sheep" (also in Hymns & Scenes, 1842), were given under the signature "M. L." Her Paraphrases and Hymns for Congregational Singing (most of " which were re-written from the Scottish Translations and Paraphrases (q.v.), 1781) were published by Wertheimer & Co., London, in 1853. In the Irvingite Hymns for the Use of the Churches, 1864, there are five of her original hymns and four of her translations from the Latin under the signature of "J. E. L.; "and most of these were repeated in the 2nd edition, 1871. In addition Miss Leeson is the author of several other works, including The Christian Child's Book, 1848, The Child's Book of Ballads, 1849, Songs of Christian Chivalry, 1848, Margaret, a Poem, 1850, The Seven Spiritual Works of Mercy, and others. Her hymns in common use include:— 1. A little child may know. God's love of little Children. In Hymns & Scenes of Childhood, 1842, No. 20, in 5 stanzas of 4 lines. 2. Dear Saviour, to Thy little lambs. For Purity. In Hymns & Scenes of Childhood, 1842, No. 19, in 4 stanzas of 8 lines. 3. Father, I [we] love Thy house of prayer. Public Worship. In Hymns & Scenes of Childhood, 1842, No. 76, in 3 stanzas of 12 lines. It is usually abbreviated. 4. Have ye counted the cost? Soldiers of the Cross . In Songs of Christian Chivalry, 1848, p. 8, in 10 stanzas of 9 lines. Usually abbreviated as in the Enlarged London Hymn Book, 1873. 5. In the dark and silent night. Confidence. In The Christian Child's Book, 1848, in 3 stanzas of 3 lines, with the refrain, "Hallelujah." It is in the Irish Church Hymnal , 1873, and other collections. 6. Jesus Christ, my Lord and King. Child's Praise of Christ. In Hymns & Scenes of Childhood, 1842, No. 18, in 6 stanzas of 4 lines. 7. King of Saints and King of glory. All Saints . In her Paraphrases & Hymns, 1853, p. 84, in 2 stanzas of 8 lines. 8. Saviour, teach me day by day. Obedience. In Hymns & Scenes of Childhood, 1842, No. 49, in 4 stanzas of 8 lines. In several hymn-books in Great Britain and America. 9. Songs of glory fill the sky. Christmas. In the Irvingite Hymns for the Use of the Churches, 1864, No. 21, in 3 stanzas of 8 lines, with the refrain "Hail! Lord Jesu." 10. Stand we prepared to see and hear. Advent. In the Irvingite Hymns for the Use of the Churches, 1864, No. 173, in 4 stanzas of 8 lines. Written in 1800. 11. Sweet the lesson Jesus taught. Christ blessing little Children. In Hymns & Scenes of Childhood, 1842, No. 1, in 5 stanzas of 4 lines. 12. Wake the song, 0 Zion's daughter. A cento of much excellence, which see. 13. Wake, ye saints, the song of triumph. Ascension . Written in 1861, and published in the Irvingite Hymns for the Use of the Churches, 1864, No. 60, in 4 stanzas of 6 lines, with the refrain "Hallelujah." In stanza ii., lines 3, 4, and 6 are from C. Wesley's "Hail the day that sees Him rise." Miss Leeson's most popular hymn, “Loving Shepherd of Thy Sheep," and her translations from the Latin are noted elsewhere in this work. Of Miss Leeson's personal history we can gather nothing. Born 1807; died 1882. --John Julian, Dictionary of Hymnology (1907)

John Chandler

1806 - 1876 Person Name: John Chandler, 1806-1876 Translator of "The Advent of Our King" in Lutheran Service Book John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Ignaz Franz

1719 - 1790 Author (st. 1-4) of "Holy God, We Praise Thy Name" in The United Methodist Hymnal Ignaz Franz Poland 1719-1790. Born at Protzau, Silesia, he studied in Glaz andf Breslau. In 1742 he became a Roman Catholic priest. He served as chaplain at Gross-Glogau and vicar of Glogau in Silesia. In 1753 he was appointed archpriest at Schlawa, and assessor to the apostolic vicar's office in Breslau in 1766. He also functioned as the Assessor for Theological Affairs at the Apostolic Vicariate. He wrote hymn lyrics and compiled religious music. His works include “Katholisches Gesangbuch” (1744). He died at Breslau. John Perry