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Albert Knapp

1798 - 1864 Hymnal Number: d45 Author of "O Seele, liebst du mich" in Liederperlen Knapp, Albert, was born July 25, 1798, at Tübingen, where his father (1800, Oberamtmann at Alpirsbach in the Black Forest, and 1809, Oberamtmann at Rottweil) was then advocate at the Court of Appeal. In the autumn of 1814 he entered the Theological Seminary at Maulbronn, and in 1816 the Theological College at Tübingen, where he also graduated M.A. at the University. In November, 1820, he became assistant clergyman at Feuerbach, near Stuttgart; and in July, 1821, at Gaisburg, near Stuttgart. He was appointed, in Feb., 1825, diaconus (Heifer) at Sulz on the Neckar, and also pastor of the neighbouring village of Holzhausen; in June, 1831, archidiaconus at Kirchheim-unter-Teck, along with Bahnmaier (q.v.); in May, 1836, diaconus of the Hospitalkirche in Stuttgart ; and in October, 1837, archidiaconus of the Stiftskirche. He was finally appointed, in December, 1845, Stadtpfarrer at St. Leonhard's Church in Stuttgart, where, after having been for some time partially disabled by paralysis, he preached his last sermon, Feb. 13, 1863. He died at Stuttgart, June 18, 1864 (Koch, vii. 213; Allgemeine Deutsche Biographie xvi. 263, &c). Knapp as a Poet possessed not merely very considerable talent, but also natural originality. He was preeminently a lyric poet; the best of his secular poems being those which celebrate the history and the scenery of his beloved Swabia. His poems are characterised by rich play of fancy, wealth of ideas and of figures, masterly word-painting, capacity of feeling, ease of expression, and sonorous and musical rhythm. Unfortunately the very flow of his imagination betrayed him, for the greatest fault of his poems is that they are at once too numerous and too long (and it must be added sometimes too rhetorical and too eager to point a moral); what was easy writing becomes hard reading. As a Hymn-writer, among the recent hymn-writers of Germany, Knapp holds a high place, perhaps we might say the highest of all. To his hymn-writing he brought his powers as a poet, and the depth of his nature as an earnest and sincere disciple of Jesus Christ. In his hymns his aim was to make known the fulness of the grace of God, and to reveal the wealth and depth of Holy Scripture, and the love of God to all mankind. Their earnestness, their experimental Christianity, their Scripturalness and their beauty of form have gained for many of them a place in all recent German hymn-books. They have somewhat unaccountably been neglected by English translators. It is certainly surprising that in the Hymns from the Land of Luther not one version from Knapp finds a place. While all the hymns of Spitta's Psalter und Harfe have passed into English, and many of them in half a dozen different versions, comparatively few of Knapp's hymns have been translated, though they rank much higher as poetry, and are more suited for Church use than those by Spitta. As a Hymnologist Knapp did good service by his Christoterpe [complete set in Berlin], an annual which he edited from 1833 to 1853, in which many of his own pieces appeared, and also many of the best poems and, hymns of Hey, Meta Heusser-Schweizer, and various others. He was also the compiler of the Evangelischer Lieder-Schatz (frequently referred to in this Dictionary as Knapp's Evangelischer Lieder-Schatz), the most elaborate German hymnbook of recent times. Of this the first edition, with 3590 hymns, appeared at Stuttgart in 1837, and a Supplement entitled Christenlieder, 1841, added 250 more. In his second edition, 1850 (3067 hymns) he omitted many of the third-rate hymns of his first edition, added many of a higher class, and gave the hymns more nearly (but by no means exactly) as the authors wrote them. The third edition, 1865 (3130 hymns, concluded by his son), was further im¬proved, and the notices of the authors of the hymns were revised and enlarged. As a comprehensive collection with a specially full representation of good modern hymns it has no rival in German. He was also one of the editors of the Württemberg Gesang-Buch of 1842. The editions which he prepared of the Hymns of Gottfried Arnold (1845) and N. L. von Zinzendorf (1845) are of interest, but he took most unwarrantable liberties with the originals; many pieces being not merely abridged but rewritten "to suit the requirements of the 19th century." Knapp's original hymns appeared principally in his Christoterpe and Evangelischer Lieder-Schatz, as above; and also in his (1) Christliche Gedichte, 2 vols., Basel, 1829. (2) Neuere Gedichte, 2 yols., Basel, 1834, some¬times ranked as vols. iii., iv. of No. 1. (3) Gedichte, Neueste Folge, Stuttgart, 1843. (4) Herbstblüthen, Stuttgart, 1859. Those which have passed into English common use are:— i. Aus deiner Eltern Armen. Holy Baptism. This and No. iv. seem to have been written for the baptism of his own children. First published in his Christoterpe, 1850, p. 222, in 3 st. of 8 1., entitled "Baptismal Hymn," and repeated in his Evangelischer Lieder-Schatz, 1850, No. 846 (1865, No. 875). The translation in common use is Thy parent's arms now yield thee. In the original metre by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 89; and thence in Kennedy, 1863. Slightly altered for metrical reasons in her Chorale Book for England, 1863, No. 89. ii. Blick aus diesem Erdenthale (p. 150 i.). iii. Einst fahren wir vom Vaterlande (p. 326 ii.). iv. 0 Vaterherz, das Erd' und Himmel schuf. Holy Baptism. A beautiful hymn of supplication to (i.) God the Creator; (ii.) God the Redeemer; (iii.) God the Sanctifier; on behalf of the child, ending with a prayer to the Holy Trinity for guidance and blessing throughout its life. First published in his Christenlieder, 1841, No. 89, in 4 st. of 9 1., repeated in his Evangelischer Lieder-Schatz, 1850, No. 847 (1865, No. 876). The translation in common use is :— 0 Father-Heart, Who hast created all. A good and full translation by Miss Winkworth in herLyra Germanica, 2nd Ser., 1858, p. 87, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p.437. In the hymnals it appears in the following forms, all beginning with st. i.:— 1. 0 Father, Thou Who hast created all. In Hymns Ancient & Modern, 1861 and 1875, and others. 2. Father! Who hast created all. In Adams's American Church Pastorals, 1864, being the Hymns Ancient & Modern version reduced to CM. 3. Father, Who hast created all. In the Pennsylvania Lutheran Church Book, 1868, in 8.6.8.6.8.8. metre. 4. Father of heaven, Who hast created all. In Kennedy, 1863; the Society for Promoting Christian Knowledge Church Hymns, 1871; Thring's Collection, 1882; and in America in M. W. Stryker's Christian Chorals, 1885. Hymns not in English common use :— v. Abend ist es; Herr, die Stunde. Evening. Written at Sulz, June 19, 1828 (Koch, vii. 224). First published in his Christliche Gedichte, 1829, i. p. 9, in 10 st. Translated as "It is evening, and the hour, Lord," by Miss Manington, 1863, p. 130. vi. Eines wünsch ich mir vor allem Andern. Love to Christ. First published in his Christliche Gedichte, 1829, i. p. 151, in 4 st., entitled "My Wish." Lauxmann, in Koch, viii. 59, says it was written, April 23, 1823, while Knapp was at Gaisburg, for the use of a young girl at Stuttgart who was about to be confirmed. Dr. Schaff classes it as the finest and most popular church hymn of its author. Translated as "More than all, one thing my heart is craving," by T. C. Porter, April 13, 1868, for Schaff's Christ in Song, 1869, p. 625. vii. Geh hin! der Herr hat dich gerufen. Burial of a child. Written, 1844, on the death of his son Manuel. First published in his Christoterpe, 1849, p. 139, in 4 st. Translated as “Go hence! the Lord hath called thee home," by Dr. J. Guthrie, in his Sacred Lyrics, 1869, p. 112. viii. Geh zum Schlummer ohne Kummer. Burial. Written in memory of his first wife, who died April 11, 1835. First published in Evangelischer Lieder-Schatz, 1837, No. 3432 (1865, No. 3006), in 5 st. Translated as "Softly slumber, softly slumber," by E. Massie, in the Day of Rest, 1878. ix. Geist des Lebens, heil'ge Gabe. Whitsuntide. Written at Sulz for Whitsuntide, 1828 (Koch, vii. 225). First published in his Christliche Gedichte, 1829, i. p. 86, in 13 st. Translated as "Thou Spirit, Who dost life impart," by J. Kelly, 1885, p. 63. x. Hättest du Licht und Heil. The Blessings of Salvation. In his Christliche Gedichte, 1829, i. p. 149, in 7 st. Translated as “Ob, Jesus! had'st Thou not brought near," by C. T. Astley, 1860, p. 30, xi. Heulend spielen Stürme mit den Schiffen. For those at Sea. First published in his Christliche Gedicht, 1829, ii. p. 26, in 10 st., entitled "The Walk on the Sea, Matthew xiv. 24-32." Translated as "Howling storms are sporting with the vessel," in L. Rehfuess's Church at Sea, 1868, p. 38. xii. Ihr Kinder lernt von Anfang gern. Children. Written 1839, and first published in his Christenlieder, 1841, No. 212, in 9 st., entitled "The Use of the Fourth (Fifth) Commandment." Translated as "Betimes O learn, ye children, well," by Dr. G. Walker, 1860, p. 68. xiii. Jesus, ew'ge Sonne. The Glory of Christ. In his Neuere Gedichte, 1834, ii. p. 50, in 1 st. Translated as “Jesus, everlasting Sun," by J. Kelly, 1885, p. 35. xiv. Schwellet sanft, ihr weissen Sege. For those at Sea. First published in his Evangelischer Lieder-Schatz,1837, No. 3109, in 5 st. Translated as "Gently swell, ye white sails, driven," in L. Rehfuess's Church at Sea, 1868, p. 13. xv. Sohn des Vaters, Herr der Ehren. Waiting on God. In his Christliche Gedichte, 1829, i. p. 162, in 3 st. Translated as (1) "Son of the Father! mighty Lord, An answer," by C. T. Astley, 1860, p. 1. (2) "Lord of glory, God's dear Son, Let this thing," &c, by R. Massie, 1864, p. 124. xvi. Streichet hin, ihr leisen Flügel. The Fleetness of Time. In his Evangelischer Lieder-Schatz, 1837, No. 2903, in 3 st. Translated as "O ye winds of time! still hieing," in L. Rehfuess's Church at Sea, 1868, p. 42. xvii. Weh' mich vom sanften Mittag an. The Wait¬ing Soul. The original of this hymn is J. Newton's “Breathe from the gentle South, O Lord " (Olney Hymns, 1779, Bk. iii., No. 10). Knapp's translation is full and good, and is included in his Christoterpe, 1837, p. 294, and Evangelischer Lieder-Schatz, 1837, No. 2251. The text tr. is that in S. Hofer's Pilgerharfe, Basel, 1863, No. 118, which begins with st. iii. altered to "O Herr, ich möchte stille sein." Mr. R. Massie was quite unconscious that he was reproducing a hymn of Newton's by a process of double translation. His versions are, (1) "O Lord, I gladly would be still," in the British Herald, June, 1865, p. 85. (2) "Lord, I would still and patient be," in the Day of Rest, 1877, vol. viii. p. 379. xviii. Wenn ich in stiller Frühe. Morning. In his Christliche Gedichte, 1829, i. p. 25, in 3 st., entitled "The Morning Star." Translated as, (1) "When in the cool, still morning," by R. Massie, in the British Herald, April, 1865, p. 56, and Reid's Praise Book, 1872. (2) "When from my sleep awaking," by R. Massie, in the Day of Res, 1877, p. 375. xix. Wie hold ist diese Stille. Sunday Morning. Written 1842. In his Gedichte, Neueste Folge, 1843, p. 3, in 7 st. In his Evangelischer Lieder-Schatz, 1850, No 1176 (1865, No. 1217), it begins "Wie süss." Translated as O quiet, silent sweetness," in L. Rehfuess's Church at Sea, 1868, p. 27. Five additional hymns by Knapp are translated by Dr. H. Mills in his Home Germanicae, 1845 and 1856. A version by Knapp from Caesar Malan is noted under "Non, ce nest pas mourir." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

J. B. Atchinson

1840 - 1882 Hymnal Number: d114 Author of "Lass den Heiland ein" in Liederperlen Atchinson, Jonathan Bush, born at Wilson, New York, Feb. 17, 1840, and "licensed as a Methodist Preacher," Sept. 6, 1874. Of his hymns the following are the best known:— 1. Behold the stone is rolled away. [Easter.] This was Mr. Atchinson's first hymn. It appeared in the Sunday School Times, Dec. 1874. It is not in use in Great Britain. 2. Fully persuaded, Lord, I believe. [Faith.] Written in 1874 or 1875, and first published in Gospel Hymns, No. 1. It is given in I. D. Sankey's Sacred Songs & Solos, No. 149, with music by W. F. Sherwin. 3. I have read of a beautiful city. [Heaven.] Written about the same time as the former, and published in Gospel Hymns. It is given in I. D. Sankey's Sacred Songs & Solos, No. 403, with music by O. F. Presbrey. 4. O crown of rejoicing that's waiting for me. [The Reward .] This hymn is also in I. D. Sankey's Sacred Songs & Solos, No. 174, where it is set to music by P. Bliss. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Amelia M. Hull

1812 - 1884 Hymnal Number: d136 Author of "O komm, und komme noch heut" in Liederperlen Hull, Amelia Matilda, daughter of William Thomas Hull, was born at Marpool Hall, Exmouth, circa 1825. Her publications include:— (1) Hymns by A. M. H., South Petherton, n.d. [1850]; (2) Heart Melodies, 1864; (3) The Silver Trumpet Answered; (4) Fruit from, the Tree of Life; (5) A Hymn-Book for Children; (6) Royal Musings concerning the King and His Work, n.d. [1884]. Miss Hull also contributed 22 hymns to Miss H. W. Soltau's Pleasant Hymns for Boys and Girls, n.d. [I860], From this collection her two popular hymns are taken:— 1. And is it true as I am told. The Good Shepherd. 2. There is life for a look at the Crucified One. Life in Christ. -- John Julian, Dictionary of Hymnology =============================== Hull, Amelia M., p. 542, i. A few additional hymns from her works are in The Enlarged London Hymn Book, 1873, where they are all signed "A. M. Hull." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

E. C. Magaret

1845 - 1924 Hymnal Number: d35 Author of "Bist du ein, voellig rin in dem kostbaren" in Liederperlen

William Horn

1839 - 1917 Hymnal Number: d87 Author of "Mit ganzem Herzen dein, Herr, dein" in Liederperlen Horn, William. (Germany, May 1, 1839--April 27, 1917). Evangelical. Come to United States in 1855, settled in Wisconsin. Licensed in 1861, ordained elder 1866, presiding elder 1871, bishop 1891. Editor of various Evangelical German-language publications, including Das Evangelische Magazin and Christliche Kinderfreund. Editor of German weekly of the Evangelical Association, 1883, Christliche Botschafter. Editor of Evangelisches Gesangbuch, 1877, for which he supplied a number of hymns. His most famous hymn was "Pure and free from all corruption." He wrote 24 hymns in all, and has been called one of the greatest of the German writers in America. Translated many English hymns into German. Retired as bishop in 1915. --Robert S. Wilson, DNAH Archives --Ellen Jane Lorenz, DNAH Archives William Horn was born in Germany May 1, 1839. He died in 1917. He came to U.S. in 1855 and settled in Wisconsin. Licensed in 1861, he rose through the ranks of ordained elder and bishop. He retired as Bishop in 1915 and died April 27, 1917. He was the editor of various Evangelical German-lanuage publications including EVANGELISCHES GESANGBUCH of 1877, for which he supplied a number of hymns. Of his twenty-four hymns the most famous, according to Ellen J. Lorenz, was "Pure and free from all corruption". He also translated many English hymns into German. —Mary L. VanDyke for Dictionary of American Hymnology, Oberlin College Library (14 December 2003)

Karl August Döring

1783 - 1844 Person Name: Karl August Doering Hymnal Number: d83 Author of "Mein Trost in Zweifeln'chten ist" in Liederperlen Döring, Carl August, son of B. L. Döring, chief forester at Mark-Alvensleben, near Magdeburg, was born at Mark-Alvensleben, Jan. 22, 1783. After completing his studies at the University of Halle, he was for some time private tutor at Waldenburg, in Silesia. In 1808 he was appointed a master in the school at Kloster-Bergen, near Magdeburg; and after its dissolution by Napoleon in 1810, acted for some time as a private tutor at Helmsdorf, near Eisleben. He was, in 1814, appointed afternoon preacher at St. Peter's Church, Magdeburg; in 1815 Archidiaconus of St. Andrew's Church at Eisleben; and in 1816 Pastor of the Lutheran Church at Elberfeld. He died at Elberfeld, Jan 17, 1844 (Koch, vii. 159-168; Allg. Deutsche Biog. , v. 348-349). One of the most prolific of German hymnwriters, he produced some 1200 hymns, not a few of which have passed into use in Germany through the Berlin Gesang-Buchem, 1829, the Nassau Gesang-Buch, 1844, and other collections. They appeared mostly in his Christliches Hausgesangbuch. Of this pt. i was published at Elberfeld, 1821, with 515 hymns by himself, and 169 by others; the 2nd edition, Elberfeld, 1825, omitting those by other authors, and increasing his own to 630. Part ii was published at Elberfeld, 1830, with 551 hymns. Three have been translated:— i. Ich weiss, dass mein Erlöser lebt, Er ward ja schon mein Leben! [Easter.] 1821, as above, No. 100, in 6 stansas, translated as “I know that my Redeemer lives; He is my life already," by N. L. Frothingham, 1870, p. 157. ii. Vater, Sohn and heil'ger Geist. [Confirmation.] 1821, as above (No. 546), as a hymn for Confirmation. It is in 15 stanzas of various metres, st. i.-iii. being marked as to be sung by the congregation on behalf of the children; stanzas viii.-xiii. as a hymn of supplication by the children; stanzas iv.-vii. by the parents and teachers; and stanzas xiv.-xv., by the congregation as a general supplication. Two parts are in German common use, viz. stanzas i.-iii. as Rin Bunsen's Versuch, 1833, No. 614, beginning, "Segne, Vater, Sohn und Geist," as in Döring's edition 1825, No. 502; and stanzas viii.-xiii., beginning, "Wir flehn um deine Gnade," in Bunsen, No. 615, the Hamburg Gesang-Buch, 1842, No. 276, and many recent collections. The only translation in common use is— Father, Son and Holy Ghost, Bless the Young. A good translation of stanzas i.-iii. by J. S. Stallybrass, in the Tonic Sol-fa Reporter, January, 1859, and thence, as No. 329, in the Scottish Presbyterian Hymnal, 1876. iii. Taufe mich mit deiner Taufe, [Whitsuntide.] 1821, as above, No. 135, in 4 stanzas. It is translated as "With other baptism, Lord, baptise," by Dr. G. Walker, 1860, p. 66. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)