Person Results

Switch back to the old search page.Advanced Search

Showing 21 - 30 of 51Results Per Page: 10 20 50

John Henry Newman

1801 - 1890 Person Name: John H. Newman Hymnal Number: d14 Author of "Come, Holy Ghost, Who ever one Art with the Father and the Son" in The Trinity Hymnal, with Offices of Devotion Newman, John Henry , D.D. The hymnological side of Cardinal Newman's life and work is so small when compared with the causes which have ruled, and the events which have accompanied his life as a whole, that the barest outline of biographical facts and summary of poetical works comprise all that properly belongs to this work. Cardinal Newman was the eldest son of John Newman, and was born in London, Feb. 21, 1801. He was educated at Ealing under Dr. John Nicholas, and at Trinity College, Oxford, where he graduated in honours in 1820, and became a Fellow of Oriel in 1822. Taking Holy Orders in 1824, he was for a short time Vice-Principal of St. Alban's Hall, and then Tutor of Oriel. His appointment to St. Mary's, Oxford, was in the spring of 1828. In 1827 he was Public Examiner, and in 1830 one of the Select University Preachers. His association with Keble, Pusey, and others, in what is known as "The Oxford Movement," together with the periodical publication of the Tracts for the Times, are matters of history. It is well known how that Tract 90, entitled Bernards on Certain Passages in the Thirty-nine Articles, in 1841, was followed by his retirement to Littlemore; his formal recantation, in February, 1843, of all that he had said against Rome; his resignation in September of the same year of St. Mary's and Littlemore; and of his formal application to be received into the communion of the Church of Rome, Oct. 8, 1845. In 1848 he became Father Superior of the Oratory of St. Philip Neri, at Birmingham; in 1854 Rector of the newly founded Roman Catholic University at Dublin; and in 1858 he removed to the Edgbaston Oratory, Birmingham. In 1879 he was created a Cardinal, and thus received the highest dignity it is in the power of the Pope to bestow. Cardinal Newman's prose works are numerous, and his Parochial Sermons especially being very popular. His Apologia pro Vita Sua, 1864, is a lucid exposition and masterly defence of his life and work. Cardinal Newman's poetical work began with poems and lyrical pieces which he contributed to the British Magazine, in 1832-4 (with other pieces by Keble and others), under the title of Lyra Apostolica. In 1836 these poems were collected and published under the same title, and Greek letters were added to distinguish the authorship of each piece, his being δ. Only a few of his poems from this work have come into use as hymns. The most notable is, "Lead, kindly Light". His Tract for the Times, No. 75, On the Roman Breviary, 1836, contained translations of 14 Latin hymns. Of these 10 were repeated in his Verses on Religious Subjects, 1853, and his Verses on Various Occasions, 1865, and translations of 24 additional Latin hymns were added. Several of these translations are in common use, the most widely known being "Nunc Sancte nobis" ("Come, Holy Ghost, Who ever One"). His collection of Latin hymns from the Roman and Paris Breviaries, and other sources was published as Hymni Ecclesiae, in 1838, and again in 1865. His Dream of Gerontius, a poem from which his fine hymn, "Praise to the Holiest in the height," is taken, appeared in his Verses on Various Occasions, in 1868. Cardinal Newman's influence on hymnology has not been of a marked character. Two brilliant original pieces, and little more than half a dozen translations from the Latin, are all that can claim to rank with his inimitable prose. --John Julian, Dictionary of Hymnology (1907) ================= Newman, John Henry, p. 822, ii. He died at Edgbaston, Birmingham, Aug. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Newman, Card. J. H., pp. 802, ii.; 1581, ii. The following are also in use at the present time, but, except No. 13, almost exclusively in R. C. collections. The dates in brackets are those given in Newman's Verses, 1868; all thus marked were composed in the Birmingham Oratory at these dates:— i. In the Rambler, 1850. 1. In the far North our lot is cast. [S. Philip Neri.] (1850.) March, 1850, p. 250. In the Birmingham Oratory Hymn Book, 1857 and 1906, it begins, " On Northern coasts," and in the Parochial Hymn Book, 1880, with st. ii. " Founder and Sire! to mighty Rome." 2. The Angel-lights of Christmas morn. [Candlemas.] (1849.) March, 1850, p. 251. 3. There sat a Lady all on the ground. [B. V. M.] (1849.) May, 1850, p. 425. ii. Verses, 1853. 4. All is Divine which the Highest has made. [For an inclement May.] (1850.) 1853, p. 128. 5. Green are the leaves, and sweet the flowers. [May.] (1850.) 1853, p. 125. 6. My oldest friend, mine from the hour. [Guardian Angel] (1853.) 1853, p. 12. 7. The holy monks conceal'd from men. [S. Philip Neri.] (1850.) 1853, p. 134. 8. The one true Faith, the ancient Creed. [The Catholic Faith.] 1853, p. 140. 9. This is the saint of sweetness and compassion. [S. Philip Neri.] 1853, p. 136. Rewritten (1857) as "This is the saint of gentleness and kindness" in the Birmingham Oratory Hymn Book, 1857, No. 49. iii. Birmingham Oratory Hymn Book, 1857. 10. Help, Lord, the souls which Thou hast made. [The Faithful Departed.] (1857.) 1857, No. 76. iv. Birmingham Oratory H. Book, 1862. 11. I ask not for fortune, for silken attire. [S. Philip Neri.] (1857.) 1862, No. 54. 12. Thou champion high. [S. Michael.] (1862.) 1862, No. 41. v. Dream of Gerontius, 1866. 13. Firmly I believe and truly. [The Faith of a Christian.] 1866, p. 9; Verses, 1868, p. 318; The English Hymnal 1906. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ----- John Henry Newman was born in London, in 1801. He studied at Trinity College, Oxford, graduating B.A. in 1820, and was subsequently Fellow of Oriel College. In 1825, he became Vice Principal of S. Alban's Hall, and was Tutor of his college for several years. In 1828, he became incumbent of S. Mary's, Oxford, with the chaplaincy of Littlemore. In 1842, he went to preside over a Brotherhood he had established at Littlemore. He was the author of twenty-four of the "Tracts for the Times," amongst them the celebrated Tract No. 90, which brought censure upon its author. In 1845, he left the Church of England and entered the Church of Rome. He was appointed Father Superior of the Oratory of S. Philip Neri, at Birmingham, and in 1854, Rector of the new Roman Catholic University at Dublin, an office he filled till 1858. He has published a large number of works. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================

Sedulius

400 - 499 Person Name: Coelius Sedulius Hymnal Number: d87 Author of "Why, impious Herod, vainly fear" in The Trinity Hymnal, with Offices of Devotion Sedulius, Coelius. The known facts concerning this poet, as contained in his two letters to Macedonius, are, that in early life, he devoted himself to heathen literature; that comparatively late in life he was converted to Christianity; and that amongst his friends were Gallieanus and Perpetua. The place of his birth is generally believed to have been Rome; and the date when he flourished 450. For this date the evidence is, that he referred to the Commentaries of Jerome, who died 420; is praised by Cassiodorus, who d. 575, and by Gelasius, who was pope from 492 to 496. His works were collected, after his death, by Asterius, who was consul in 494. They are (1) Carmen Paschale, a poem which treats of the whole Gospel story; (2) Opus Paschale, a prose rendering of the former; (3) Elegia, a poem, of 110 lines, on the same subject as the Carmen; (4) Veteris et Novi Testamenti Collatio; and (5) the hymn, "A solis ortus cardine". Areval(1794) quotes 16 manuscripts of Sedulius's work, ranging in date from the 7th to the 16th century. The best edition of his Opera is that by Dr. J. Huemer, pulished. at Vienna in 1885. Areval's text is printed in Migne's Patrology: Series Latina vol. xix. This Sedulius must not be confounded with the Irish, or with the Scottish Sedulius, as is sometimes done. --John Julian, Dictionary of Hymnology (1907)

Francis Stanfield

1835 - 1914 Hymnal Number: d25 Author of "Hear thy children, gentle Jesus, while we breathe" in The Trinity Hymnal, with Offices of Devotion Stanfield, Francis, s. of Clarkson Stanfield the artist, was b. in London Nov. 5, 1836 [sic. 1835], and educated at St. Edmund's College, near Ware. Since his ordination he has principally been engaged in conducting missions and retreats, but he was for some time stationed at Hertford, and has been lately priest in charge at Old Hall Green, Herts. A collected edition of his hymns is being issued by the Benedictine Fathers at Ramsgate. They include:— i. From his Catholic Hymns, pt. i. 1858, ii. 1860:— 1. All hail, bright feast of jubilation. All Saints. 2. All ye who love your fatherland. Prayer for England. 3. Drear is the nightfall. B. V. M. 4. Hail, Virgin Queen of May's bright gladdening hours. May. 5. Hear thy children, gentlest mother. B. V. M. 6. O Sacred Heart, all blissful light of Heaven. Sacred Heart. 7. Sweet Jesus! Thou a haven art. Sacred Heart. 8. Sweet Sacrament divine. Holy Communion. 9. There is a land of peace and love. Heaven. ii. In the Holy Family Hymns, 1860 :— 10. Bright Queen of Heaven, Virgin most fair. B.V.M. 11. Hail, feast of deep celestial joy. All Saints. 12. Hear Thy children, gentle Jesus. Evening. Also in the People's Hymnal, 1867, and others. In the Supplement to the New Congregational Hymn Book, 1874, it begins "Hear Thy children, Heavenly Father." 13. O Sacred Heart, our home lies deep in Thee. Sacred Heart. iii. In the St. Patrick's Hymn Book, 1862 :— 14. At hour of silent midnight. Christmas. 15. O Mother, welcome is the feast. Immaculate Conception. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

A. Cleveland Coxe

1818 - 1896 Hymnal Number: d62 Author of "Savior sprinkle many nations, fruitful let Thy sorrows be" in The Trinity Hymnal, with Offices of Devotion Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain. 1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary. 2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883. 3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883. 4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844. 5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840. 6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869. 7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring." 8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873. 9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer. 10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840. 11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above. 12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer. 13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834. 14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections. 15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc. 16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory." 17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872. Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird] -- John Julian, Dictionary of Hymnology (1907)

Peter Abelard

1079 - 1142 Hymnal Number: d56 Author of "O what their joy and their glory be" in The Trinity Hymnal, with Offices of Devotion Abelard, Peter, born at Pailais, in Brittany, 1079. Designed for the military profession, he followed those of philosophy and theology. His life was one of strange chances and changes, brought about mainly through his love for Heloise, the niece of one Fulbert, a Canon of the Cathedral of Paris, and by his rationalistic views. Although a priest, he married Heloise privately. He was condemned for heresy by the Council of Soissons, 1121, and again by that of Sens, 1140; died at St. Marcel, near Chalons-sur-Saône, April 21, 1142. For a long time, although his poetry had been referred to both by himself and by Heloise, little of any moment was known except the Advent hymn, Mittit ad Virginem, (q.v.). In 1838 Greith published in his Spicihgium Vaticanum, pp. 123-131, six poems which had been discovered in the Vatican. Later on, ninety-seven hymns were found in the Royal Library at Brussels, and pub. in the complete edition of Abelard's works, by Cousin, Petri Abelardi Opp., Paris, 1849. In that work is one of his best-known hymns, Tuba Domini, Paule, maxima (q.v.). Trench in his Sacra Latina Poetry, 1864, gives his Ornarunt terram germina (one of a series of poems on the successive days' work of the Creation), from Du Meril's Poesies Popul. Lat. du Moyen Age, 1847, p. 444. -John Julian, Dictionary of Hymnology (1907)

Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Hymnal Number: d12 Author of "Christ [God], whose glory fills the skies [sky]" in The Trinity Hymnal, with Offices of Devotion Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Gerard Moultrie

1829 - 1885 Hymnal Number: d80 Author of "We march, we march to victory" in The Trinity Hymnal, with Offices of Devotion Moultrie, Gerard, M.A., son of the Rev. John Moultrie, was born at Rugby Rectory, Sept. 16, 1829, and educated at Rugby and Exeter College, Oxford (B.A. 1851, M.A. 1856). Taking Holy Orders, he became Third Master and Chaplain in Shrewsbury School; Chaplain to the Dowager Marchioness of Londonderry, 1855-59; curate of Brightwaltham, 1859; and of Brinfield, Berks, 1860; Chaplain of the Donative of Barrow Gurney, Bristol, 1864: Vicar of Southleigh, 1869, and Warden of St. James's College, Southleigh,1873. He died April 25, 1885. His publications include: 1) The Primer set forth at large for the use of the Faithful. In Family and Private Prayer. Edited from the Post Reformation editions, 1864. (2) Hymns and Lyrics for the Seasons and Saints' Days of the Church, 1867. The hymns of his sister, Mary Dunlop Moultrie (q.v.), were included in this volume. (3) The Espousals of S. Dorothea and Other Verses, 1870. (5) The Devout Communicant, 1867. (6) Six Years' work in Southleigh, 1875. (7) Cantica Sanctorum, or Hymns for the Black Letter Saints Days in the English and Scottish Calendars, to which are added a few Hymns for Special Occasions, 1880. Mr. Moultrie's hymns include translations from the Greek, Latin, and German, in addition to original compositions. A large number appeared in the Church Times, and other papers; and many were written for special Saints' Days, and Other Festivals, for the People's Hymnal, 1867, in which some were signed "D. P." (i.e. Desiderius Pastor). The following are in common use:— i. In The Primer, 1864. 1. Father of all, to Thee we pray. Lord's Prayer. 2. In the Name of God the Father. Laying Foundation Stone. (2nd stanza: "And as on the morning stillness.") First appeared in the Church Times, Oct. 1, 1864, and again (as rewritten for the laying of the foundation stone of St. Margaret's, East Grinstead), July 29, 1865. ii. In Hymns and Lyrics, 1867. 3. Bishop of the souls of men. St. Matthias. 4. Come, faithful people, come away. Palm Sunday. 5. Easter-day is here, and we. Easter. 6. Heavenly Father, God alone. Harvest. 7. Mother, from whose bosom's veil. St. Anne. July 26. 8. 0 Jesu, 0 Redeemer. St. Luke. 9. Mary, maiden undefiled. Visitation of the Blessed Virgin Mary. 10. Silence reigns at eventide. Whitsuntide. In the Altar Hymnal, 1884, it begins with st. iii., "Hark, a rushing mighty sound." 11. The Marriage feast is ready. All Saints. Usually given in an abbreviated form. 12. Virgin-born the King of heaven. Christmas Midnight Hymn. ("To be sung at the Midnight Cele¬bration.") In the Church Times, Nov. 26, 1864, and revised for Hymns & Lyrics. 13. We march, we march to victory. Processional. In the Church Times, Aug, 19, 1865, and headed "Processional hymn before service (written expressly for use during present troubles)." 14. Who is this that shines so bright! St. Laurence. In the People's Hymnal, 1867. 15. Who keeps his birthday feast tonight? Beheading of St. John Baptist. In the People's Hymnal, 1867. iii. In The People's Hymnal, 1867. 16. Heart to heart, and side by side. Holy Matrimony. 17. I know that my Redeemer liveth. Burial. A paraphrase of the Responsory in the Roman Office for the Dead. 18. Jesus Christ, we humbly pray. Opening of a School House. 19. Lord of heaven, Whose faithful love. Ember Days. 20. Lord, today we bring to Thee. Reception of a Privately Baptized Child. 21. Lord, we come today to Thee. Choir Festival. 22. 0 God, Who bad'st Thine angel sheathe. National Thanksgiving for restored Public Health. This is given in the Society for Promoting Christian Knowledge Church Hymns, 1871, as "0 God, Whose angel stayed his hand," and in the Hymnary, 1872, as "Lord, Who didst bid Thine angel sheathe." 23. 0 Lord of Hosts, Thou God of might. National Thanksgiving for Peace. In several collections. 24. Sevenfold Spirit, Lord of life. Consecration of a Bishop. First sung at the consecration of an American bishop at New York, in 1867. Included in the author's Espousals of St. Dorothea, 1870. 25. Sounds the bell in solemn cadence. Burial. In The Espousals of S. Dorothea, 1870, p. 82, the note is added, "This hymn was first sung at the funeral of the Rev. Warwick Wroth of Clerkenwell." It is headed "Funeral Hymn for a Priest." iv. In Cantica Sanctorum, 1880. 26. In the midst of gladness, sorrow. Annunciation in Holy Week. 27. Jesus, tender Shepherd. Holy Communion. 28. Swing the censer, wave the banner. Processional. v. In The Altar Hymnal, 1884. 29. Our great High Priest is standing. Holy Communion. 30. Lo, the Sacrifice atoning. Holy Communion. vi. Various. 31. Forward, Christians, forward. Processional. Written for the Church of England Working Men's Society in 1879, and issued as a leaflet, of which 40,000 copies were sold during the first year. 32. Laid in this garden full of bloom. Easter Eve. In the Churchman's Companion, April, 1879. 33. On the wings of the wind fell a hymn from the sky. Christmas. In Husband's Supplemental Hymns, N.D. [1873]. 34. Shades of night are falling round us. Evening. Novello & Co., with Music by Shad Frost. 35. There is a sound of rejoicing around the great throne. Processional. Written for St. Michael's Church, Folkestone, and published in E. Husband's Appendix to Hymns Ancient & Modern, N.D. [1873]. It was set to music by Mr. Husband, and is commonly known as "The Folkestone Processional." 36. This is the festal day of jubilation. Sunday School Anniversary. A hymn to be sung alternately by men and boys during the collection, written in 1877 for St. Agnes's, Kennington, London. 37. This is the hour of peace and blest communion. Holy Communion. Written for the English Church Union Commemoration held at St. Agnes's, Kennington Park, London, June 9, 1880. From the subjects of the hymns noted above it will be seen that Mr. Moultrie wrote principally on matters not usually dealt with by hymnwriters. This is specially the case with his Cantica Sanctorum, in which most of the 103 hymns are for "Black Letter Saints' Days." --John Julian, Dictionary of Hymnology (1907) =================== Moultrie, G., p. 771, ii. We find that Mr. Moultrie wrote the preface to the Cantica Sanctorum, 1880, but did not edit the book. He and others contributed some thirteen hymns thereto. It was edited by Miss Isabella Leefe, p. 1663, i., who wrote 90 of the hymns. --John Julian, Dictionary of Hymnology, New Supplement (1907) See also in: Hymn Writers of the Church

Jean-Baptiste de Santeul

1630 - 1697 Person Name: Jean Baptiste de Santeuil Hymnal Number: d32 Author of "In stature grows the heavenly [holy] child" in The Trinity Hymnal, with Offices of Devotion Santeüil, Jean-Baptiste de, was born in Paris of a good family on May 12, 1630. He was one of the regular Canons of St. Victor, at Paris, and, under the name of Santolius Victorinus, was distinguished as a writer of Latin poetry. Many of his hymns appeared in the Cluniac Breviary 1686, and the Paris Breviaries 1680 and 1736, and several have been translated into English, and are in common use in Great Britain and America. He was very jocose in disposition and singular in his habits. When on a journey he died at Dijon, Aug. 5, 1697. His Hymni Sacri et Novi were published at Paris in 1689, and again, enlarged, in 1698. [George Arthur Crawford, M.A.] --John Julian, Dictionary of Hymnology (1907)

St. Germanus I

634 - 733 Person Name: Germanus Hymnal Number: d2 Author of "A great and mighty wonder, A full and holy cure" in The Trinity Hymnal, with Offices of Devotion Germanus, St. [634-734.] One of the Greek hymnwriters, and one of the grandest among the defenders of the Icons. He was born at Constantinople of a patrician family; was ordained there; and became subsequently bishop of Cyzicus. He was present at the Synod of Constantinople in 712, which restored the Monothelite heresy; but in after years he condemned it. He was made patriarch of Constantinople in 715. In 730 he was driven from the see, not without blows, for refusing to yield to the Iconoclastic Emperor Leo the Isaurian. He died shortly afterwards, at the age of one hundred years. His hymns are few. Dr. Neale selects his canon on The Wonder-working Image of Edessa as his most poetical piece (see Neale's Hymns of the Eastern Church, 1862, and later editions). The earliest biographical account of Germanus is found in Basil's Menology, under May 12. Later we have a Memoir by Henschew (Boll. Acta S.S. Mai, iii., 155). His hymns are given in Migne and Daniel, and have been translated to a small extent into English by Dr. Neale. (For further biographical details see Dictionary of Christian Biographies, pp. 658-659.) [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Heinrich Theobald Schenk

1656 - 1727 Person Name: H. T. Schenk Hymnal Number: d86 Author of "Who are these like stars appearing" in The Trinity Hymnal, with Offices of Devotion Schenk, Heinrich Theobald, son of Simon Schenk, pastor at Heidelbach, on the Schwalm, near Alsfeld, Hesse, was born at Heidelbach, April 10, 1656. He entered the Padagogium at Giessen, in 1670, and then pursued his studies at the University (M.A. 1676). In 1676 he returned to the Padagogium, as one of the masters; and was, from 1677 to 1689, "præceptor classicus." On Dec. 27, 1689, he was ordained as Town preacher and "definitor," at the Stadtkirche in Giessen. He died at Giessen, April 11, and was buried there April 15, 1727…The registers at Giessen give the date of his funeral, but not of his death; but say, that at his death he was aged 71 years less 10 days, which would rather suggest April 21 as the date of his birth.) Only one hymn is known by him, but it is a hymn which is found in almost all recent German hymn-books; and, through translations, in many recent English collections. It is:— Wer sind die vor Gottes Throne. Eternal Life. This is found in the Neuvennehrtes Gesangbilchlein, Frankfurt-am-Main, 1719, No. 362, p. 341… It is a beautiful hymn on the Church Triumphant (i.-xiii.), and on the aspirations of the Church Militant to attain the same victorious glory. Translated as:— 1. Who are these like stars appearing. By Miss Cox, in her Sacred Hymns from the German, 1841, p. 89, being a very good translation of st. i.—vi., ix.-xi., xiv.-xvii., xx. This has come into extensive use in the cento adopted in Alford's Psalms & Hymns, 1844; and repeated in Hymns Ancient & Modern, 1861; being the trs. of st. i., iii.-v., ix. Other centos are found in Rorison's Hymns & Anthems, 1851, &c. Other forms may also be noted:— (1) "Lo! a multitude appearing." This, in T. Darling's Hymns for Ch. of England, 1874, is based on Miss Cox's st. i., iv., v., with two additional stanzas. (2) "Who are these in dazzling brightness. Bearing the victorious palm." 2. Who are these in light adoring. By A. T. Russell, as No. 145 in his Psalms & Hymns, 1851 ; being a tr. of st. i., iv., xi., xv. 3. Who are those before God's throne, What the crowned host I see. This is a good tr. of st. i.-vi., ix., x., xiv., xvii., xx., by Miss Winkworth in herLyra Germanica, 1st Ser., 1855, p. 207 Other translations are:— (1) "Who are those before God's throne, What the countless." By J. D. Burns, in the Family Treasury, 1859, pt. i., p. 307; and his Memoir & Remains, 1869, p. 267. (2) " Who are those round God's throne stand-ing." By Miss Manington, 1863, p. 90. (3) "What is this host that round the throne." By Miss Warner, 1869, p. 20. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)