Person Results

Switch back to the old search page.Advanced Search

Showing 21 - 30 of 33Results Per Page: 10 20 50

William Jensen Reynolds

1920 - 2009 Person Name: William J. Reynolds Topics: Invitation and Accepatance Arranger of "ASSAM" in Baptist Hymnal (1975 ed) Pseudonyms include: Bigelow, James Buie, Dean Clark, John Day, Francis Dorff, Gregory Dorsey, Jane Drakestone, John East, Richard Eastis, Ellen Frye, Dan Gregory, Peter Harrold, Stan Hawk, John Horn, Ellen Ingham, Marie Jordaan, Jacques Keely, Grant Kije, Cyd Kringel, Cark Kuliami, Tiki [?] Lee, Wilbur Long, Richard Long, Robert MacDougall, Thom Madsen, Carl O. Monroe, Lou Munroe, June Reed, Ruth Rodgers, Lee Rosemont, David Ross, Don Saul, J. Crawford Sneed, Roger Wheeler, Annette Winston, Clyde York, Henry --Email from William Colson to Mary Louise VanDyke, 4 May 2005, DNAH Archives. Names taken from the program of Reynolds' retirement dinner. Colson notes, "The program has faded and the one designated with a question mark is not 100% certain."

John Wesley Work

1873 - 1925 Person Name: John W. Work, Jr. Topics: Invitation and Accepatance Arranger of "SOMEBODY'S KNOCKING" in Baptist Hymnal (1975 ed) John W. Work, Jr. (b. Nashville, TN, 1872; d. Nashville, 1925), is well known for his pioneering studies of African American folk music and for his leadership in the performance of spirituals. He studied music at Fisk University in Nashville and classics at Harvard and then taught Latin, Greek, and history at Fisk from 1898 to 1923. Director of the Jubilee Singers at Fisk, Work also sang tenor in the Fisk Jubilee Quartet, which toured the country after 1909 and made commercial recordings. He was president of Roger Williams University in Nashville during the last two years of his life. Work and his brother Frederick Jerome Work (1879-1942) were devoted to collecting, arranging, and publishing African American slave songs and spirituals. They published two collections: New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901) and Folk Songs of the American Negro (1907). Bert Polman

James Wood

1921 - 2003 Person Name: James H. Wood Topics: Invitation and Accepatance Harmonizer of "BEACH SPRING" in Baptist Hymnal (1975 ed) James Wood was born April 14, 1921, in Rochester, Minn. He was a teacher of music and a concert singer, a choral conductor and composer In later life, he published a book of poems titled, "Songs Without Melodies." Dianne Shapiro

Mylon Le Fevre

1944 - 2023 Person Name: Mylon R. LeFevre Topics: Invitation and Accepatance Author of "Without Him" in Baptist Hymnal (1975 ed) Mylon Raymond LeFevre At 17 years old, he wrote his first song, "Without Him." Elvis Presley recorded it in 1963, and within a year, 126 artists had recorded his songs. In the secular world, he played and/or socialized with Eric Clapton, Elton John, Alvin Lee, Billy Joel, Duane Allman, Berry Oakley, Little Richard, the Who, Yes, Ten Years After, Rick Derringer, Traffic, George Harrison, Paul McCartney, Charlie Daniels, Tina Turner, Willie Nelson, Mick Fleetwood, Mountain, ZZ Top, and Grand Funk Railroad. He founded the Christian rock band Mylon and Broken Heart in 1981. In 1988 they received a Grammy for Best Gospel Vocal Performance by a Duo or Group, Choir or Chorus for their album Crack the Sky. Over the next ten years, they received two Dove Awards. He stopped touring and recording with Broken heart in 1992 due to heart problems --Daniel Mahraun (from www.newreleasetuesday.com/)

Ann B. Spratt

1829 - 1929 Topics: Invitation and Accepatance Composer of "KEDRON" in Baptist Hymnal (1975 ed)

W. E. Penn

1832 - 1895 Topics: Invitation and Accepatance Author of "The Sheltering Rock" in Baptist Hymnal (1975 ed) Penn, William Evander. (Near village of Old Jefferson, Rutherford County, Tennessee, August 11, 1832--April 29, 1895, Eureka Springs, Arkansas). Southern Baptist. Evangelist in Texas and other states, 1875-1895. Compiled three hymnals titled Harvest Bells (1881, 1884, 1887) for use in his meetings. His hymns were primarily revivalistic in emphasis. His finest hymn, "There is a rock in a weary land, Its shadow falls on the burning sand" was paid the compliment of being reworked and issued under the name of Edward Husband in D.B. Towner's Revival Hymns (Chicago, 1905). He and his wife Corilla Frances Sayle adopted three children. Ordained December 4, 1880. --David W. Music, and additional information from the DNAH Archives See: Linder, Michael. (1985). William Evander Penn : his contribution to church music (Unpublished doctoral dissertation). Southwestern Baptist Theological Seminary, Fort Worth, Texas. The Life and Labors of Major W. E. Penn. (1896). St. Louis: C. B. Woodward Printing).

Lewis Hartsough

1828 - 1919 Topics: Invitation and Accepatance Author of "I Hear thy Welcome Voice" in Baptist Hymnal (1975 ed) Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—- 1. I hear Thy welcome voice. The Divine Invitation. 2. In the rifted Rock I'm resting. Safety in Jesus. 3. Lead me to the Rock that's higher. Safety in Jesus. 4. O who'll stand up for Jesus? All for Jesus Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:— The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================ Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work. "I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use. Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist. --Robert G. McCutchan, DNAH Archives

B. B. McKinney

1886 - 1952 Topics: Invitation and Accepatance Author of "The Nail-Scarred Hand" in Baptist Hymnal (1975 ed) Pseudonyms-- Martha Annis (his mother’s maiden name was Martha Annis Heflin) Otto Nellen Gene Routh (his wife’s maiden name was Leila Irene Routh) ----- Son of James Calvin McKinney and Martha Annis Heflin McKinney, B . B. attended Mount Lebanon Academy, Louisiana; Louisiana College, Pineville, Louisiana; the Southwestern Baptist Seminary in Fort Worth, Texas; the Siegel-Myers Correspondence School of Music, Chicago, Illinois (BM.1922); and the Bush Conservatory of Music, Chicago. Oklahoma Baptist University awarded him an honorary MusD degree in 1942. McKinney served as music editor at the Robert H. Coleman company in Dallas, Texas (1918–35). In 1919, after several months in the army, McKinney returned to Fort Worth, where Isham E. Reynolds asked him to join the faculty of the School of Sacred Music at Southwestern Baptist Theological Seminary. He taught at the seminary until 1932, then pastored in at the Travis Avenue Baptist Church in Fort Worth (1931–35). In 1935, McKinney became music editor for the Baptist Sunday School Board in Nashville, Tennessee. McKinney wrote words and music for about 150 songs, and music for 115 more. --© Cyber Hymnal™ (www.hymntime.com/tch)

C. R. Dunbar

1830 - 1895 Topics: Invitation and Accepatance Composer of "DUNBAR" in Baptist Hymnal (1975 ed) Rv Charles R Dunbar USA 1830-1895. Born in Pulaski,NY, he became a minister. He died in Columbus, OH. John Perry