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Tune Identifier:old_124th_bourgeois
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Laurence Housman

1865 - 1959 Author of "Father Eternal, Ruler of Creation" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Housman, Lawrence, author and artist, was born July 18, 1867, at Bromsgrove, Worcs. His devotional poetry is principally in his Spikenard, 1898, and Bethlehem, 1902. To the English Hymnal, 1906, he contributed eight translations (142, 188, 191, 228, 229, 230, 231, 234); also three original hymns, with a fourth previously published, viz.:— 1. Lord God of Hosts, within Whose hand. St. George. 2. The Maker of the sun and moon. Christmas. From Bethlehem, 1902, p. 75. 3. The Saint who first found grace to pen. St. Mark. 4. When Christ was born in Bethlehem. Holy Innocents. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== Born: July 18, 1865, Bromsgrove, Hereford, England. Died: February 20, 1959, Glastonbury, Somerset, England. Buried: St. Mary’s, Bathwick, Smallcombe, near Bath. Housman studied art at the Lambeth School of Art and the Royal College of Art. He had great success as an illustrator, but when his eyesight began to fail, he turned to writing books and plays. He wrote 80 books during his lifetime. He often seemed to fall afoul of the censors, though, for religious and political reasons. A committed socialist and pacifist, in 1907, he helped found the Men’s League for Women’s Suffrage. He was also an honorary associate of the Women Writers’ Suffrage League. His works include: Jump-to-Glory Jane, by Meredith Goblin Market, by Christiantina Rossetti, 1893 The End of Elfintown, by Jane Barlow, 1894 Spikenard, 1898 The Sensitive Plant, 1898 Bethlehem, 1902 The Blue Moon, 1904 Angels and Ministers, 1921 Little Plays of St. Francis, 1922 Victoria Regina, 1937 The Unexpected Years, 1937 (autobiography) --www.hymntime.com/tch

Calvin Seerveld

b. 1930 Versifier of "If God the LORD Were Not Our Constant Help" in Psalter Hymnal (Gray) Calvin Seerveld (b. 1930) was professor of aesthetics at the Institute for Christian Studies in Toronto from 1972 until he retired in 1995. Educated at Calvin College, Grand Rapids, Michigan; the University of Michigan; and the Free University of Amsterdam (Ph.D.), he also studied at Basel University in Switzerland, the University of Rome, and the University of Heidelberg. Seerveld began his career by teaching at Bellhaven College in Jackson, Mississippi (1958-1959), and at Trinity Christian College in Palos Heights, Illinois (1959-1972). A fine Christian scholar, fluent in various biblical and modern languages, he is published widely in aesthetics, biblical studies, and philosophy. His books include Take Hold of God and Pull (1966), The Greatest Song: In Critique of Solomon (1967), For God's Sake, Run with Joy (1972), Rainbows for the Fallen World: Aesthetic Life and Artistic Task (1980), and On Being Human (1988). He credits the Dutch musician Ina Lohr for influencing his compositions of hymn tunes. Most of his Bible versifications and hymns were written for the Psalter Hymnal (1987), on whose revision committee he ably served. Bert Polman

Theodore Parker

1810 - 1860 Person Name: Theodore Parker, 1810-60 Author of "O Thou great Friend to all the sons of men" in Songs for the Chapel Parker, Theodore, M.A., was born at Lexington, Massachusetts, Aug. 24, 1810; laboured with his father as a farmer and mechanic; entered Harvard College in 1830, but continued his work at home and attended the College for examinations; attended the Divinity School from 1834 to 1836, and became pastor of the Unitarian congregation in West Roxbury, June 21, 1837. He received the degree of M.A. from his College in 1840. Changes in his theological views led him to undertake the pastorate of a congregation in Boston, in January 1846. He continued his writing, preaching, and lecturing till 1859, when bleeding at the lungs compelled him to seek relief in Europe. He died at Florence, May 10, 1860. His publications were numerous, and have been republished in Great Britain. An extended list is given, together with 12 poetic pieces, in Putnam's Singers and Songs of the Liberal Faith, Boston, U. S. A., 1875. His life has been published by Weiss, and by Frothingham. A few of his poetical pieces are given in American Unitarian hymn-books. These include :— 1. In darker days and nights of storm. Almighty Love. "Introduced in a sermon which Mr. Parker preached, entitled ‘The Practical Effects of the Ecclesiastical Conception of God.’” 2. 0 Thou great Friend of all the sons of men. Jesus the Way, the Truth, and the Life. This in the original is a sonnet. Altered for use as a hymn, it is widely used by American Unitarian; and is also given in some English hymnbooks. -- John Julian, Dictionary of Hymnology (1907)

A. M. S. Boethius

480 - 524 Author of "O thou whose power o'er moving worlds presides" in Hymns of the Spirit for Use in the Free Churches of America Anicius Manlius Severinus Boëthius, commonly called Boethius(English: /boʊˈiːθiəs/; also Boetius /boʊˈiːʃəs/; c. 480–524 AD), was a Roman senator, consul, magister officiorum, and philosopher of the early 6th century. See more in: Wikipedia

Martin Shaw

1875 - 1958 Person Name: Martin Shaw, 1875-1958 Arranger of "OLD 124TH" in Together in Song Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman

Samuel Johnson

1709 - 1784 Author of "O thou whose power o'er moving worlds presides" in Hymns of the Spirit for Use in the Free Churches of America

Denis Wortman

1835 - 1922 Person Name: D. Wortman Author of "God of the prophets! Bless the prophets' sons" in The Church Hymnal

Federico J. Pagura

1923 - 2016 Person Name: F. J. Pagura Translator of "Vuélvete, Hombre" in Cántico Nuevo Federico José Pagura was an Argentine Methodist bishop and author and translator of hymns. Leland Bryant Ross

William Daman

1540 - 1591 Arranger of "PSALM 124" in American Hymns Old and New Aliases: Damon; Damano; Demaunde; Damond; Dymond Born: ca.1540 Died: 1591 Damon was a foreign composer resident in England. He arrived probably in England in 1566 as a servant of Sir Thomas Sackville. In 1576 he became a recorder player at the Court of Elizabeth I. He was described as having been born in "Luke" and "Lewklande" and, on the assumption that these names refer to Luik or Liège, it has been inferred that he was a Walloon. However contemporary London records describe him as an Italian and a later reference refers to him having been born in "Luke in Italy", i.e. Lucca. His unanglicised name may have been Gulielmo (or Gulielmus) Damano. Daman died from the effects of an ulcer and was buried at St Peter-le-Poer, London, on 26 March 1591. List of choral works: Beati omnes qui timent Dominum Confitebor tibi Domine Miserere nostri Domine Omnis caro gramen sit Praedicabo laudes tuae Domine Spem in alium Publications: The Psalmes of David in English Metre (1579) The Former Booke of Musicke of M. William Damon (1591) The Second Booke of Musicke of M. William Damon (1591) --www3.cpdl.org/wiki/index.php/

Barbara Olmsted

Alterer of "Turn Back, O Mortal" in Worship in Song

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