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Ludvig Mathias Lindeman

1812 - 1887 Person Name: L. M. Lindeman, 1812-87 Topics: Invocation Arranger of "I JESU NAVN" in Evangelical Lutheran Hymnary Ludvig M. Lindeman (b. 1812; d. 1887) was a Norwegian composer and organist. Born in Trondheim, he studied theology in Oslo where he remained the rest of his life. In 1839 he succeeded his brother as the organist and cantor of Oslo Cathedral, a position he held for 48 years up until his death. Lindeman was appointed Knight of the Royal Norwegian Order of St. Olav, and was invited to both help christen the new organ in Royal Albert Hall in London, as well as compose for the coronation of King Oscar II and Queen Sophie of Sweden. In 1883, he and his son started the Organist School in Oslo. Lindeman is perhaps best known for his arrangements of Norwegiam folk tales; over the course of his life he collected over 3000 folk melodies and tunes. Laura de Jong

Johann Schop

1590 - 1667 Person Name: J. Schop, c. 1590-1667 Topics: Invocation Composer of "WERDE MUNTER" in Evangelical Lutheran Hymnary Johann Schop Germany 1590-1667. Born at lower Saxony, Germany, he became a Lutheran composer and violinist, much admired for his virtuoso and technical ability. In 1614 Duke Friedrich Ulrich made him a probationary musician in the Hofkapelle at Wolfenbuttel. He performed playing various instruments, but excelled as a violinist. He was engaged permanently in 1615, but the same year he responded to a summons to join the flourishing musical establishment of King Christian IV of Denmark in Copenhagen. There he met English viol player, William Brade, who had earlier been in service to Hamburg, Germany (and may have taught Schop there). Schops compositions for the violin set impressive demands for that area at that time. He also played other instruments, including the violi, lute, cornet, trombon, trumpet, zinke, and violin (virtuoso). In 1619 Schop and Brade left Copenhagen to escape the plague. He then went to Iburg, where he worked at the courtof the Osnabruck bishop, Philipp Sigismund. Schop had such a reputation that he soon acquired a post as Kapellmeister at an establishment in Hamburg and was the first member of the council music. In 1621 he was its director and the leading municipal violinist in that city, which offered him a substantial income for his participation in the church music program. He also was organist at the Jacobikirche. In 1634 he again traveled to Copenhagen with Heinrich Schutz and Heinrich Albert for the wedding of Crown Prince Christian. He won a violin contest there. Few German violinists were of his caliber musically. He returned to Hamburg, and the Danish king tried several times to woo him back to Denmark, but he stayed in Hamburg, becoming a director of music. He published books of violin music in 4 to 6 parts. He wrote two books of well-loved dance pieces and sacred concertos. He co-founded a school of song writing there in Hamburg with Thomas Selle. Many of his tunes were writtten for fellow townsmen and friend Johann Rist. Some of his music was performed at the Peace of Westphalia celebrations. Some of his tunes were used by chants in a cantata. Schop was married (wife’s name not found) and they had two sons, Johann II, and Albert, who also became musicians. He died in Hamburg. John Perry

Gioacchino A. Rossini

1792 - 1868 Person Name: Rossini Topics: Prayer and Invocation Composer of "LINWOOD" in The New Laudes Domini Gioacchino A. Rossini; b. 1792, Pesaro; d. 1868, Ruelle near Parise Evangelical Lutheran Hymnal, 1908

Bartholomaüs Ringwaldt

1532 - 1599 Person Name: B. Ringwaldt, 1532-99 Topics: Invocation Author of "O Holy Spirit, Grant Us Grace" in Evangelical Lutheran Hymnary Bartholomew Ringwaldt was born at Frankfort-on-the-Oder, in 1530, and was a Lutheran pastor at Langfield, in Prussia, where he died, 1598. His hymns resemble Luther's in their simplicity and power. Several of them were written to comfort himself and others in the sufferings they endured from famine, pestilence, fire and floods. In 1581, he published "Hymns for the Sundays and Festivals of the whole Year." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================ Ringwaldt, Bartholomäus (Ringwalt, Ringwald), was born Nov. 28, 1532, at Frankfurt a. Oder. He was ordained in 1557, and was pastor of two parishes before he settled in 1566 as pastor of Langfeld (or Langenfeld), near Sonnenburg, Brandenburg. He was still there in 1597, but seems to have died there in 1599, or at least not later than 1600. (Koch, ii. 182; Goedeke's Grundriss, vol. ii. 1886, p. 512; Blätter fur Hymnologie, 1885. Ringwaldt exercised a considerable influence on his contemporaries as a poet of the people, as well as by his hymns properly so called. He was a true German patriot, a staunch Lutheran, and a man who was quite ready to face the consequences of his plain speaking. His style is as a rule clear and good, though his rhymes are often enough halting; and he possessed considerable powers of observation and description. After 1577 he published various didactic poems, the most important being, (1) Newezeittung: So Hanns Fromman mit sich auss der Hellen unnd dem Himel bracht, Amberg, 1582, and the later editions enlarged and rewritten as Christliche Warnung des Trewen Eckarts, &c, Frankfurt a. Oder, 1588. In various forms and abridgments it passed through at least 34 editions up to 1700. This work is a mirror of the times and of the morals of the people. (2) Die Lauter Warheit, darinnen angezeiget, wie sich ein Weltlicher und Geistlicher Kriegsman in seinen Beruff vorhalten soil, &c, Erfurt, 1586. Of this again at least 18 eds. appeared up to 1700. In it he gives lively pictures of the life of the various ranks and orders of his time, and shows the temptations and failings of each, not by any means sparing his own class, i.e. the Lutheran clergy. As a hymnwriter Ringwaldt was also of considerable importance. He was one of the most prolific hymn-writers of the 16th century. Wackernagel, iv. pp. 906-1065, gives 208 pieces under his name, about 165 of which may be called hymns. A selection of 59 as his Geistliche Lieder, with a memoir by H. Wendebourg, was published at Halle in 1858. A number appeared in the various eds. of his Trewer Echart and Lauter Warheit as above. The rest appeared principally in his (1) Der 91. Psalm neben Siben andern schönen Liedern, &c, Frankfurt,a. Oder, 1577. (2) Evangelia, Auffalle Sontag unnd Fest, Durchs gantze Jahr, &c, Frankfurt a. Oder, N.D. The earliest edition now known is undated, but Wackernagel, i., p. 523, gives it as of 1582. It is marked as a 2nd edition, and has a preface dated Nov. 28, 1581. It contains hymns founded on the Gospels for Sundays and Festivals, &c. (3) Handbüchlin: geistliche Lieder und Gebetlein, Auff der Reiss, &c, Frankfurt a. Oder, 1586 (preface, Feb. 21, 1582). A good many of his hymns passed into German collections of the 16th and 17th centuries, and a number are still in German common use. Those of Ringwaldt's hymns which have passed into English are:— i. Es ist gewisslich an derZeit. Second Advent. The anonymous original of this hymn is one of Zwey schöne Lieder, printed separately circa 1565, and thence in Wackernagel, iv. p. 344. W. von Maltzahn, in his Bücherschatz, 1875, No. 616, p. 93, cites it as in an undated Nürnberg broadsheet, circa 1556. Wackernagel also gives along with the original the revised form in Ringwaldt's Handbüchlin, 1586. Both forms are also in the Unverfälschter Liedersegen, 1851, No. 746, in 7 stanzas of 7 lines. It is based on the "Dies Irae," but can hardly be called a version of it. The original has a picturesqueness and force which are greatly lost in Ringwaldt's revision. It was much used in Germany during the Thirty Years' War, when in these distressful times men often thought the Last Day was at hand. The translations are all, except No. 2, from Ringwaldt's text. They are:— 1. 'Tis sure that awful time will come. In full, by J. C. Jacobi, in his Psalter Germanica, 1722, p. 95 (1732, p. 202). Repeated, altered and abridged, in the Moravian Hymn Book, 1754 to 1886. It is also found in two centos. (1) The waking trumpets all shall hear (st. ii.), in Montgomery's Christian Psalmist, 1825. (2) When all with awe shall stand around (st. v.), from the Moravian Hymn Book, 1801, in the Pennsylvania Lutheran Church Book, 1868. 2. Most surely at th' appointed time. By A. T. Russell, as No. 38 in his Psalms & Hymns, 1851, repeated in the College Hymnal, N. Y., 1876. It is marked a translation from the "Dies Irae," but is really a good translation of st. i., ii., v. of the German of 1565, 3. Behold that awful day draws nigh. A translation of st. i., ii.. v., by W. Sugden, as No. 129 in the Methodist Scholars' Hymn Book, 1870. 4. The day is surely drawing near. In full by P. A. Peter as No. 457 in the Ohio Lutheran Hymnal, 1880. 5. Surely at the appointed time. By H. L. Hastings, made in 1878, and included as No. 722 in his Songs of Pilgrimage, 1886. It condenses iii., iv. as iii. 6. Tho time draws near with quickening pace. By Miss Fry, in her Hymns of the Reformation, 1845, p. 56. A hymn which has been frequently but erroneously called a translation from Ringwaldt's text, is noted as “Great God, what do I see and hear" (p. 454, i.). Hymns not in English common use:-- ii. Allein auf Gott setzt dein Vertraun. The Christian Life. In many of the older Gorman hymnbooks this is ascribed to Ringwaldt, but it is not found in any of his works now extant. Wackernagel, v. p. 327, gives it as anonymous from the Greifswald Gesang-Buch, 1597, where it is entitled "The golden A. B. C. wherein is very in¬geniously comprised what a man needs to know in order to lead an honourable and godly life." It is in 24 stanzas of 4 lines, each stanza beginning with successive letters of the alphabet. Also in Porst's Gesang-Buch, ed. 1855, No. 784. Bäumker, ii. p. 276, cites it as in the manuscript collection of a nun called Catherine Tirs, written in 1588, in the nunnery of Niesing, Münster. There it is in Low German, and begins "Allene up godt hope und truwe." Bäumker thinks Ringwaldt may possibly be the person who made the High German version. Translated as (1) "Alone in God put thou thy trust." By J. C. Jacobi, 1725, p. 29 (1732, p. 110). iii. Der Herr ist mein getreuer Hirt, Hält mich in seiner Hute. Ps. xxiii. Wackernagel, iv. p. 944, prints it from Ringwaldt's Evangelia, N.D., 1582 as above, in 7 st. of 7 1. The first four-lines of st. i. are taken from the older version, "Der Herre ist mein treuer Hirt." In the Minden Kavensberg Gesang-Buch, 1854, No. 512. Translated as (i.) "The Lord He is my Shepherd kind." By Miss Manington, 1863, p. 20. iv. Herr Jesu Christ, du höchstes Gut, Du Brunnquell der Genaden. Lent. One of the finest of German penitential hymns. Wackernagel, iv. p. 1028, gives it, in 8 st. of 7 1., from Ringwaldt's Christliche Warnung, 1588, where it is entitled "A fine hymn [of supplication] for the forgiveness of sins." In Burg's Gesang-Buch, Breslau, 1746, No. 1574. The translations are (1) “Lord Saviour Christ, my sovereign good." In the Supplement to German Psalmody, ed. 1765, p. 39. Rewritten as (2) "Lord Jesus Christ, my sov'reign good," as No. 226 in the Moravian Hymn Book , 1789. In the edition of 1886, No. 278, it begins "Jesus, thou source of every good." (3) "O Christ, thou chiefest good, thou spring." By Dr. G. Walker, 1860, p. 76. (4) "Lord Jesus Christ, thou highest good." By F. W. Young, in the Family Treasury, 1877, p. 653. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Walford Davies

1869 - 1941 Person Name: Henry Walford Davies, 1869-1941 Topics: Invocation Composer of "GOD BE IN MY HEAD" in Together in Song

Michael Bruce

1746 - 1767 Topics: Prayer and Invocation Author of ""The evil hour"" in Laudes Domini Bruce, Michael, son of a Scottish weaver, was born at Kinnesswood, Portmoak, Kinrossshire, Scotland, March 27,1746, and educated at the village school, Edinburgh University (where he first became acquainted with John Logan), and the Theological Hall of the Associate Synod, held at Kinross, under the Rev. John Swanston, intending ultimately to enter the ministry, a hope which was frustrated by his untimely death. To assist in procuring University fees and maintenance he for some time conducted a school, during the recess, at Gairney Bridge, and subsequently at Forrest Mill, near Tillicoultry. Whilst yet a student he died at Kinnesswood, July 5th, 1767. [Also, see Logan, John] The names of Michael Bruce and John Logan are brought together because of the painful controversy which has long prevailed concerning the authorship of certain Hymns and Paraphrases of Holy Scripture which are in extensive use in the Christian Church both at home and abroad. During the latter years of Bruce's short life he wrote various Poems, and also Hymns for a singing class at Kinnesswood, which were well known to his family and neighbours, and were eventually copied out by Bruce himself in a quarto MS. book, with the hope that some day he might see them in print. Immediately upon his death, in 1767, Logan called upon his father and requested the loan of this book that he might publish the contents for the benefit of the family. This was granted. Not till three years afterwards did a certain work, containing seventeen poems, and entitled Poems on Several Occasions , by Michael Bruce, 1770, appear, with a Preface in which it was stated that some of the Poems were by others than Bruce. -- John Julian, Dictionary of Hymnology (1907)

James K. Manley

b. 1940 Topics: Holy Spirit Praise and Invocation Author of "Spirit, Spirit of gentleness" in Voices United James K. Manley was born in 1940 at Holyoke, Massachusetts, and received his education at Whittier College, Pacific School of Religion, and Claremont School of Theology, all in California. He was ordained to the ministry of the United Church of Christ in 1966. James K. Manley wrote the tune SPIRIT for his text of 1978, and it appeared in his collection After Eden (1990) with an arrangement by Jim Strathdee. A new arrangement was created for The New Century Hymnal. Note that the refrain is to be sung over following each stanza. James Manley served as pastor of Congregational United Church of Christ in San Marino, California, from 1978 to 1988 and then moved to Foothills United Church of Christ in Los Altos, California. This new congregation was gathered in 1960. --www.firstcongmadison.org/hymn-notes

Deodotus Dutton

1808 - 1832 Person Name: D. Dutton Topics: Prayer and Invocation Composer of "WOODSTOCK" in The New Laudes Domini Dutton, Deodatus, jun., b. cir. 1810, was a native of Monson, Massachusetts, U.S. He was a Licentiate of the third Presbytery, New York, but died before ordination, about 1832. His hymns in common use are:— 1. On Thibet's snow-capt mountain. Missions. This appeared in pt. ii. of the Christian Lyrics, 1831, in 3 stanzas of 8 lines. It is an imitation of Bp. Heber's “From Greenland's icy mountains." 2. O where can the soul find relief from its foes. Heaven. The date and first published of this hymn is uncertain. It is given, together with the above, in the Plymouth Collection, 1855. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= Born: December 22, 1808, Monson, Massachusetts. Died: December 16, 1832, New York City. Buried: Marble Cemetery, Manhattan, New York. By age 14, Dutton was playing the organ at Center Church in Hartford, Connecticut. He attended Brown University and Washington (now Trinity) College (graduated 1828), and was licensed to preach by the Third Presbytery of New York. However, he never received a pastorate, and was still pursuing his studies at the time of his death. His works include: The American Psalmody, 1829, with Elam Ives, Jr. --www.hymntime.com/tch/

Jean Janzen

b. 1933 Topics: Invocation Translator of "Herr, füll mich neu (Fill Me Anew)" in Voices Together Jean Janzen was born on December 5, 1933, the seventh of Henry Peter Wiebe and Anna Schultz Wiebe's eventual eight children (Three Mennonite Poets 5). For the first five years of her life, Janzen lived in Dalmeny, Saskatchewan (A Cappella 25). In 1938, she moved to Mountain Lake, Minnesota when her schoolteacher father began his second ministry as a pastor (“Coming into Voice”). A year later, the family moved to Kansas (“Coming into Voice”). Janzen says she cannot remember when she wrote her first poem, but the first evidence of her work is a handwritten book of five poems that she made in third or fourth grade, which was saved by her mother through the family’s many moves (E-mail Interview). She had very little exposure to poetry and literature as a child, except for hymns and Bible stories. She values these elements of her childhood and “treasure[s] the artful rhythms of the King James [Bible]” (E-mail Interview). Janzen attended Meade Bible Academy, Tabor College, and Grace College (A Cappella 25). It was in college that she had her first real exposure to literature. She was “thrilled, and became a literature major.” She remembers being “enamored” with Emily Dickinson and writing papers about her whenever given the chance. However, she never considered writing poetry as a possible career (E-mail Interview). Janzen--then Jean Wiebe--married Louis Janzen, a medical student, and the couple moved to Chicago where she worked as a medical secretary while taking courses at Northwestern University (Hostetler, A Cappella 25). Janzen cites this period of her life as the beginning of her love for visual art, calling the Chicago Art Institute the “open gate” for her and her husband where they “became hooked” (Mennonite Life Interview). In 1961, they moved to Fresno, Cal., where Louis worked as a pediatrician in a private practice. Here they raised their two daughters and two sons. When her youngest child was in school, Janzen “joined a writer’s group at the encouragement of [her] husband and nephew after they read some poems [she] had written as a gift to [her] husband” (E-mail Interview). As her children became older, Janzen went back to college, earning a BA in English from Fresno Pacific College and an MA in Creative Writing and English from California State University at Fresno in 1982. There she studied with poets Peter Everwine, Philip Levine, and C.G. Hanzlicek. Janzen says that after one semester of writing poetry in college, she took the work “seriously” and “imagined the possibility of growing into a poet,” but it took her several years “to be willing to say that out loud” (E-mail Interview). Rudy Wiebe, a Mennonite novelist, served as a mentor who influenced Janzen's writing career. She received a grant from the National Endowment for the Arts in 1995 (“Coming into Voice”). Janzen grew up in the Evangelical Mennonite Brethren Church and many of her relatives, including her father, were pastors (“Coming into Voice”). This strong connection with the church has had a significant influence on her poetry. Music has also played an important role in Janzen’s life. Her mother loved music and music was an important part of worship in her church. She learned to play the piano when she was young, later studying music in college and teaching piano for many years (“Coming into Voice”). Janzen finds harmony between the religious and artistic elements of her life, integrating them in a way that enriches both. She also uses her gifts in the church, serving as a minister of worship at the College Community Mennonite Brethren Church in Clovis, Cal., as well as writing hymn texts, which have been set to music and are included in several hymn books. Other prominent themes in her work include art, history, family, the earth, and her Russian Mennonite ancestors (“Coming into Voice”). Janzen says that “the sensual and spiritual are inevitably intertwined” (Mennonite Life Interview) and it is this element of her work that has attracted the most attention from critics and readers. She emphasizes “the presence of spirit in the flesh,” using rich description of physical objects to reveal deeper emotions and truths. Janzen has taught poetry writing at Fresno Pacific University and Eastern Mennonite University in Virginia. --www.goshen.edu/mennonitepoetry/

Nathaniel D. Gould

1781 - 1864 Topics: Invocation for Guidance Composer of "WOODLAND" in The Praise Hymnary Nathaniel Duren Gould 1781-1864. Born in Bedford, MA, into the Duren family, He was musically inclined and attended a singing school when young. He was also a master and teacher of penmanship and engraving. As a conservative music reformer he opened a singing school in 1799. He taught mostly Psalmody singing. He married Sally Andrews Prichard in 1801, and they had eight children: Nathaniel, Augustus, Charles, Mary Ann, (2 unnamed infants that died), Elizabeth and Sarah. He also formed the New Ipswitch military band in 1804 He was conductor of the Middlesex MA Musical Society in 1805. He took the name Gould in 1806 to qualify for an inheritance from an uncle. He taught music in NH and MA in some 115 singing schools over 50+ years and had more than 50,000 students. He also compiled and published music. He authored a number of books, one being “History of church music in America” (1853) about early singing schools. He noted traits and temperaments of many singers, some not really performing for the glory of God. He died in Boston, MA. John Perry