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Natalie Sleeth

1930 - 1992 Person Name: Natalie Sleeth, 1930-1992 Scripture: Psalm 1:3 Author of "Hymn of Promise" in Worship and Rejoice

Person Name: anónimo Scripture: Psalm 1 Author of "Dicha Grande Es la del Hombre" in Cántico Nuevo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

David "Beaker" Strasser

Person Name: Beaker, 20th c.. Scripture: Psalm 1 Author of "Step by Step" in Worship and Rejoice "Beaker" is a pseudonym for David Strasser, a Christian songwriter and musician well known for his collaborations with artist Rich Mullins. He received his nickname as a young man, when friends said he looked like Beaker the Muppet. When Beaker was in the seventh grade, his youth pastor introduced him to his friend Rich Mullins, and the two soon became collaborators. Beaker co-wrote, performed, and toured with Rich Mullins for several years. The first song they wrote together was "Boy Like Me, Man Like You", a 1991 hit for Mullins. Beaker is also responsible for writing the modern praise chorus "Step By Step" ("Oh God, you are my God, and I will ever praise you..."). He was also instrumental in co-founding the Kid Brothers of St. Frank with Rich Mullins, and well as co-writing a musical about Saint Francis of Assisi entitled Canticle of the Plains. In the mid-90s, Beaker dropped out of the spotlight to focus on family life. He and his wife Julie have three sons, Aidan (for whom Rich Mullins penned his hit song "Let Mercy Lead"), Avery, and Elias, and two daughters, Cora Shea and Isabel. --en.wikipedia.org/wiki/Beaker_(musician)

Ernest E. Dugmore

1843 - 1925 Person Name: Ernest Edward Dugmore (1843-1925) Scripture: Psalm 1:1 Author of "Almighty Father of all things that be" in Church Hymnary (4th ed.) Dugmore, Ernest Edward, M.A., son of William Dugmore, Q.C, was b. at Bayswater, 1843, and educated at Bruce Castle School and by private tutors, and Wadh. Coll., Oxford; B.A. 1867; M.A. 1869. Ordained in 1867, he held the curacy of St. Peter's, Vauxhall, 1867-72, when he became Vicar of Parkstone 1872, and Canon of Sarum and Preb. of Gillingham Major 1900. He published in 1884 Gospel Idylls and Other Sacred Verses; and in 1900 Hymns of Adoration for Church Use. Of his hymns the following were included in the 1904 edition of Hymns Ancient & Modern:-- 1. Almighty Father of all things that he. No. 29 of Hymns of Adoration, 1900, as "For the Opening of an Exhibition." Abbreviated and slightly altered in Hymns Ancient & Modern to adapt it as a "General" hymn. It was originally composed for and used at a small industrial Exhibition held in his Parish. 2. Father Unoriginate. "To the Eternal Father," No. 20 in Hymns of Adoration, &c, in 7 stanzas of 6 lines. Abbreviated and partly re-written in Hymns Ancient & Modern, 1904. 3. Christians, sing the Incarnation. No. 23 in Hymns of Adoration, &c., as a " Processional before the Eucharist," in 7 stanzas of 12 lines, and repeated in full, with slight alterations in Hymns Ancient & Modern, 1904. Originally published with music, separately, at Vauxhall, 1870 or thereabouts. 4. Father, Who hast gathered This dear child to rest. Given in Hymns of Adoration, &c, No. 26, in 11 stanzas of 4 lines, as "For a Child's Funeral," the first line being "Jesu, Who hath gathered," Abbreviated and slightly altered in Hymns Ancient & Modern, 1904. These excerpts from Canon Dugmore's work are by no means the best in the book. Com¬pilers of sacred song should give heed to this fact. --John Julian, Dictionary of Hymnology, New Supplement (1907)

George C. Martin

1844 - 1916 Person Name: George Clement Martin (1844-1916) Scripture: Psalm 1:1 Composer of "CHILTON FOLIAT" in Church Hymnary (4th ed.)

Elisabeth Crocker

Scripture: Psalm 1:3 Composer of "UPLIFTED EYES" in The Worshiping Church

Dmitri Stepanovich Bortnianski

1751 - 1825 Person Name: D. Bortniansky Scripture: Psalm 1 Composer of "[How blest the man that doth not stray]" in Christian Endeavor Hymns Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry

Jacob Voorsanger

1852 - 1908 Scripture: Psalm 1 Author of "Happy He Who Walketh Ever" in Union Hymnal, Songs and Prayers for Jewish Worship. 3rd ed. Revised and enlarged.

M. B. Landstad

1802 - 1880 Person Name: M. B. Landstad, 1802-80 Scripture: Psalm 1 Author of "Blessed Is the Man" in Evangelical Lutheran Hymnary Magnus Brostrup Landstad (born 7 October 1802 in Måsøy, Norway and died 8 October 1880 in Kristiania) was a Norwegian minister, psalmist and poet who published the first collection of authentic Norwegian traditional ballads in 1853. This work was criticized for unscientific methods, but today it is commonly accepted that he contributed significantly to the preservation of the traditional ballads. Landstad lived with his father Hans Landstad (1771–1838) who was also a minister, first in 1806 to Øksnes, to Vinje in 1811 and to Seljord in 1819. He took a theological degree (cand. theol) in 1827, and worked after that as the resident chaplain in Gausdal for six years. After that he worked in different parishes in Telemark, Østfold before he became minister of Sandar in Vestfold in 1859. He married Wilhelmine Margrete Marie Lassen, in 1828. He is well known for introducing popular, contemporary Norwegian language into the hymns he wrote, contributing significantly to the spirit of Norwegian romantic nationalism which grew in Norway in this period. His greatest single achievement was the Landstad Hymnbook (Kirkepsalmebog), which with later revisions was used in Norwegian (bokmål) parishes from 1869 until 1985. The current official church hymnbook contains a lot of his hymns and his translations of foreign hymns. He was the cousin of Hans Peter Schnitler Krag. The Landstad-institute, which lies in Seljord, is named after him. He was a great grandfather of Magny Landstad, also a famous writer. Publications-- 1852: Norske Folkeviser. 3 vols. Christiania: C. Tönsberg, [1852-]1853. 1869: Kirkesalmebok: efter offentlig Foranstaltning. Kristiania: J. W. Cappelens Forlag, 1871 --http://en.wikipedia.org/wiki/ See also in: Wikipedia

Catherine Winkworth

1827 - 1878 Scripture: Psalm 1 Translator (inglés) of "Si dejas tú que Dios te guíe" in El Himnario Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church