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Simon Browne

1680 - 1732 Person Name: Browne Author of "Come, gracious Spirit, heavenly Dove" in Songs for the Service of Prayer Simon Browne was born at Shepton Mallet, Somersetshire, about 1680. He began to preach as an "Independent" before he was twenty years of age, and was soon after settled at Portsmouth. In 1716, he became pastor in London. In 1723, he met with some misfortunes, which preyed upon his mind, and produced that singular case of monomania, recorded in the text-books of Mental Philosophy; he thought that God had "annihilated in him the thinking substance, and utterly divested him of consciousness." "Notwithstanding," says Toplady, "instead of having no soul, he wrote, reasoned, and prayed as if he had two." He died in 1732. His publications number twenty-three, of which some are still in repute. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Browne, Simon. A contemporary of Dr. Watts, born at Shepton Mallet, Somersetshire, cir. 1680, and died in 1732. After studying for the Independent Ministry under the Rev. John Moore, of Bridgewater, he became pastor of an Independent charge in Portsmouth, and then, in 1716, of the Independent-Chapel in Old Jewry, London. His lateryears were clouded by a peculiar malady, under the influence of which "he imagined that God had in a gradual manner annihilated in him the thinking substance, and utterly divested him of consciousness." It is supposed that the death of a highwayman at his hands during a violent struggle, followed by that of his wife and son a short time after, had much to do in producing this sad result. Whilst thus contending that he had no power to think, he produced a work in defence of Christianity, another in defence of the Trinity, a third as an Exposition of the 1st Epistle to the Corinthians, and a fourth in the form of a Dictionary. His publications number over 20. Of these works, he is known to hymnology through his:— Hymns and Spiritual Songs, in Three Books, designed as a Supplement to Dr. Watts, &c, 1720, 2nd edition 1741, 3rd edition 1760. It contains 166 hymns, 7 doxologies, and a Preface of some historical interest. In the old collections Simon Browne's hymns (all of which are from the above collection) held a prominent position, but in modern hymnals they are fast passing out of use. The best known and most widely used are "Come, Holy [gracious] Spirit, Heavenly Dove," "O God, on Thee we all depend," and "Lord, at Thy feet we sinners lie." In addition the following are also in common use:— 1. Eternal God, Almighty Cause. Unity of God. 2. Eternal God, of beings First. God all in all . 3. Frequent the day of God returns. Sunday. 4. Great First of beings, Mighty Lord. Creation. 5. Great God, my joyful thanks to Thee. Thanksgiving. 6. Great God, Thy peerless excellence. Imitation of God. 7. Great Lord of earth and seas and skies. Providence. 8. Great Ruler of the earth and sky. Providence. 9. Hail, Holy Spirit, bright, immortal, Dove. Whitsuntide. 10. Hail, happy day, the [thou] day of holy rest. Sunday. 11. I cannot shun the stroke of death. Death. 12. Lord, Thou art good; all nature shows. Divine Goodness. 13. Lord, what a feeble frame is ours. Frailty of Life. 14. O God, on Thee we all depend. Confidence in God. -- John Julian, Dictionary of Hymnology (1907)

Samuel Gilman

1791 - 1858 Person Name: Samuel Gilman, 1791-1858 Translator of "This Child We Now Present to You" in Lutheran Worship Gilman, Samuel, D.D., was born at Gloucester, Massachusetts, Feb. 16, 1791; graduated at Harvard, 1811, and was a tutor there from 1817 to 1819. In 1819 he became the pastor of a Unitarian congregation at Charlestown, South Carolina, and retained the same to his death. He died at Kingston, Mass., Feb. 9, 1858. His hymns include:— 1. 0 God, accept the sacred hour. Holy Communion. Contributed to Dr. Harris's Hymns for the Lord's Supper , July, 1820, republished in Sewall's Unitarian Collection, New York, 1820, and in later collections. 2. We sing Thy mercy, God of love. Holy Communion. Published as in the case of No. 1. 3. Yes, to the [that] last command. Holy Communion. Published as in the case of Nos. 1 & 2. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

John Bowring

1792 - 1872 Author of "Upon the Gospel's sacred page" in Standard Hymns and Spiritual Songs James Bowring was born at Exeter, in 1792. He possessed at an early age a remarkable power of attaining languages, and acquired some reputation by his metrical translations of foreign poems. He became editor of "The Westminster Review" in 1825, and was elected to Parliament in 1835. In 1849, he was appointed Consul at Canton, and in 1854, was made Governor of Hong Kong, and received the honour of knighthood. He is the author of some important works on politics and travel, and is the recipient of several testimonials from foreign governments and societies. His poems and hymns have also added to his reputation. His "Matins and Vespers" have passed through many editions. In religion he is a Unitarian. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================================= Bowring, Sir John, LL.D., a distinguished man of letters, was born at Exeter, Oct. 17, 1792. His studies extended to philology, poetry, politics, and other branches of learning, whilst as editor of the Westminster Review for some years (he received the appointment in 1825) he did considerable work as a reviewer. He held several official appointments under the Government as Commissioner to France on commercial matters (1831-5); British Consul at Hong Kong (1849); and Governor of Hong Kong (1854). He was twice Member of Parliament, and was knighted in 1854. He died Nov. 23rd, 1872. His published works are very numerous, and display an astonishing acquaintance with various languages. Those specially bearing on poetry include:— (1) Russian Anthology, with Biographical and Critical notices of the Poets of Russia, 1821; (2) Specimens of the Russian Poets, 1823; (3) Ancient Poetry and Romance of Spain, 1824; (4) Batavian Anthology, or Specimens of Dutch Poets, 1824; (5) Servian Popular Poetry, 1821; (6) Specimens of Polish Poets, 1827; (1) Poetry of the Magyars, 1830; (8) History of the Poetical Literature of Bohemia, 1832, &c. In addition to these works, which are mainly translations, Sir John Bowring wrote original verse. This was published interspersed with a few translations, as follows:— (1) Matins and Vespers with Hymns and Occasional Devotional Pieces, Lond., 1823; 2nd edition, enlarged, 1824; 3rd edition, again enlarged, 1841; and the 4th, still further enlarged, in 1851. (2) Hymns: as a Sequel to the Matins, 1825. In addition he contributed to a few Unitarian hymnals, especially that of the Rev. J. R. Beard of Manchester, 1837. In that Collection many of the hymns added to the 3rd edition of Matins, &c, 1841, were first published A selection from these, together with a biographical sketch, was published by Lady Bowring in 1873, as a Memorial Volume of Sacred Poetry. This work contains hymns from the Matins and Vespers, together with others from Periodicals, and from his manuscripts. Of his hymns a very large percentage have come into common use. A few have been adopted by almost all denominations, as, "God is love, His mercy brightens;" "How sweetly flow'd the gospel sound;" "In the Cross of Christ I glory;" "Watchman, tell us of the night;"; and others, but the greater portion are confined to the Unitarian collections of Great Britain and America, of which denomination he was a member. In addition to the more important, which are annotated under their first lines, there are also the following in common use:—- 1. Clay to clay, and dust to dust. Burial. From his Hymns, 1825, into the Hymn & Tune Book, Boston, U.S., 1868, &c. 2. Come the rich, and come the poor. Divine Worship. Contributed to Beard's Collection, 1837, No. 290, and repeated in Bowring's Matins, &c., 3rd edition, 1841. It is in a few American collections. 3. Drop the limpid waters now. Holy Baptism. From Matins and Vespers, 3rd edition, 1841, into Kennedy, 1863. 4. Earth's transitory things decay. The Memory of the Just. From his Hymns, 1825, into Beard, 1837; the American Plymouth Collection, 1855; and the Songs for the Sanctuary, N.Y., 1865, &c. 5. Father, glorify Thy name. The Father glorified. Also from Hymns, 1825, into Beard, 1837; the Hymns of the Spirit, Boston, U.S., 1864, &c. 6. Father and Friend, Thy light, Thy love. Omnipresence. From Matins and Vespers, 2nd edition, 1824, into several collections, and sometimes in an abbreviated form. 7. Father of Spirits, humbly bent before Thee. Also in Hymns, 1825, and Dr. Martineau's Hymns of Praise & Prayer, 1873. In Longfellow and Johnson's Hymns of the Spirit, Boston, U.S., 1864, it is given as, "Father of Spirits, gathered now before Thee." 8. From all evil, all temptation. Preservation implored. Contributed to Beard's Collection, 1837. 9. From the recesses of a lowly spirit. Prayer of trust. From Matins and Vespers, 1st edition, 1823, into several American collections. 10. Gather up, 0 earth, thy dead. Published in his Matins & Vespers, 3rd ed., 1841, in 3 stanzas of 8 lines and repeated, slightly altered, in Kennedy, 1863, No. 753. 11. Gently the shades of night descends Evening. A cento from his poem on "Sunday Evening," in the Matins, &c, 1st edition, 1823, p. 6. It is given in the Boston Hymns of the Spirit, 1864; the Boston Hymn & Tune Book, 1868, and other collections. 12. How dark, how desolate. Hope. 1st published in his Matins, &c, 1823, p. 246. In Dr. Martineau's Hymns of Praise & Prayer, 1873, it is No. 515. 13. How shall we praise Thee, Lord of Light! Evening. A cento from the same poem as No. 7 above. It is given in the Hymns of the Spirit, 1864, and other American collections. 14. Lead us with Thy gentle sway. Divine Guidance desired. Hymns, 1825, into Hymns of the Spirit, 1864, and others. 15. Lord, in heaven, Thy dwelling-place. Praise. Contributed to Beard's Collection, 1837, No. 70, repeated in the author's Matins, &c, 3rd edition 1841, p. 235, and given in a few American collections. In the Hymns of the Spirit, 1864, it is altered to "Lord of every time and place." 16. 0 let my [thy] trembling soul be still. Resignation. From the 1st edition of the Matins, &c, 1823, p. 251, in 3 stanzas of 6 lines, into Beard's Collection, 1837; the Hymns of the Spirit, 1864, and others. It is sometimes given as, "0 let thy," &c. 17. 0, sweet it is to feel and know. Monday Morning. A poem in 16 stanzas of 4 lines, given in his Matins, &c, 1823, p. 60. In 1837 stanzas i.-iii. were given in Beard's Collection as No. 448, and entitled "God near in sorrow." In the 3rd edition of the Matins, &c, 1841, this cento was repeated (p. 245), with the same title, notwithstanding the full poem was in the same book. 18. On the dust I'm doomed to sleep. Resurrection. Appeared in his Matins, &c, 1st edition, 1823, p. 252, in 2 stanzas of 8 lines. In the 2nd edition, 1824, p. 232, it was altered to "In the dust," &c. This was repeated in 1841. In some hymnals it reads:— 19. The heavenly spheres to Thee, 0 God. Evening. This "Hymn to the Deity" appeared in the 2nd edition of his Matins, &c, 1824, pp. 235-6, in 4 stanzas of 4 double lines. It is also in the 3rd edition, 1841; the Boston Hymns of the Spirit, 1864 and other American collections. 20. When before Thy throne we kneel. Divine Worship. From his Hymns, 1825, into Beard's Collection, 1837, No. 93; the Boston Hymn & Tune Book, 1868, No. 21, and others. 21. Where is thy sting, 0 death! Death. Also from the Hymns, 1825, into the same collections as No. 20 above. It will be noted that Beard's Collection, 1837, is frequently named above. The full title of that hymnal is— A Collection of Hymns for Public and Private Worship. Compiled by John R. Board, Lond., John Green, 1837. The Rev. John Relly Beard was an Unitarian Minister in Manchester, and the collection is dedicated "To the Manchester Meeting of Ministers." It contained a large number of original hymns. Bowring contributed 82, of which 33 were published therein for the first time. Some of his hymns are of great merit, and most of them are characterised by great earnestness and deep devotion. -- John Julian, Dictionary of Hymnology (1907) ================== Bowring, Sir John, p. 166, i. In the article on Bowring the hymns numbered therein as 4 and 20 are stated to have appeared in his Hymns, 1825, but in error. The earliest date to which we can positively trace them is Beard's Collection, 1837. From the Hymns, 1825, we find, however, that the following are in modern hymnals:— 1. Our God is nigh. Divine Presence. 2. 'Tis not the gift; but 'tis the spirit. Outward and Inward Virtue. 3. When the storms of sorrow gather. God our Guide. From the various editions of his Matins and Vespers additional hymns arc also in modern use:— 4. If all our hopes and all our fears. Heaven Anticipated. (1823.) 5. In Thy courts let peace be found. Public Worship. (1841.) 6. The offerings to Thy throne which rise. Heart Worship. (1824.) 7. Who shall roll away the stone? Easter. In Beard's Collection, 1837, and Matins & Vespers, 1841. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Ottiwell Heginbotham

1744 - 1768 Author of "Now let my soul, eternal King" in The Epworth Hymnal Heginbothom, Ottiwell, born in 1744, and died in 1768, was for a short time the Minister of a Nonconformist congregation at Sudbury, Suffolk. The political and religious disputes which agitated the congregation, in the origin of which he had no part, and which resulted in a secession and the erection of another chapel, so preyed upon his mind, and affected his health, that his pastorate terminated with his death within three years of his appointment. His earliest hymn, "When sickness shakes the languid corse [frame]," was printed in the Christian Magazine, Feb. 1763. In 1791 the Rev. John Mead Ray communicated several of Heginbothom's hymns to the Protestant Magazine; and in the same year, these and others to the number of 25, were published as:— Hymns by the late Rev. Ottiwell Heginbothom of Sudbury, Suffolk. Sudbury, Printed by J. Burket, mdccxciv. These 25 hymns were repeated in J. M Ray's Collection of Hymns from various authors in¬tended as a Supplement to Dr. Watts's Psalms and Hymns, 1799, and 12 in Collyer's Collection, 1812. In modern collections in Great Britain and America the following are in common use in addition to those annotated under their respective first lines:— 1. Blest Jesus, when my soaring thoughts. Jesus, most Precious. 2. Come, humble souls; ye mourners come. Good Hope through Grace. 3. Come saints and shout the Saviour's praise. The Second Advent. 4. Come, shout aloud the Father's grace. Praise to God the Father. 6. Father of mercies, God of love. God the Father. 6. God of our life! Thy various praise. New Year. 7. Great God, let all our [my] tuneful powers. New Year. 8. Hark, the loud trumpet of our God. National Fast. 9. Hark, 'tis your heavenly Father's call. A Prayer to be used by the Young. 10. I ask not [honour] wealth, nor pomp, nor power. Wisdom and Knowledge desired. 11. Now let my soul, eternal King. Praise of the Gospel. Sometimes given as "To Thee, my heart, eternal King." 12. See, mighty God, before Thy throne. Fifth of November; a National Hymn. 13. Sweet peace of Conscience, heavenly guest. A good Conscience. 14. To Thee, my Shepherd, and my Lord. The Good Shepherd. 15. Unhappy city, hadst thou known. Christ weeping over Jerusalem. From this the cento, "And can mine eyes without a tear?" is taken. 16. When sickness shakes the languid corse [frame]. Resignation. Printed in the Christian's Magazine, Feb. 1763, and again in Hymns, &c, 1794. 17. Yes, I will bless Thee, O my God. Praise of the Father. The text is often altered. The cento "My soul shall praise Thee, O my God," in the Unitarian Hymn land Tune] Book, &c, Boston, 1868, is from this hymn. Most of these hymns are in Collyer's Collection, 1812. There are also 8 in Hatfield's Church Hymn Book, N.Y., 1872, and 7 in the Songs for the Sanctuary, N.Y., 1865. [William T. Brooke] -- John Julian, Dictionary of Hymnology

Petrus Herbert

1530 - 1571 Author of "Faith is a living pow'r from heav'n " in Evangelical Lutheran hymnal Herbert, Petrus, seems to have been a native of or resident at Fulnek in Moravia. He was ordained priest of the Brethren's Unity in 1562, became a member of the Select Council in 1567, and was latterly Consenior of the Unity. By the Unity he was entrusted with many important missions. He was sent as a deputy to confer with Calvin: and again in 1562 to arrange with Duke Christoph of Württemberg for the education at Tübingen of young men from the Bohemian Brethren. He was also one of the deputies sent to Vienna to present the revised form of the Brethren's Confession of Faith to the Emperor Maximilian II. in 1564, and in 1566 to present their new German Hymn Book. He died at Eibenschütz in 1571 (Koch, ii. 414, Allgemeine Deutsche Biographie, xiii. 263-264, &c.). Herbert was one of the principal compilers of the enlarged edition of the Brethren's German Hymn Book published in 1566 as their Kirchengeseng, and contributed to it some 90 hymns. In the ed. of 1639 there are 104 hymns marked as his. His hymns are distinguished by simplicity and beauty of style. A number are translations from the Bohemian. His hymns translated into English include:— i. Die Nacht ist kommen drin wir ruhen sollen. [Evening] Written probably under the pressure of persecution and oppression. In the G. 2?., 1566, as above, in 5 stanzas of 7 lines (the last stanza being a versification of the Lord's Prayer), and thence in Wackernagel, iv. p. 442, and the Unverfälschter Liedersegen, 1851, No. 515. In J. H. Schein's Cantiona, 1627, it appears as No. 99, with an additional stanza not by Herbert, which reads— Denn wir kein besser Zuflucht konnen haben, ,Als zu dir, 0 Herr, in dem Himmel droben, Du veriest keinen, gibst Acht auff die deinen. Die dich recht meyuen," This stanza is included as stanza v. in the version in Bunsen's Versuch, 1833, No. 43. Translated as:— 1. The night is come, wherein at last we rest, in full from Bunsen by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 77, repeated as No. 105 in R. Minton Taylor's Collection, 1872. 2. Now God be with us, for the night is closing, a good translation from Bunsen, in the original metre, by Miss Winkworth, as No. 170 in her Chorale Book for England, 1863, and repeated in her Christian Singers of Germany, 1869, p. 139. This version has been included in various recent collections, though generally abridged or altered, as in the Hymnary, 1872; Thring's Collection, 1882; and in America in the Evangelical Hymnal, N. Y., 1880, &c. In Laudes Domini, N.Y., 1884, it is in two parts (Nos. 209-210), the second beginning, "Father, Thy name be praised, Thy kingdom given." This is stanza vi. with an added doxology, as in the Hymnary, 1872. Other translations are:— (1) "The night comes apace," as No. 293 in pt. i. of the Moravian Hymn Book, 1754. (2) “Lo! evening's shades to sleep invite," by H. J. Buckoll, 1842, p. 64. ii. 0 Christenmensch, merk wie sichs halt. [Faith] 1566, as above, in 18 stanzas of 4 lines, repeated in Wackernagel, iv. p. 433. In Bunsen's Versuch , 1833, No. 390 Allgemeine Gesang-Buch, 1846, No. 130), the hymn begins with stanza iii. altered to "Der Glaub’ ist ein lebend'ge Kraft," and consists of stanzas iii., viii., xi., xii., xvi., xviii. Bunsen calls it "a noble confession of the true Christian faith." Translated as:— Faith is a living power from heaven. A good translation from Bunsen by Miss Winkworth in her Lyra Germanica, 2nd ser., 1858, p. 160, and thence in her Chorale Book for England, 1863. It is repeated, more or less altered and abridged, in Kennedy, 1863; and in America in the Presbyterian Hymnal, 1874, Baptist Service of Song, 1871, &c. ii. Hymns not in English common use:— iii. Des Herren Wort bleibt in Ewigkeit. [Holy Scripture.] 1566, as above, in 25 stanzas, and in Wackernagel, iv. p. 432. Translated as "God's holy Word, which ne’er shall cease," by J. Swertner, as No. 3 in the Moravian Hymn Book1789 (1849, No. 2). iv. Fürchtet Gott, 0 lieben Leut. [Martyrs.] 1566, as above, in 13 stanzas, and in Wackernagel, iv. p. 429. The translations are, (i.) "O love God, ye people dear," as No. 267 in pt. i. of the Moravian Hymn Book, 1754. (2) "O exalt and praise the Lord" (from the version in the Brüder Gesang-Buch1778, beginning "Liebet Gott"), as No. 871 in the Moravian Hymn Book, 1789 (1886, No. 1306). v. Lasst uns mit Lust und Freud aus Olauben singen. [Eternal Life.] A fine hymn on the Joys of Heaven. 1566, as above, in 12 stanzas, and in Wackernagel, iv. p. 447. Translated as "In faith we sing this song of thank-fulness," by Mrs. Bevan, 1858, p. 34. vi. 0 höchster Trost, heiliger Geist [Whitsuntide.] 1566, as above, in 13 stanzas, and Wackernagel, iv. p. 407. The translations are, (1) "O highest comfort, Holy Ghost," as No. 262 in pt. i. of the Moravian Hymn Book, 1754. (2) "O Comforter, God Holy Ghost," as No. 203 in the Moravian Hymn Book, 1789 (1849, No. 265). Besides the above a number of hymns by Herbert (all of which appeared in the Kirchengeseng, 1566, and are included in Wackernagel’s vol. iv.) were translated in pt. i. of the Moravian Hymn Book, 1754. The numbers in the 1754 are 166, 259, 263, 264, 265, 266, 274, 277, 281, 287, and 294. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology

Thomas Cotterill

1779 - 1823 Person Name: Rev. Thomas Cotterill (1779-1823) Author of "God's Word our Guide" in Songs of Praise with Tunes Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals. Bert Polman =============== Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ====================== Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have— i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:— 1. Awake, O sword, the Father cried. Atonement. 2. Before Thy throne of grace, O Lord. Lent. 3. From Sinai's mount, in might array'd. The Law and the Gospel. 4. From Thine all-seeing Spirit, Lord. Ps. 139. 5. In all the ways and works of God. Ps. 145. 6. Out of the deeps, O Lord, we call. Ps. 130. 7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v. ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:— 8. Blessed are they who mourn for sin. Lent. 9. Father of mercies, let our songs [way, ways]. Thanksgiving. 10. I was alive without the law. Lent. 11. Lord of the Sabbath, 'tis Thy day. Sunday. iii. In the 8th edition of the same, 1819 :— 12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c. 13. I love the Lord, for He hath heard. Ps. 116. 14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar." 15. Lord, cause Thy face on us to shine. For Unity. 16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield. Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of. --John Julian, Dictionary of Hymnology (1907)

Robert Grant

1779 - 1838 Person Name: Sir Robert Grant Author of "The starry firmament on high" in Sacred Hymns and Tunes Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

J. Grigg

1720 - 1768 Person Name: Grigg Author of "Jesus! and shall it ever be" in New Manual of Praise Grigg, Joseph, was born in 1728, according to the D. Sedgwick’s Manuscript," but this date seems to be some six or eight years too late. He was the son of poor parents and was brought up to mechanical pursuits. In 1743 he forsook his trade and became assistant minister to the Rev. Thomas Bures, of the Presbyterian Church, Silver Street, London. On the death of Mr. Bures in 1747, he retired from the ministry, and, marrying a lady of property, look up his residence at St. Albans. He died at Walthamstow, Essex, Oct. 29, 1768. As a hymnwriter Grigg is chiefly known by two of his hymns, "Behold a stranger at the door"; and "Jesus, and can it ever be?" His hymnwriting began, it is said, at ten years of age. His published works of various kinds number over 40. Those in which his hymns are found are:— (1) Miscellanies on Moral and Religious Subjects, &c, London, Elizabeth Harrison, 1756. (2) The Voice of Danger, the Voice of God. A Sermon Preached at St. Albans, and at Box-Lane, Chiefly with a View to the apprehended Invasion. By J. Grigg. London, J. Buckland, 1756. To this is appended his hymn, "Shake, Britain, like an aspen shake." (3) Four Hymns on Divine Subjects wherein the Patience and Love of Our Divine Saviour is displayed, London, 1765. (4) Hymns by the late Rev. Joseph Grigg, Stourbridge, 1806. (5) During 1765 and 1766 he also contributed 12 hymns to The Christians Magazine. In 1861 D. Sedgwick collected his hymns and poems, and published them with a memoir as: Hymns on Divine Subjects, * * * * London, 1861. This volume contains 40 "Hymns," and 17 "Serious Poems." In the “S. MSS." Sedgwick notes that in 1861 he omitted three hymns by Grigg, which were then unknown to him, viz.:—l) On "The National Fast," appended to a sermon preached at Northampton, Feb. 13, 1761, by W. Warburton, and published in London, 1761. (2) "A Harvest Hymn by the late Rev. Joseph Grigg," in 6 stanzas, in the Evangelical Magazine, July, 1822; and (3) On the Parable of Dives and Lazarus, dated "Feb. 15, 1767." -- John Julian, Dictionary of Hymnology (1907)