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Andrew Donaldson

b. 1951 Person Name: Andrew Donaldson, 1951- Scripture: Luke 9:10-17 Author of "Come, know my joy, the Maker says" in The Book of Praise Andrew Donaldson, a composer and church musician, grew up in northern Ontario, Canada. He attended Glendon College, York University in Toronto, receiving a Bachelor of Arts degree in 1974. He went on to study classical guitar performance at the Royal Conservatory of Music in Toronto, receiving its ARCT (Associate of Royal Conservatory Teachers) degree in 1979. Since then he has worked as a composer and performer in many contexts, in both French and English. Andrew co-edited the Book of Praise (1997), Presbyterian Church in Canada, with Donald Anderson. Their company, Binary Editions, continues to administer copyright for the PCC. In 2007 he was made a Doctor of Divinity, honoris causa, by Knox College of the University of Toronto, for his body of work in congregational song in the Presbyterian Church in Canada. In 2011 Andrew and his wife, Wendy, moved to Geneva, Switzerland where Andrew works as a worship consultant to the World Council of Churches. --Submitted by Andrew and Wendy Donaldson, 13 August 2013

Jim Strathdee

b. 1941 Person Name: Jim Strathdee, 1941- Scripture: Luke 9:23-27 Author of "We have this ministry" in The Book of Praise

Barrie Cabena

b. 1933 Person Name: Barrie Cabena (1933-) Scripture: Luke 9:46-48 Composer of "JACOB" in Common Praise (1998)

Thoinot Arbeau

1519 - 1595 Person Name: Thoinot Arbeau, 1520-1595 Scripture: Luke 9:28-36 Composer of "PIEDS EN L'AIR" in Common Praise (1998) Birth name: Jean Tabourot. Used Thoinot Arbeau

Bernard Huijbers

1922 - 2003 Person Name: Bernard Huijbers, 1922- Scripture: Luke 9:28-36 Harmonizer of "PIEDS EN L'AIR" in Common Praise (1998) Bernard Huijbers (1922 - 2003), a native of Holland, was one of the leading composers of contemporary liturgical music. Approximately 200 works have resulted from his collaboration with Huub Oosterhuis, the well-known Dutch poet and liturgist. A former Jesuit, Huijbers studied under Ernest Mulder during his Jesuit course of studies, receiving the state certificate for musical theory in 1951. Later, he studied at the Arnsterdam Conservatory and received the certificate for school music in 1960. He served as senior master of school music and choirmaster at St. Ignatius College, Amsterdam, until 1969. Afterwards, he served as composer, choir director and liturgical team member at St. Dominic's parish in Amsterdam. His development as composer and choir director can be traced through a list of his principal musical activities. While studying under Mulders, he directed performances of Palestrina’s Missa Lauda Sion, Brevis and Papae Marcelli. He composed a Missa Matris Dei and Cantus Organi (1950), and Four Marion Anthems for a four-to-eight voice male choir (1949 - 51). During his theological studies, he published a Te Deum and an Organ Suite (1954 - 55). After 1956, performances of religious masterpieces by Schütz, Purcell and Buxtehude led to the first liturgical experiments, culminating in a Dutch-language Passion According to St. John in 1959. In 1961, Huijbers was among the founders of the Student Work Group for a Vernacular Liturgy in Amsterdam, which evolved into the independent Foundation for a Vernacular Liturgy, through which Huijbers and Oosterhuis released their joint efforts. After 1961, Huijbers composed a wealth of material, and eleven Dutch music collections of the Huijbers/Oosterhuis material have been released, including Turn Your Heart to Me and Wake Your Power, published by OCP. His widely acclaimed book, The Performing Audience, examines the scope and direction of renewal in liturgical music (Pastoral Press). Huijbers believed that liturgical music must be simple, that the assembly must be viewed as a "performing audience" and that the music must bring life to what it celebrates. Huijbers' work as composer and choir director reflects his years of close contact with people throughout Europe and in the United States. --www.ocp.org/artists