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Richard Massie

1800 - 1887 Person Name: Richard Massie, 1800-87 Meter: 8.7.8.7 Translator of "O how blest the hour, Lord Jesus" in The Methodist Hymn-Book with Tunes Massie, Richard, eldest son of the Rev. R. Massie, of Goddington, Cheshire, and Rector of Eccleston, was born at Chester, June 18, 1800, and resides at Pulford Hall, Coddington. Mr. Massie published a translation of Martin Luther’s Spiritual Songs, London, 1854. His Lyra Domestica, 1st series, London, 1860, contains translations of the 1st Series of Spitta's Psalter und Harfe. In 1864 he published vol. ii., containing translations of Spitta's 2nd Series, together with an Appendix of translations of German hymns by various authors. He also contributed many translations of German hymns to Mercer's Church Psalter & Hymn Book; to Reid's British Herald; to the Day of Rest, &c. He died Mar. 11,1887. -- John Julian, Dictionary of Hymnology (1907)

Susan Palo Cherwien

1953 - 2021 Person Name: Susan Palo Cherwien, b. 1953 Meter: 8.7.8.7 Author of "Come, Beloved of the Maker" in Evangelical Lutheran Worship

Michael Card

b. 1957 Meter: 8.7.8.7 Author of "Jesus, Let Us Come to Know You" in Songs of Faith and Praise Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee. He is best known for his contributions in contemporary Christian music, which couple folk-style melodies and instrumentation with lyrics that stem from intensive study of the Bible. Since his debut in 1981, he has sold more than 4 million albums and has written 19 No. 1 singles. He has also authored several books, including Gold Medallion Book Award winner A Sacred Sorrow. Card was born in Madison, Tennessee as the son of a doctor and grandson of a Baptist minister. He received Bachelor's and Master's degrees in Biblical Studies from Western Kentucky University, and was awarded the university's "Distinguished Alumni Award" in 1997. His studies in physics and astronomy allowed him to support himself while a student by working for six years at a planetarium. As of 2005, he is working on a Doctorate of Philosophy (Ph.D.) in Classical Literature Card never intended to be a professional musician. He got his start when his professor and mentor, William L. Lane, asked Card to write some music to accompany weekly sermons at their church. His friend, musician Randy Scruggs, then asked him to record a demo tape so Scruggs could get a job as a producer. The record label agreed to hire Scruggs as long as his first project was to produce an album featuring Card. Since then Card has released nineteen original albums and at least six compilation albums. Another album, Starkindler, is composed of Card's interpretations of traditional Celtic hymns. The compilations often include one or two new songs along with previously released material. With the exception of Starkindler, Card writes the vast majority of the music he records (although sometimes with collaborators). Many of Card's albums are structured around a unifying theme. For example, the songs from The Beginning are all based on the Pentateuch. The individual songs have subjects such as Genesis, Leviticus, Abraham, Isaac and Moses. Card is particularly adept at relating difficult or obscure concepts from the Old Testament to more understandable themes from the New Testament. For example, the song "Jubilee" talks about the period of rest and the release from debts and slavery commanded in the Jubilee year as described in Leviticus 25, but also reveals how the idea culminated in the rest and freedom from condemnation offered through Jesus. Card's most famous song is "El Shaddai", which was recorded by Amy Grant as well as by Card himself. Grant's recording was named No. 326 on the RIAA's list of 365 Songs of the Century in 2001. Other popular Card songs include "Immanuel", "Joy in the Journey", and "Heal Our Land". "Heal Our Land" was commissioned as the 1993 National Day of Prayer's theme song. Despite his success in music, Card has always maintained that his music career is secondary to his calling as a Bible teacher. He has at times distanced himself from the CCM industry by criticizing the promotion of personalities over musical contentand the shifting emphasis away from God in order to sell more albums. One current music project is his writing and mentoring of musicians under the ByFor.org Project. Michael Card is the author or co-author of nineteen books. He originally started writing as a way to share the knowledge he accumulated while researching his songs. His studies were so in-depth that he couldn't condense everything he had learned into one short song. The books that resulted from album research bear the same titles as the albums. He then branched out to other subjects not specifically based on his music, such as the Gospel of John, homeschooling, and Christian discipleship and mentoring. As of 2005, he has joined with NavPress to pursue his interest in writing Christian fiction. Radio Host In addition to touring and writing, Card also hosted a weekly radio program. In the Studio with Michael Card was carried by stations in 48 states, Canada, and the Caribbean. It was also available via internet streaming audio and as a podcast. The show was an amalgam of talk, musical performances and Bible study. The show ceased production in March, 2009. --en.wikipedia.org/wiki (excerpts)

Alan Gaunt

1935 - 2023 Person Name: Alan Gaunt (b. 1935) Meter: 8.7.8.7 Author of "Lord, if faith is disenchanted" in Ancient and Modern

Martin Janus

1620 - 1682 Meter: 8.7.8.7 Author of "Jesus, Joy of Our Desiring" in The A.M.E. Zion Hymnal Janus, Martin, seems to have been a native of Silesia, and to have been born about 1620. After receiving his license in theology, he became Precentor of the two churches at Sorau, in Silesia, then, about 1653, was appointed Rector of the Evangelical School at Sagan, and Precentor at the church near the Eckersdorf gate. He became Pastor at Eckersdorf about 1664, but was expelled by the Imperial Edict of March 13, 1668, by which all Evangelical pastors and teachers were driven out of the principality. He is said to have become Precentor at Ohlau, in Silesia, and died there about 1682. The only hymn by him translation into English is:— Jesu meiner Seelen Wonne. Love to Christ. Included in the Christlich Herzens Andacht, Nürnberg, 1665 [Wolfenbüttel], No. 24, in 18 stanzas, repeated with his name in the Nürnberg Gesang-Buch, 1676, &c, and in Porst's Gesang-Buch, ed. 1855, No. 715. Sometimes erroneously ascribed to J. Scheffler. The translation is, "0! at last I did discover," beginning with stanza v. as No. 464 in pt. i. of the Moravian Hymn Book, 1754. In the 1789 and later eds. (1886, No. 338) it begins "0! at last I've found my Saviour." [Rev. James Mearns, M. A.] --John Julian, Dictionary of Hymnology (1907)

Esteban Sywulka B.

b. 1942 Person Name: Esteban Sywulka Meter: 8.7.8.7 Author (estr. 4) of "Hoy venimos cual hermanos" in Mil Voces para Celebrar

Friedrich von Flotow

1812 - 1883 Meter: 8.7.8.7 Composer of "VESPER" in The Cyber Hymnal Friedrich Adolf Ferdinand, Freiherr von Flotow

M. N. Hutchinson

1835 - 1935 Meter: 8.7.8.7 Translator of "Hoy venimos cual hermanos" in Mil Voces para Celebrar Merill N. Hutchinson. As of 1871, Hutchinson was pastor of a Presbyterian church in Dunellen, New Jersey. In 1873, he resigned his pastorate and moved to Mexico City. His works include: Himnario de las Iglesias Evangelica Translations-- Amoroso Salvador Con Cánticos, Señor Hay una Fuente sin Igual Obediente a Tu Mandato © The Cyber Hymnal™ (www.hymntime.com/tch)

Charles Wood

1866 - 1926 Meter: 8.7.8.7 Harmonizer of "PETERSEN" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940

William Rowan

b. 1951 Person Name: William P. Rowan Meter: 8.7.8.7 Composer of "AUSTIN" in Chalice Hymnal

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