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Civilla D. Martin

1866 - 1948 Hymnal Number: d19 Author of "God will take care of you" in Praise Him Martin, Civilla Durfee (Jordan Falls, Nova Scotia, August 21, 1866--March 9, 1948, Atlanta, Georgia). Daughter of James N. and Irene (Harding) Holden. She married Rev. John F. Geddes, Congregational minister of Coventryvilee, N.Y. at Jordan Falls Methodist Church, Shelbourne Co., Nova Scotia, on May 19, 1891. There is thus far no information about their marriage and its end. After several years of teaching school, she married Walter Stillman Martin, a Baptist minister, and traveled with him in evangelistic work. However, because of frail health, she was compelled to remain home much of the time. In 1916, they became members of the Christian Church (Disciples of Christ). They had one son, A.G. Martin. In her writing, she used only her initials, "C.D." rather than her full name of that of her composer-husband. She is reputed to have written several hundred hymns and religious songs. Her first one, "God Will Take Care of You," written in 1904 became world-famous. Her husband wrote the music for this and many of her other hymns. "His Eye is on the Sparrow" written in 1906 and set to music by Charles H. Gabriel, has also received wide acclaim. In addition to the above, "Like As A Father," "A Welcome for Me," and "The Blood Will Never Lose Its Power" are among her better-known hymns. Her husband and collaborator, W.S. Martin (1862-1935) preceded her in death. For the last 29 years of her life, she made her home in Atlanta, Georgia, where she was a member of the First Christian Church. Her funeral was held on March 10, 1948 at Spring Hill and the interment was in the West View Cemetery in Atlanta. --Carlton C. Buck, DNAH Archives and email from Rev. Lester M. Settle (Glenholme, Nova Scotia) to Mary Louise VanDyke 18 September 2008, DNAH Archives.

Mary A. Lathbury

1841 - 1913 Hymnal Number: d22 Author of "Break thou the bread of life" in Praise Him Lathbury, Mary Ann, was born in Manchester, Ontario County, New York, Aug. 10, 1841. Miss Lathbury writes somewhat extensively for the American religious periodical press, and is well and favourably known (see the Century Magazine, Jan., 1885, p. 342). Of her hymns which have come into common use we have:— 1. Break Thou the bread of life. Communion with God. A "Study Song" for the Chautauqua Literary and Scientific Circle, written in the summer of 1880. It is in Horder's (Eng.) Congregational Hymns, 1884. 2. Day is dying in the west. Evening. "Written at the request of the Rev. John H. Vincent, D.D., in the summer of 1880. It was a "Vesper Song," and has been frequently used in the responsive services of the Chautauqua Literary and Scientific Circle." It is in the Laudes Domini, N. Y., 1884. For these details we are indebted to S. W. Duffield's English Hymns, &c, N. Y., 1886. --John Julian, Dictionary of Hymnology (1907) ================== Lathbury, Mary A., p. 640, i. Another hymn by this writer is, "Lift up, lift up thy voice with singing." [Praise to Christ), in Sankey's Sacred Songs & Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Carrie Ellis Breck

1855 - 1934 Person Name: Carrie E. Breck Hymnal Number: d51 Author of "Face to face shall I behold Him" in Praise Him Carrie Ellis Breck was born 22 January 1855 in Vermont and raised in a Christian home. She later moved to Vineland, New Jersey, and then to Portland, Oregon. She wrote verse and prose for religious and household publications, In 1884 she married Frank A. Breck. She has written between fourteen and fifteen hundred hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916) See also Mrs. Frank A. Breck.

John H. McNaughton

1829 - 1891 Hymnal Number: d259 Author of "Love at home" in Praise Him

Sidney Lanier

1842 - 1881 Hymnal Number: d119 Author of "Into the woods my Master went" in Praise Him Lanier, Sidney, born at Macon, Ga., Feb. 3, 1842, and educated at Oglethorpe College, Ga., where he graduated in 1860. He was one of the earliest volunteers in the Confederate Army, and after the war he devoted himself to music and literature. He died at Lynn, N.C., Sep. 7, 1881. His Poems were collected and pub. by his widow (New York), in 1884. Two of his hymns are:— 1. Thou God, Whose high eternal love. [Holy Matrimony.] This is dated "Macon, Sep. 1865," and is found in his Poems, p. 233. 2. Into the woods my Master went. This is a poem rather than a hymn, and might pass for a carol. It is given as No. 745 in the Methodist Hymnal, N.Y., 1905. In early life Lanier was a member of the Presbyterian Church, but gradually lost sympathy with organised Christianity. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ============ See also in: Wikipedia

James Montgomery

1771 - 1854 Person Name: James Mongtomery Hymnal Number: d118 Author of "In the hour of trial" in Praise Him James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853). Bert Polman ======================== Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:— (1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions. Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:— i. Appeared in Collyer's Collection, 1812. 1. Jesus, our best beloved Friend. Personal Dedication to Christ. 2. When on Sinai's top I see. Sinai, Tabor, and Calvary. ii. Appeared in Cotterill's Selection, 1819. 3. Come to Calvary's holy mountain. The Open Fountain. 4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn. 5. Hear me, O Lord, in my distress. Ps. cxliii. 6. Heaven is a place of rest from sin. Preparation for Heaven. 7. I cried unto the Lord most just. Ps. cxlii. 8. Lord, let my prayer like incense rise. Ps. cxxxix. 9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii. 10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe." 11. The world in condemnation lay. Redemption. 12. Where are the dead? In heaven or hell? The Living and the Dead. iii. Appeared in his Songs of Zion, 1822. 13. Give glory to God in the highest. Ps. xxix. 14. Glad was my heart to hear. Ps. cxxii. 15. God be merciful to me. Ps. lxix. 16. God is my strong salvation. Ps. xxvii. 17. Hasten, Lord, to my release. Ps. lxx. 18. Have mercy on me, O my God. Ps. li. 19. Hearken, Lord, to my complaints. Ps. xlii. 20. Heralds of creation cry. Ps. cxlviii. 21. How beautiful the sight. Ps. cxxxiii. 22. How precious are Thy thoughts of peace. Ps. cxxxix. 23. I love the Lord, He lent an ear. Ps. cxvi. 24. In time of tribulation. Ps. lxxvii. 25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name." 26. Judge me, O Lord, in righteousness. Ps. xliii. 27. Lift up your heads, ye gates, and wide. Ps.xxiv. 28. Lord, let me know mine [my] end. Ps. xxxi. 29. Of old, 0 God, Thine own right hand. Ps. lxxx. 30. O God, Thou art [my] the God alone. Ps. lxiii. 31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name." 32. O my soul, with all thy powers. Ps. ciii. 33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place." 34. Searcher of hearts, to Thee are known. Ps. cxxxix. 35. Thank and praise Jehovah's name. Ps. cvii. 36. Thee will I praise, O Lord in light. Ps. cxxxviii. 37. The Lord is King; upon His throne. Ps. xciii. 38. The Lord is my Shepherd, no want shall I know. Ps. xxiii. 39. The tempter to my soul hath said. Ps. iii. 40. Thrice happy he who shuns the way. Ps. i. 41. Thy glory, Lord, the heavens declare. Ps. xix. 42. Thy law is perfect, Lord of light. Ps. xix. 43. Who make the Lord of hosts their tower. Ps. cxxv. 44. Yea, I will extol Thee. Ps. xxx. iv. Appeared in his Christian Psalmist. 1825. 45. Fall down, ye nations, and adore. Universal adoration of God desired. 46. Food, raiment, dwelling, health, and friends. The Family Altar. 47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822. 48. Green pastures and clear streams. The Good Shepherd and His Flock. 49. Less than the least of all. Mercies acknowledged. 50. Not to the mount that burned with fire [flame]. Communion of Saints. 51. On the first Christian Sabbath eve. Easter Sunday Evening. 52. One prayer I have: all prayers in one. Resignation. 53. Our heavenly Father hear. The Lord's Prayer. 54. Return, my soul, unto thy rest. Rest in God. 55. Spirit of power and might, behold. The Spirit's renewing desired. 56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand." 57. The days and years of time are fled. Day of Judgment. 58. The glorious universe around. Unity. 59. The pure and peaceful mind. A Children's Prayer. 60. This is the day the Lord hath made (q. v.). Sunday. 61. Thy word, Almighty Lord. Close of Service. 62. What secret hand at morning light ? Morning. 63. While through this changing world we roam. Heaven. 64. Within these walls be peace. For Sunday Schools. v. Appeared in his Original Hymns, 1853. 65. Behold yon bright array. Opening a Place of Worship. 66. Behold the book whose leaves display. Holy Scriptures. 67. Come ye that fear the Lord. Confirmation. 68. Home, kindred, friends, and country, these. Farewell to a Missionary. 69. Let me go, the day is breaking. Jacob wrestling. 70. Not in Jerusalem alone. Consecration of a Church. 71. Praise the high and holy One. God the Creator. In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand. As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart. --John Julian, Dictionary of Hymnology (1907)

W. G. Tarrant

1853 - 1928 Person Name: William George Tarrant Hymnal Number: d170 Author of "My Master was a worker" in Praise Him Tarrant, William George, B.A., b. 1853. Since 1883 Minister of the Wandsworth Unitarian Christian Church. Editor of The Inquirer, 1888-97. One of the editors of the Essex Hall Hymnal. 1890, and of the Revised ed., 1902. 1. Come, let us Join with faithful souls. The Faithful. 2. Draw nigh to God; He will draw nigh to you. The Divine Helper. 3. Long ago the lilies faded. The Constant Presence. 4. The Light along the ages. Easter. 5. With happy voices ringing. Children's Praise. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Mary Mapes Dodge

1830 - 1905 Hymnal Number: d26 Author of "Father, we thank thee" in Praise Him Mary Mapes Dodge is the often referred to as the "leader in juvenile literature" (Clarke, 1059), for she helped create and perpetuate the most widely circulated and read children's magazine during a time when American printing technology greatly improved and enabled the mass production of magazines and books. Dodge was born on January 26, 1831 in New York City. She grew up in a prominent family with two sisters. Her "own reminiscences were of 'a devoted father and mother and a happy childhood, a remarkably happy childhood, watched over with loving care'" (Gannon 3). Beginning in her early childhood, Dodge and her sisters were educated by a tutor in their home. Their father introduced them to a large variety of literature from the Bible to Shakespeare because at that time Dodge's father believed that children's literature was "a dreary wasteland" (Gannon 4). Dodge's early exposure to literature enabled her to develop a gift and appreciation for art, music, and writing. In her teenage years, Dodge could skillfully write and she assisted her father with his writings for pamphlets. In 1851 Mary celebrated her marriage to William Dodge, and within the next 4 years, she gave birth to two sons, James and Harrington. The Dodge family confronted several hardships throughout their life together. In 1857, William faced serious financial difficulties concerning debts and the destruction of the company he worked for. During that same year, at the age of six, their son James was diagnosed with a fatal sinus disease. The effect of these disastrous events caused William to leave his family in 1858. He left for a walk from which he never returned. A month after his disappearance his body was found dead from an apparent drowning. After the death of her husband, Mary was left in a bad financial position and with two sons to raise on her own. At this time, Mary "resolved 'to take up her life again in the old spirit of rejoicing; to rear and educate her boys as their father would have done; to do a man's work with the persistent application and faithfulness of a man, to gain a man's pay, yet to leave herself freedom and freshness to enter into all her children's interests and pursuits as their comrade and friend" (Gannon 7). Mary would not allow the unfortunate events of her husband's death and financial difficulty stand in her way from educating her sons and providing them with the life they deserved. In addition to educating her sons, she began writing and editing in 1859. Mary worked with her father to publish two magazines, the Working Farmer and the United States Journal. The editorial work she used for these magazines helped to shape her writing skills, which she later applied to edit the most successful children's magazine of her time. Some of Mary's early writings before the publication of St. Nicholas include The Irvington Stories (1864) and Hans Brinker (1865). Hans Brinker is by far Dodge's most well known story, for it was published in several languages all over the world and this classic was considered "the best and most faithful juvenile story" (Clarke 1063). Four years after the publication and success of Hans Brinker, Dodge began working for a newspaper known as Hearth and Home." Dodge worked on the juvenile and household departments under the editorship of Harriet Beecher Stowe. Roswell Smith, one of the founders of the children's magazine Scribner's Monthly, observed Dodge's work at Hearth and Home. Smith considered Dodge for the editor of his newly created children's magazine, St. Nicholas, named for the patron saint for children. Dodge faced a difficult decision because she wanted to pursue novel writing and other challenging fields, but her heart remained with children. "Many gifted men and women were writing novels; no one was doing all that could be done--ought to be done--for the boys and girls" (Clarke 1063), and thus Dodge accepted the position of editor for St. Nicholas. Dodge's goal for her children's magazine was to create literature that inspired and interested children. In 1873 she anonymously wrote for Scribner's Monthly,"a successful children's magazine "must not be a milk-and-water variety of the periodical for adults. In fact, it needs to be stronger, truer, bolder, more uncompromising than the other; its cheer must be the cheer of the bird-song; it must mean freshness and heartiness, life and joy" (Clarke 1063). Mary clearly illustrates here her intention for the path St. Nicholas. Mary hoped to portray the traditional values of society, to educate children, to provide enjoyable entertainment, and to prepare them for "life as it is" (Kelly 380). Dodge took careful consideration for the layout of her magazine so she could fulfill her goals for a successful children's magazine. Two important obstacles confronted Dodge when she considered the type of articles to include in her magazine. The first problem she faced was how to entice her readers and maintain their attention. Dodge's technique to overcome this problem was the use of "regular departments" and "reader involvement" (Gordon, 380). The most famous regular department found in her magazine was 'Jack-in-the-Pulpit'. 'Jack-in-the-Pulpit' was "the inimitably wise and witty little preacher whose tiny discourses of the keenest sense and most inspiriting nonsense, . . . were a feast for the mind and souls of young folks every month" (Clarke 1065). Jack was a maternal type character that reflected Dodge's own personality. Dodge hoped to instill value and morals into the children without directly preaching to them. Jack provided an advantageous resource for accomplishing this goal because he was witty, humorous, and sincere. The children reading the story could easily identify with Jack's "preachings" and accept them because they were not directly aimed at the reader. In addition, Dodge added two more characters, Deacon Green and Little Schoolma'am, to provide authority figures and the introduction of new and interesting knowledge for the readers. The second technique Dodge employed for her periodical was reader involvement. Dodge included two features, "The Puzzle Box" and "The Letter-Box." "The Puzzle Box" provided entertainment for the readers through riddles or games. The answers to these games, however, were not included in the issue of the magazine. Readers had to send their answers to the publisher for judging, and only then could they find out the true answers. "The Letter-Box" included letters written to Dodge from the readers. Publication for readers was not only included in this section, but Dodge also encouraged children to contribute their own literature to the magazine. St. Nicholas became one the most successful magazines for children during the second half of the nineteenth century. Circulation increased to almost 70,000 children all over the U.S. The success of this periodical can be attributed to Dodge's dedication and the many contributors. Dodge's persistence in finding extraordinary talents such as Louisa May Alcott, Rudyard Kipling, President Theodore Roosevelt, F. Scott Fitzgerald, and Sarah Orne Jewett provided a variety of intellectual and artistic material for children every month. St. Nicholas' began in 1873 and continued for the next 30 years with a few publications after Dodge's death in 1905. Dodges dedication to children is clearly evident in the hard work she devoted to this magazine. Dodge is an inspirational women who set goals people thought impossible, but ones she was able to achieve. In a memoir written after Dodge's death in a St. Nicholas publication, Dodge is described as a woman who put her heart into her work and achieved the goals she put forth. "What she attempted, she performed. There was no emergency, great or small, to which she was not equal; there was no Hill of Difficulty" (Clarke 1064). She was a woman to be truly admired, for her thirty years of work dedicated to children has influenced the world of periodicals ever since. --www.facstaff.bucknell.edu/gcarr/ (excerpts)

E. W. Blandly

b. 1849 Person Name: E. W. Blandy Hymnal Number: d97 Author of "Where he leads me I will follow" in Praise Him Rv Ernest William Blandly (sometimes spelled Blandy) United Kingdom 1849-? He was a British minister that migrated to the USA in 1884 with his wife, Eliza. He became an officer in the Salvation Army and, in 1890, felt called to live in a Manhattan New York slum called “Hell's kitchen” with gangs and low life. He wrote several hymn lyrics. John Perry

Charlotte Elliott

1789 - 1871 Hymnal Number: d137 Author of "Just as I am, without one plea, But [Save] that thy blood" in Praise Him Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)