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Daniel ben Judah

Person Name: Daniel ben Judah Dayyan Hymnal Number: 70 Author of "The God of Abraham praise, who reigns enthroned" in The Mozart Collection of Sacred Music Born in Italy, a Jewish liturgical poet who lived in Rome. One of his hymns, “Yigdal Elohim Hai” contains the 13 articles of belief of Maimonides. The poem forms part of the morning prayer of Ashkenazims, sung by the Sephardim on Sabbath eves and holy days, included in the Romaniot fritual for Saturday evenings. John Perry

Peter Williams

1723 - 1796 Hymnal Number: 190 Author of "Guide me, O thou great Jehovah" in The Mozart Collection of Sacred Music Peter Williams (b. Llansadurnin, Carmarthanshire, Wales, 1722; d. Llandyfeilog, Wales, 1796) was converted to Christianity by the preaching of George Whitefield and was ordained in the Church of England in 1744. His evangelical convictions soon made him suspect, however, and he left the state church to join the Calvinist Methodists in 1746. He served as an itinerant preacher for many years and was a primary figure in the Welsh revival of the eighteenth century. After being expelled by the Methodists in 1791 on a charge of heresy, he ministered in his own chapel during the last years of his life. He published the first Welsh Bible commentary (1767-1770) and a Bible concordance (1773); he was also one of the annotators for John Canne's Welsh Bible (1790). In addition Williams published a Welsh hymnal, Rhai Hymnau ac Odlau Ysbrydol (1759), as well as Hymns on Various Subjects (1771). Bert Polman

George Keith

1638 - 1716 Hymnal Number: 216 Author of "How firm a foundation, ye [you] saints of the Lord" in The Mozart Collection of Sacred Music George Keith, according to D. Sedgwick, was the author of "How firm a foundation, ye saints of the Lord." Little is known about Keith, save that he was a publisher, a son-in-law of Dr. Gill, and the composer of several hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872.

Elizabeth Scott

1708 - 1776 Hymnal Number: 120 Author of "The Lord of love will sure indulge" in The Mozart Collection of Sacred Music Scott, Elizabeth, daughter of the Rev. Thomas Scott, Independent Minister at Norwich, and sister of Thomas Scott, noted below, was born at Norwich about 1708. In 1751 she was married to Elisha Williams, who had been from 1726 to 1739 Rector of Yale College, U.S.A., and with him she proceeded to Connecticut. On the death of Mr. Williams she was married to the Hon. William Smith, of New York, who also predeceased her. She died at Wethersfield, Connecticut, June 13th, 1776. In connection with Miss Scott's hymns we are acquainted directly and indirectly with four manuscripts, each of which is interesting in itself. These are as follows:— i. The first manuscript is in the library of Yale College, New Haven, Connecticut. Mr. Franklin Bowditch Dexter, M.A., Assistant Librarian, has tabulated the hymns in this ms. for this Dictionary. He says (Jan. 29, 1889): "The label on the back of this volume is 'Hymns & Poems by Eliz. Scott.' There is no title to the ms. pages. Prefixed to the Hymns and Poems there is, however, a long and very tenderly written dedication (in prose) 'To my much Rever'd, much Lov'd, Father,' this signed ‘E. S.' and dated 1740. Then follows (without numbers) the Hymns with titles and first lines as below." Mr. Dexter adds on the first lines and the titles of 90 hymns. ii. The second manuscript is in our possession. It is headed "Poems on Several Occasion's by Miss Scott of Norwich, who married to Mr. Williams of New England, January 1750/1." Then follow 26 hymns in full. At the end this is written, "These transcribed from Mrs. Williams' Manuscript, Feb. 27, 1751, the week before she left Norwich to go to New England." The whole of these 26 hymns are in the Yale College manuscript. iii. The third manuscript we have consulted contains 8 hymns which are prefaced with these words, "Copied from a book of Mrs. Bury's, written by her Aunt Miss Elizabeth Scott, afterwards Mrs. Williamson." iv. In Dr. Dodd's Christian's Magazine for Dec. 1763 we find a writer who signs himself "CL—T." He had at that time a ms. of Miss Scott's hymns with a Dedication to her father prefixed thereto and signed "Eliz Scott." From this ms. he sent "Why droops my soul with guilt oppressed" (Christ, the Great Physician) to the Dec. number of the magazine; "Evil and few our mortal days" (Vanity of human Life), to the Feb. number, 1764, and "What finite power with ceaseless toil" (Praise for Temporal Blessings), to the April number of the same year. From these facts it is clear that before departing for America Miss Scott allowed copies of her hymns to be made from her manuscript, and it was mainly from these copies that those of her hymns composed before her marriage were printed in the English hymnbooks. None of those hymns date later than 1750. The collections in which they appeared, and through which they came into common use were the Bristol Baptist Collection of Ash and Evans, 1769, and the New Selection, &c, by J. Dobell, 1806. In Ash and Evans there are 19 hymns, signed "S.," all of which are in the Yale College manyuscruot under the same first lines except "Was it for man, apostate man ?" but this also may possibly be there under another first line. In Dobell there are 20 hymns signed " Scott” of which 17 are in the Yale College ms., 2 are parts of hymns from Ash and Evans, also in that manuscript, and "Sole Sovereign of the earth and skies," also probably in the ms. under another first line. Of the 90 hymns in the Yale ms., in addition there are also in common use:— i. From Ash and Evans's Collection of Hymns, 1769. 1. God of my life, to Thee belongs. On Recovery from Sickness. 2. My God, shall I for ever mourn? Covenant-keeping God. From this "Shall e'er the shadow of a change?" is taken (st. iii.). 3. When Abram full of sacred awe. For a Fast Day. Sometimes, “Thus Abram, full of sacred awe." 4. Why, O my heart, these anxious cares? Submis-sion. ii. From J. Dobell's New Selection, &c, 1806. 5. Dare we indulge to wrath and strife? Against Wrath. 6. Eternal Spirit, 'twas Thy breath. Whitsuntide. 7. For ever shall my fainting soul. Against grieving the Holy Spirit. Sometimes "0 Lord, and shall our fainting souls?" 8. Great God, Thy penetrating eye. God All and in All. 9. The glitt'ring spangles of the sky. The Mercies of God. 10. Thy bounties, gracious Lord. Offertory. 11. Where'er the Lord shall build my house. Family Religion. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================ Scott, Elizabeth, p. 1019, ii. Another of her hymns in common use from the Collection of Ash & Evans, 1769, No. 393, “The Lord of love will sure indulge," is given in some American hymnals as "The God of mercy will indulge" (Death of Parents), with the name of "Fawcett" prefixed in error. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

James Merrick

1720 - 1769 Hymnal Number: 167 Author of "To thy pastures fair and large" in The Mozart Collection of Sacred Music Merrick, James , M.A., was born in 1720, and educated at Oxford, where he became a Fellow of Trinity College. He entered Holy Orders, but his health would not admit of parish work. He died at Reading, 1769. His publications include:— (1) Messiah, a Divine Essay. Humbly dedicated to the Reverend the Vice-Chancellor of the University of Oxford and the Visitors of the Free School in Reading. By James Merrick, Ætat. 14, Senior Scholar of the School at their last Terminal Visitation, the 7th of October, 1734. Reading. (2) The Destruction of Troy. Translated from the Greek of Tryphiodorus into English Verse, with Notes, &c. 1742. (3) Poems on Sacred Subjects. Oxford . 1763. (4) The Psalms of David Translated or Paraphrased in English Verse. By James Merrick, M.A., late Fellow of Trinity College, Oxford. Reading. J. Carnan and Co. 1765. 2nd ed. 1766. A few only of these paraphrases were divided into stanzas. In 1797 the Rev. W. D. Tattersall pulished the work "Divided into stanzas for Parochial Use, and paraphrased in such language as will be intelligible to every capacity . . . with a suitable Collect to each Psalm from the Works of Archbishop Parker." Merrick's paraphrases, although weak and verbose, were in extensive use in the early part of the present century, both in the Church of England and with Nonconformists. They have, however, fallen very much into disuse. Those in modern hymn-books, mainly in the form of centos, include:— 1. Blest Instructor, from Thy ways. Ps. xix. 2. Descend, O Lord! from heaven descend. Ps. cxliv. (In time of National Peril.) 3. Far as creation's bounds extend. Ps. cxlv. 4. God of my strength, the wise, the just. Ps. xxxi. 5. He who with generous pity glows. Ps. xli. 6. How pleasant, Lord.Thy dwellings are. Ps. lxxxiv. 7. Lift up your voice and thankful sing. Ps. cxxxvi. 8. Lo, my Shepherd's hand divine. Ps. xxiii. 9. Lord, my Strength, to Thee I pray. Ps. xxviii. 10. My heart its noblest theme has found. Ps.xlv. 11. O let me, [gracious] heavenly Lord extend. Ps. xxxix. 12. O turn, great Ruler of the skies. Ps. li. 13. Praise, O praise the Name divine. Ps. cl. 14. Sing, ye sons of [men] might, O sing. Ps. xxix. 15. Teach me, O teach me, Lord, Thy way. Ps. cxix. 16. The festal morn, my [O] God, is come. Ps. cxxii, (Sunday Morning.) 17. The morn and eve Thy praise resound. Ps. lxv. (Harvest.) 18. To Thy pastures, fair and large. Ps. xxiii. From his Poems on Sacred Subjects, 1763, the following centos have also come into common use: -- 19. Author of good, to Thee we turn. Resignation. 20. Eternal God, we look to Thee. Resignation. 21. 'Tis enough, the hour is come. Nunc Dimittis. John Julian, Dictionary of Hymnology (1907)

W. Shrubsole

1759 - 1829 Person Name: William Shrubsole Hymnal Number: 128 Author of "When, streaming from the eastern [eternal] skies" in The Mozart Collection of Sacred Music William Shrubsole was born in Sheerness, Kent, in 1759. His first occupation was as a shipwright in Sheerness Dockyard, but he was promoted, and afterwards removed to London, where he at length held the position of Secretary to the Committee of the Treasury in the Bank of England. He died at Highbury, in 1829. Mr. Shrubsole was the author of several hymns, and some articles in the religious magazines of his day. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================= Shrubsole, William, eldest son of William Shrubsole, a master mastmaker in the dockyard at Sheerness, Kent, and a Lay Preacher, was born at Sheerness, Nov. 21, 1759. In his earlier years he was engaged as a shipwright in the dockyard, and then as a clerk. In 1765 he removed to London, and entered the Bank of England as a clerk. He subsequently became the Secretary to the Committee of the Treasury. He died at Highbury, Aug. 23, 1829. Mr. Shrubsole was for some time a communicant at St. Anne's, Blackfriars, during the incumbency of the Rev. W.Goode; but during the last twenty years of his life he was a member with the Congregationalists, and attended the Hoxton Academy Chapel. He interested himself in religious societies, and especially the London Missionary Society (of which he became a director and one of the secretaries), the Bible Society, and the Religious Tract Society. He contributed hymns to the Evangelical Magazine, the Christian Magazine, the Theological Miscellany, the Christian Observer and the Youths' Magazine, at various dates, from 1775 to 1813. To these works we have traced nearly twenty of his hymns. A Memoir of Shrubsole was contributed by his daughter to Dr. Morison's Fathers and Founders of the London Missionary Society, 2 vols., London, Fisher, Sons & Co., 1844. Seven of his hymns are also given, together with a portrait, in the same work. His hymns in common use include:— 1. Arm of the Lord, awake, awake. Put on Thy strength, the nations shake. Missions. This appeared in Missionary Hymns, 1795; and in Morison's Fathers and Founders, &c, 1844, vol. i. p. 451, in 6 stanzas of 4 lines. Dr. Rogers in his Lyra Britannica, 1867, attributes this hymn to Shrubsole's father, and dates it 1780. Against this statement we can only put the fact that it is claimed in Morison for the son. Original text, Lyra Britanica, 1867, p. 502. 2. Bright as the sun's meridian blaze . Missions. Written Aug. 10, 1795, for the first meeting of the London Missionary Society. It was printed in the Evangelical Magazine, Sept., 1795, headed “On the intended Mission," and signed "Junior." It is also in Morison, 1844, i. p. 449, together with the note that the hymn "was duly acknowledged by Mr. Shrubsole in his lifetime, and the original manuscript, with numerous corrections, is in possession of his family, in his own autograph," and that it bears date "August 10, 1795." Original text Lyra Britanica, 1867, p. 504. 3. In all the paths my feet pursue. Looking unto Jesus. Appeared in the Evangelical Magazine, 1794; in Morison, i., 1844, p. 454; and Lyra Britanica, 1867, p. 503. 4. Shall science distant lands explore? Missions. Published in the Evangelical Magazine, 1795; and again in Morison, 1844, i. p. 452. 5. When streaming from the Eastern skies . Daily Duties; or, Morning. Published in the Christian Observer, Aug., 1813, in 8 stanzas of 8 lines, headed "Daily Duties, Dependence and Enjoyment," and signed Probus. Also in Morison, 1844, i. p. 453; and Lyra Brittanica, 1867, p. 505. The well-known cento, "As every day Thy mercy spares," is from this hymn, and begins with st. iii. 6. Ye saints, your grateful praises bring

John Swertner

1746 - 1813 Hymnal Number: 68 Author of "Sing Hallelujah, praise [ye] the Lord" in The Mozart Collection of Sacred Music Swertner, John, b. Sept. 12, 1746, at Haarlem, in Holland, Moravian minister at various places in England and Ireland; d. at Bristol, March 11, 1813. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Sarah Josepha Buell Hale

1788 - 1879 Person Name: Sarah J. Hale Hymnal Number: 217 Author of "Lord's prayer" in The Mozart Collection of Sacred Music Hale, Sarah Josepha, née Buell, born at Newport, New Hampshire, 1795, and married to David Hale, a lawyer, who died in 1822. Mrs. Hale edited The Ladies' Magazine, Boston, from 1828; and Godey's Ladies’ Book, Philadelphia, from 1837, besides publishing several works. Her hymn, “Our Father in heaven, we hallow Thy name" (The Lord's Prayer), appeared in Mason & Greene's Church Psalmody, 1831, No. 553, in 2 stanzas of 8 lines. Mrs. Hale, who was a member of the Protestant Episcopal Church, died in 1879. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

William Bourn Oliver Peabody

1799 - 1847 Person Name: William B. O. Peabody Hymnal Number: 95 Author of "Behold the western evening light" in The Mozart Collection of Sacred Music Peabody, William Bourne Oliver, D.D., twin brother of Oliver William Bourne, was born at Exeter, New Hampshire, July 9, 1799, and educated in his native town and at Harvard College. Leaving Harvard in 1817, he taught for a year at an academy in Exeter, and then proceeded to study theology at the Cambridge Divinity School. He began to preach in 1819, and became the Pastor of the Unitarian Congregation at Springfield, Massachusetts, in October, 1820. This charge he held to his death on May 28, 1847. His Memoir (written by his brother) was published with the 2nd ed. of his Sermons, 1849; and his Literary Remains followed in 1850. "He was a man of rare accomplishments, and consummate virtue," whose loveliness of character impressed many outside his own sect. In 1823 he published a Poetical Catechism for the Young to which were appended some original hymns. He also edited The Springfield Collection of Hymns for Sacred Worship, Springfield, 1835. A few of his hymns also appeared in that collection. His hymns in common use are:— 1. Behold the western evening light. Death of the Righteous, or Autumn Evening. Published in his Catechism, 1823, in 6 st. of 4 1., and again in his Springfield Collection, 1835, No. 484. It is in common use in its original form; also as altered in the Leeds Hymn Book, 1853; and again as altered by George Rawson in the Baptist Psalsm & Hymns, 1858, where it reads "How softly on the western hills." 2. God of the earth's extended plains. Hymn of Nature. This is in Griswold's Poets and Poetry of America, in 6 st. of 8 1. This is thought by some to be the production of his brother Oliver; but Putnam assigns it to William. It is given abbrevi¬ated in a few collections. The hymn "God of the rolling orbs above," in the Boston Unitarian Hymns [and Tune"] Book, 1868, and others, begins with st. v. 3. 0 when the hours of life are past. The Hereafter. This hymn, in 6 st. of 4 1., was given in his Catechism, 1823, as the Answer to "Question xiv. What do you learn of the Future State of Happiness." It is in use in its original form, and also altered as "When all the hours of life are past." 4. The moon is up: how calm and slow. Evening. A poem rather than a hymn, in 6 st. of 4 1., appended to his Catechism, 1823. 5. When brighter suns and milder skies. Spring. Appended to his Catechism, 1823, in 6 st. of 4 1. The full texts of all these hymns are in Putnam's Singers and Songs of the Liberal Faith, Boston, U. S. A., 1875. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

William Knox

1789 - 1825 Hymnal Number: 218 Author of "A voice comes from Ramah, avoice of despair" in The Mozart Collection of Sacred Music Born: August 17, 1789, Firth, Lilliesleaf, Roxburgh, Scotland. Died: November 12, 1825, Edinburgh, Scotland. Buried: New Calton Burial Ground, Edinburgh, Scotland. Knox, William, born at Firth, Lilliesleaf, Roxburgh, Aug. 17, 1789, and educated at the parish school, and the grammar school at Musselburgh. For some time he was engaged in farming at Wrae, near Langholm, Dumfriesshire; but not succeeding to his satisfaction, he left Wrae in 1817, and finally settled in Edinburgh in 1820, where he subsequently obtained employment as a contributor to the public journals. He died in Edinburgh, Nov. 12, 1825. His poetical works were, (1) The Lonely Hearth, North Shields, 1818 ; (2) Songs of Israel, 1824; (3) The Harp of Zion, 1825; and (4) these three works, together with a short Memoir, as his Poems, &c, Lond., J. Johnson, 1847. The Songs and Harp are mainly paraphrases of portions of Holy Scripture. A few have come into use as congregational hymns, as, "A voice comes from Ramah," "Acquaint thee, O mortal," "O sweet as vernal dews that fall" (Ps. cxxxiii.), and others. --John Julian, Dictionary of Hymnology (1907)