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Amanda Husberg

1940 - 2021 Person Name: Amanda Husberg, b. 1940 Scripture: John 7:37 Composer of "SARAH-ELIZABETH" in Lutheran Service Book

1842 - 1900 Person Name: Sir Arthur Sullivan Scripture: John 7:37-39 Composer of "AUDITE AUDIENTES ME" in The Presbyterian Book of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Lucy Broadwood

1858 - 1929 Person Name: Lucy Broadwood, 1858-1929 Scripture: John 7:37-39 Collector of "KINGSFOLD" in Common Praise (1998)

Thomas Tallis

1505 - 1585 Scripture: John 7:37-38 Composer of "THIRD MODE MELODY" in Moravian Book of Worship Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

J. A. Fuller-Maitland

1856 - 1936 Person Name: John Alexander Fuller Maitland (1856-1936) Scripture: John 7:37-39 Collector of "KINGSFOLD" in Ancient and Modern

John Victor Bergquist

1877 - 1935 Scripture: John 7:37 Composer of "MURIEL" in The Hymnal and Order of Service

William Tans'ur

1699 - 1783 Person Name: William Tansur, 1700-1783 Scripture: John 7:37-38 Composer of "ST. MARTIN'S" in One Lord, One Faith, One Baptism William Tansur, b. about 1700, Dunchurch of Barnes; d. 1783, St. Neots Evangelical Lutheran Hymnal, 1908 Also known as Tansur; Tanzer; le Tansur

Alfred Leslie Rose

1890 - 1970 Person Name: Alfred Leslie Rose, SSJE (1890-1970) Scripture: John 7:37-39 Harmonizer of "CHRISTE REDEMPTOR OMNIUM" in Common Praise (1998)

Ignaz Pleyel

1757 - 1831 Person Name: Ignaz Joseph Pleyel (1757-1831) Scripture: John 7:37 Composer of "SEASONS" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Ignaz Joseph Pleyel; b. Ruppertstahl, near Vienna, 1757; d. Parice France, 1831 Evangelical Lutheran Hymnal, 1908

William Gardiner

1770 - 1853 Person Name: William Gardiner, 1770-1853 Scripture: John 7:34-39 Composer (attributed to) of "FULDA (WALTON)" in Catholic Book of Worship III William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman