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William Dalrymple Maclagan

1826 - 1910 Person Name: Archbishop W. D. Maclagan Scripture: Luke 23:43 Author of "Lord, when thy kingdom comes, remember me" in The Book of Common Praise Maclagan, William Dalrymple , D.D., son of David Maclagan, M.D., was born in Edinburgh, June 18, 1826. In early life he entered the army, and served for some time in India. Retiring with the rank of lieutenant, he entered St. Peter's College, Cambridge, where he graduated B.A. 1856 and M.A. in 1860. Taking Holy Orders, he was curate of St. Saviour's, Paddington, 1856-58, and St. Stephen's, Marylebone, 1858-60. He then became Secretary to the London Diocesan Church Building Society, from 1860 to 1865; curate of Enfield, 1865-69; Rector of Newington, 1869-75; and Vicar of Kensington, 1875-78. He was also Hon. Chaplain to the Queen, and Prebendary of Reculverland in St. Paul's Cathedral, London. In 1878 he was consecrated Bishop of Lichfield. Bishop Maclagan's work has been mainly of a practical character, and his publications are few. The few hymns which he has written have been received with great favour, and create a desire for more of the same kind and quality. The following are in common use.:— 1. Again the trumpet sounds. Missions. Written about 1870. Appeared in the Hymns Ancient & Modern Hymns Ancient & Modern series of Hymns for Mission Services. 1871. 2. Be still, my soul, for God is near. Holy Communion. Part ii. is “O Body, broken for my sake." Written about 1873 for St. Mary's, Newington. In Thring's Collection, 1882. 3. Holy Spirit, Lord of love. Confirmation. Written about 1873, and published in Mrs. C. Brock's Children's Hymn Book, 1884. 4. It is finished, blessed Jesus [Saviour]. Good Friday. Written for Hymns Ancient & Modern, 1875. In several collections. 5. Lord, when Thy Kingdom comes, remember me. Good Friday. Written for the 1875 ed. of Hymns Ancient & Modern. Sometimes given in two parts: Pt. ii. Beginning, “Lord, when with dying lips my prayer is said." 6. The Saints of God their conflict past. All Saints. First published in Church Bells, 1870; and again in the Society for Promoting Christian Knowledge Church Hymns, 1871. 7. What thanks and praise to Thee we owe. St. Luke. Written for the 1875 edition of Hymns Ancient & Modern These hymns are of more than usual merit, being characterized by great simplicity, tenderness, and fervour. The special season or purpose is clearly indicated, and its lessons earnestly enforced. -- John Julian, Dictionary of Hymnology (1907) ============= Maclagan, Abp. W. D., pp. 709, i.; 1578, ii. At the present time all Abp. Maclagan's hymns are in common use, and most of his tunes likewise. With regard to the latter, it is exceptional to find so many tunes by the author of popular hymns sharing the same popularity in the principal hymnals. In Church Hymnal, 1903, and Hymns Ancient & Modern, 1904, combined, there are eight of his tunes, whilst the hymns are six in all. --John Julian, Dictionary of Hymnology, New Supplement (1907)

William Gardiner

1770 - 1853 Person Name: William Gardiner, 1770-1853 Scripture: Luke 23:1-49 Composer of "FULDA (WALTON)" in Singing the Faith William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Keith Getty

b. 1974 Scripture: Luke 22:66-71, 23:1-46 Author of "Oh, to See the Dawn" in Lift Up Your Hearts Keith Getty (b. December 16, 1974) is a world-renowned modern hymn writer. Keith developed a passion for writing good songs for the church in his twenties, and began writing for his small Baptist church. He writes and performs with his wife, Kristyn and they regularly tour the United States and the United Kingdom. (Also known as Julian Keith Getty) Laura de Jong

St. Gregory of Nazianzus

329 - 389 Person Name: Gregory Nazianzen Scripture: Luke 23:42 Author of "O Light That Knew No Dawn" in Rejoice in the Lord Gregory of Nazianzus (St. Gregory Nazianzen), Bishop of Sasima and of Constantinople, son of Gregory, Bishop of Nazianzus in Cappadocia, and Nonna, his wife, was born at a village near that city where his father had an estate, and called Arizanzus. The date of his birth is unknown, but is generally given as A.D. 325. In early childhood he was taught to read the Scriptures by his mother. From his home he passed with his brother Caesarius to a school at Caesarea, the capital of Cappadocia, where he was instructed by one Carterius, supposed by some to be the same as the subsequent head of the monasteries of Antioch, and instructor of St. Chrysostom. At Caesarea he probably met with Basil, with whom he maintained a life-long friendship. From Caesarea Basil went to Constantinople, and Gregory and his brother to Caesarea in Palestine. In a short time his brother passed on to Alexandria, whilst he remained behind to study rhetoric, and then followed his brother to that city. From Alexandria he went to pursue his study at Athens. On his journey there the ship in which he sailed encountered a severe hurricane, so much so, that all despaired of life. The voyage, however, terminated safely, and Gregory felt his deliverance to be a fresh call upon him to devote himself to God. At Athens, Julian (the Emperor) was a fellow student, and there he also met Basil again, and rendered him much assistance. His studies at Athens extended over some ten years. About 356 he returned to Nazianzus, from whence, after great persuasion on the part of Basil he joined the latter at Pontus, and devoted himself for some two or three years to an ascetic life. On returning to his home the holy office of the priesthood was forced upon him by his father: but instead of exercising his office he fled to Pontus, only to return again in a few months. Ordained, probably at Christmas, he preached his first sermon in the Church at Nazianzus on the following Easter-day, A.D. 362. In 370, through Basil, who had become Metropolitan of Cappadocia and Exarch of Pontus, Gregory consented most unwillingly to be consecrated as Bishop of Sasima. Subsequently he became for a short time his father's coadjutor at Nazianzus. About Easter, A.D. 379, he was called by the oppressed orthodox Christians of Constantinople to that city. The people's wish was supported by the voice of many of the bishops. He arrived there, it is supposed, about Easter. He found the adherents of the Nicene Creed few, and crushed by the heretics, and without a church in which to worship. His work, and the opposition he met with in that city, we cannot detail here. Failing health, and a dispute respecting the validity of his position as Bishop of Constantinople, led him, in A.D. 381, to retire to Nazianzus. After administering the affairs of that diocese for a short time he retired to his birthplace at Arizanzus, and occupied his remaining years--probably about six-—in writing poems, &c. He died cir. 390. St. Gregory's extant writings were published in two folio volumes, the first in 1778; and the second in 1840. This is commonly known as the Benedictine edition and is entitled Sancti Patris nostri Gregorii Theologi vulgo Nazianzeni Archiepiscopi Constantinopolitani, Opera omnia quae extant vel ejus nomine circumferuntur, ad MSS. codices Gallkanos, Vaticanos, Germanicos, Anglicos, nee non ad antiquiores editiones castigata, &c, &c. Vol. i. contains 45 Sermons, and vol. ii. Letters on Various Subjects, and his poems. The latter are in two Books: Book. i. (1) dogmatic, (2) moral; Book. ii. historical, (1) relating to himself, (2) relating to others, including epitaphs, &c. The dogmatic poems are 38; the moral 40; those relating to his own life 99, and miscellaneous over 60. Many of these are given in the Anthologia Graeca Carminum Christianorum, and Daniel, iii. pp. 5, 16, and 8 are trans¬lated by Mr. Chatfield in his Songs and Hymns of the Greek Christian Poets, 1876. For fuller details of St. Gregory's Life and Writings, his works in ms. and book form and other matters relating thereto, see Dictionary of Christian Biographies., vol. i. pp. 741-761, and for criticism of his poetry, Greek Hymnody, § iv. -- John Julian, Dictionary of Hymnology (1907)

John Brownlie

1857 - 1925 Person Name: J. Brownlie Scripture: Luke 23:42 Translator of "O Light That Knew No Dawn" in Rejoice in the Lord Brownlie, John, was born at Glasgow, Aug. 6, 1857, and was educated at Glasgow University, and at the Free Church College in the same city. In 1884 he was licensed by the Presbytery of Glasgow; in 1885 he became Assistant Minister of the Free Church, Portpatrick, and on the death of the Senior Minister in 1890 he entered upon the full charge of the Church there. He has interested himself in educational matters, became a Member of the local School Board in 1888, a governor of Stranraer High School in 1897, and Chairman of the governors in 1901. His hymnological works are:— 1. The Hymns and Hymnwriters of the [Scottish] Church Hymnary, 1899. This is a biographical, historical, and critical companion to that hymnal, and is well done and accurate. 2. Hymns of Our Pilgrimage, 1889; Zionward; Hymns of the Pilgrim Life, 1890; and Pilgrim Songs, 1892. These are original hymns. The Rest of God, 1894, a poem in three parts. 3. Hymns of the Early Church, Being Translations from the Poetry of the Latin Church, arranged in the Order of the Christian Year . . . 1896. 4. Hymns from East and West, Being Translations from the Poetry of the Latin and Greek Churches . . . 1898. 5. Hymns of the Greek Church, Translated with Introduction and Notes, 1900. Second Series: Hymns of the Holy Eastern Church, Translated from the Service Books, with Introductory Chapters on the History, Doctrine and Worship of the Church, 1902. Third Series: Hymns from the Greek Office Books, Together with Centos and Suggestions, 1904. Fourth Series: Hymns from the East, Being Centos and Suggestions from the Office Books of the Holy Eastern Church, 1906. Of Mr. Brownlie's original hymns the following have come into common use:— 1. Ever onward, ever upward. Aspiration. From Pilgrim Songs, 3rd Series, 1892, p. 11. 2. Girt with heavenly armour. The Armour of God. Pilgrim Songs, 3rd Series, 1892, p. 49. 3. Hark! the voice of angels. Praise. Pilgrim Songs, 3rd Series, 1892, p. 57. 4. O bind me with Thy bonds, my Lord. The Divine Yoke. From Hymns of our Pilgrimage, 1889, p. 27. 5. O God, Thy glory gilds the sun. Adoration. From Zionward, &c, 1890, p. 33. 6. Spake my heart by sorrow smitten. Seeking God. From Pilgrim Songs, 3rd series, 1892, p. 25. 7. The flowers have closed their eyes. Evening Pilgrim Songs, 3rd series, 1892, p. 6tf. 8. There is a song which the angels sing. The Angels' Song. A cento from the poem The Best of God, 1894, p. 36. 9. Thou art my Portion, saith my soul. God, the Portion of His People. From Pilgrim Songs, 1892, p. 45. 10. Close beside the heart that loves me. Resting in God. This is one of the author's "Suggestions " based upon the spirit rather than the words of portions of the Greek Offices. It was given in Hymns of the Holy Eastern Church, 1902, p. 128. Mr. Brownlie's translations from the Latin have been adopted in the hymnals to a limited extent only, mainly because the ground had been so extensively and successfully covered by former translators. With the translations from the Greek the case was different, as for popular use few translations were available in addition to the well known and widely used renderings by Dr. Neale. Mr. Brownlie's translations have all the beauty, simplicity, earnestness, and elevation of thought and feeling which characterise the originals. Their suitability for general use is evidenced in the fact that the number found in the most recently published hymn-books, including Church Hymns, 1903, The New Office Hymn Book, 1905, and The English Hymnal, 1906, almost equal in number those by Dr. Neale. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Robert Jackson

1840 - 1914 Scripture: Luke 23:42 Composer of "WAVERTON" in Trinity Hymnal After receiving his musical training at the Royal Academy of Music, Robert Jackson (b, Oldham, Lancashire, England, 1840; d. Oldham, 1914) worked briefly as organist at St. Mark's Church, Grosvenor Square, in London. But he spent most of his life as organist at St. Peter's Church in Oldham (1868-1914), where his father had previously been organist for forty-eight years. A composer of hymn tunes, Jackson was also the conductor of the Oldham Music Society and Werneth Vocal Society. Bert Polman

Richard Sturch

b. 1936 Person Name: Richard Lyman Sturch (b. 1936) Scripture: Luke 22, 23:1-48 Translator of "This is the night, dear friends, the night for weeping" in Church Hymnary (4th ed.)

C. Hubert H. Parry

1848 - 1918 Person Name: Charles Hubert Hastings Parry (1848-1918) Scripture: Luke 22, 23:1-48 Composer of "INTERCESSOR" in Church Hymnary (4th ed.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”. John Perry

Barney Elliott Warren

1867 - 1951 Person Name: Barney E. Warren Scripture: Luke 23:33-34 Author of "O Calvary" in Timeless Truths Barney Elliott Warren was an American Christian hymnwriter and minister. See more in Wikipedia

W. H. Vanstone

1923 - 1999 Person Name: William Hubert Vanstone (1923-1999) Scripture: Luke 23:32-47 Author of "Open are the gifts of God" in Church Hymnary (4th ed.)