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Person Results

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Leon Roberts

1950 - 1999 Person Name: Leon C. Roberts Topics: Antiphonal Psalms; Biblical Names and Places Aaron; Biblical Names and Places Israel; Church Year Easter; Church Year Passion/Palm Sunday; Elements of Worship Call to Worship; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Freedom; God's Triumph; God's Goodness; God's House; God's House; God's Name; God's People (flock, sheep); Mercy; Occasional Services Dedication / Consecration / Anniversary; Prayer; Processions; Salvation; Temple; Unity and Fellowship; Worship; Year A, B, C, Easter, Resurrection of the Lord; Year A, B, C, Lent, Liturgy of the Palms; Year C, Easter, 2nd Sunday Composer of "[This is the day the Lord has made]" in Psalms for All Seasons Leon began his piano studies at the age of six with a local teacher he knew as "Mr. Ben." His grandmother, Mrs. Mary Bookman, became a religious mentor in the musical growth of her grandson. Being from a family of devout Baptists, Methodists and Pentecostals, he gained an integrated understanding of faith. He first learned skills of directing congregational worship at his mother's church, the First Apostolic Fire Baptized Holiness Church of Coatesville. It was there that he also had a deep personal encounter with Jesus Christ. His talents and strong faith in God were reflected in the musical groups that he formed and directed such as the "Voices of Love" and the "Jubali Movement of Southern Pennsylvania." Leon was equally talented during his years in the Coatesville Area School District as a member of the various choral groups such as the Meistersingers and the many theatrical and musical productions. In 1968, Leon came to Washington, DC, to attend Howard University where he received a Bachelor's degree in Music Education. Later, he completed course work for the Liturgical Studies Certificate from Georgetown University. While at Howard University, he was a co-founder, pianist and composer for the 100-member Howard University Gospel Choir. Additionally, during this period, he directed the Mount Zion Baptist Church Young Adult Choir and the Library of Congress Gospel Choir. The defining event of Leon's career and life came in April 1977 when he was invited to direct the struggling Gospel choir of Saints Paul and Augustine Catholic Church in Washington, DC. Embraced and mentored by the church community, he converted to Catholicism and made his life's work the integration of the energy and emotion of African-American Gospel music with the traditions and rituals of the Catholic liturgy. From 1977 until 1994, he was the Director of Liturgical Music at the Saint Augustine Catholic Church and an instructor of choir and music appreciation at the Saint Augustine Elementary School. From 1978 until 1983, he directed the Mackin Catholic High School Choir and the Archdiocesan-wide Gospel Choir at Saint James Cathedral in Brooklyn, New York. In 1982, he founded and directed the Archdiocesan Mass Choir for the Archdiocese of Washington, DC. He also was music director of the Bishop McNamara Senior High School Gospel Choir. Leon was the co-founder and music chairperson of the REJOICE! Conference on Black Catholic Liturgy. In 1989, the REJOICE! Conference was held in Rome, Italy, and the Vatican where he spoke on "The Development of African-American Liturgical Music Since Vatican II." He was an internationally recognized African-American composer, arranger, liturgist and recording artist. The following are among his works: "Mass of Saint Augustine," published by the Gregorian Institute of America and dedicated to his late sister, Claudette Shatteen; "I Call Upon You God!-The Mass of Saint Martin de Porres," published by Leon C. Roberts and Associates of which he was president; "He Has the Power" and "Deliver the Word," recorded by the Saint Augustine Gospel Choir; "God Has Done Marvelous Things," an artistic collaboration with David Haas and Roberts' Revival; "The Coming," recorded by Roberts' Revival and published by Oregon Catholic Press; and his most recent recording, "Come Bless the Lord," a live concert recording to be released in March 1999. He was a major contributor to the first African-American Catholic hymnal, "Lead Me, Guide Me," which included twenty liturgical settings and was distributed nationally in 1987. In 1993, his psalm settings were published in the African-American hymnal of the Episcopal Church entitled "Lift Every Voice and Sing." And, he also worked with the late Sister Thea Bowman to produce her "Songs of My People" and "Round the Glory Manger." Leon's liturgical music and seminars are famous around the world. He toured with various choirs throughout the United States, Italy, Japan and the Caribbean Islands. During his tour of Rome, Italy, he directed the Saint Augustine Choir at a special audience with Pope John Paul II. In 1990, his concert tour of Japan with Roberts' Revival received critical acclaim and resulted in appearances on ABC-TV, FOX-TV and a number of radio stations. On Christmas Eve 1991, he directed the Saint Augustine Gospel Choir in a special program on "The History of Gospel Music" on ABC's Nightline. From 1994 through 1996, he and Roberts' Revival performed annually in Hawaii at the BILAC, Big Island Liturgical and Arts Conference. He was a clinician and lecturer for many organizations including the National Office of Black Catholics, the National Pastoral Musicians Conventions, the East Coast Conference for Religious Education, Notre Dame University, the Catholic University of America's Liturgical Studies program and many dioceses and archdioceses. In 1994, Leon moved to Brooklyn, New York, to become the Florence Van Keuren Artist-in-Residence at the Concord Baptist Church of Christ. He served as the director for Concord's Gospel Chorus and the Male Chorus. He also was music director of the Union Theological Seminary Gospel Choir in Manhattan. In 1998, he was honored by the Office of Black Ministry of the Archdiocese of New York. During that ceremony at Saint Patrick's Cathedral, New York's Archbishop John Cardinal O'Connor presented him with the "Special Achievement Award" for his many contributions to Black Catholic worship and the development of liturgical music. Then on Friday evening, January 22, 1999, at Providence Hospital, Leon left his earthly home to be with his heavenly Father, after being diagnosed with stomach cancer just two weeks earlier. --www.giamusic.com/

C. C. Case

1843 - 1918 Topics: Anger of God Righteous; Backsliding; Character New Birth Essential go Good; Christ Communion with; Christ Glorying in; Christ The Savior; Christians Duties of; Church Unfaithful; God Adored and Exalted; God Attributes of; God Creator; God King; God Supremacy of; Gospel Invitations of ; Gospel Time of Acceptance; Heart Claimed of God; Heart Evil, Hard, and Stubborn; Praise A Part of Public Worship; Praise Calls to; Praise For God's Power; Praise For Works of Creation; Praise For Works of Providence; Procrastination; Retribution Inflicted; The Sabbath; Salvation Accepted Time of; Salvation Thanksgiving for; The Wicked Warned; Worship Acts of; Worship Only as God Appoints Composer of "[O come, let us in songs to God]" in Bible Songs Charles Clinton Case USA 1843-1918. Born in Linesville, PA, his family moved to Gustavus, OH, when he was four. His father was an accomplished violinist, but a neighbor gave him a small violin when he was nine, and he mastered it before he could read music. At age 16 he went to singing school (without parental consent), borrowing the money from a neighbor. C. A. Bentley, a prominent conductor, was his first vocal music instructor, and William Bradbury's “Jubilee” was the school textbook. For three winters in a row, he attended Bentley's singing school, working his father's farm in the summer. He married Annie Williams. In 1866 he studied music in Boston with B. F. Baker. He also studied under George Root, Horatio Palmer, Philip Bliss, George Webb, and others, hymnwriters in their own right. Soon after, Case began teaching music, and when James McGranahan moved two miles from his home, they became friends. Case wrote and edited a number of Gospel song books in his life. 6 works. John Perry

Herbert Stephen Irons

1834 - 1905 Person Name: H. S. Irons Topics: Afflictions Deliverance from; Afflictions For sin; Afflictions From God; Afflictions Purpose of; Anger of God Righteous; Backsliding; Christ Power of; Church Afflicted; Church Unfaithful; Covenant False to; Covenant Keeping; Covenant Of God; Discontent; Disobedience; Doxology; Faith Act of; Glory of God In Creation; God Denied; Gospel Fullness of; Heart Evil, Hard, and Stubborn; Idolatry; Ingratitude to God; Mercy of God Great; Miracles; Missions Need for; Praise Calls to; Prayer Answers to; Prayer Confession in; Prayer For Christ's Sake; The Redeemed; Salvation From Sin and Troubled; Sin Confessed; Sin Hinders Communion with God; Sin Original; Unbelief; Zeal False Composer of "[We with our fathers have transgressed]" in Bible Songs Born: January 19, 1834, Canterbury, Kent, England. Died: June 29, 1905, Nottingham, England. Irons was a nephew of the brothers Stephen & George Elvey. He became a chorister at Canterbury Cathedral under T. E. Jones. After studying music under Stephen Elvey at Oxford, he was appointed organist at St. Columba’s College, a large public school at Rathfarnham, near Dublin, Ireland. He stayed there only a few months before being offered the position of organist at Southwell Minister. From Southwell, he went to Chester as assistant organist to Frederic Gunton. Three years later, he accepted an appointment at St. Andrew’s Church, Nottingham, where he remained until his death. --www.hymntime.com/tch

William Vincent Wallace

1812 - 1865 Person Name: W. V. Wallace Topics: Afflictions A blessing; Afflictions Deliverance from; Afflictions For sin; Afflictions From God; Afflictions Many and sore; Afflictions Prayer in; Afflictions Purpose of; Christ Atonement of; Christ Glorying in; Christ Light and Guide; Christ Providences of; Christians Heirs of Heaven; Christians Pilgrims and Strangers; Church Afflicted; Church Divinely Furnished; Church Unfaithful; Covenant False to; Deliverance From Sickness; Disobedience; Faith Blessedness of; Glory of God In Creation; God Guide; God Hearer of Prayer; God Loving and Merciful; Gospel Privileges of; Mercy of God Everlasting; Miracles; Missions Influence of; Praise Calls to; Praise For God's Goodness; Praise For God's Mercy; Prayer Answers to; Prayer God Hears; Providence of God Over His Creatures; Purposes of God; The Redeemed; Royalty of Christ For the Salvation of His People; Royalty of Christ Over All; Royalty of Christ Providential; Salvation Thanksgiving for; Sickness Recovery from; Sin Salvation from; Thanksgiving Declared; Worship Commanded Composer of "[O praise the Lord. for he is good, his grace is ever sure]" in Bible Songs

Thomas Turton

1780 - 1864 Topics: Adoration; Anger of God Fearful; Character Value of Good; Christ Exaltation of; Christ Godhood of; Christ Power of; Christ Worshiped; Christians Blessedness of; Christians Duties of; Christians Graces of; Faith Blessedness of; Glory of God In Creation; God Adored and Exalted; God Glorious; God Holiness of; God Invisibility of; God the judge; God Kingly Character of; God Righteousness of; God Sovereignty of ; Grace Growth in; Holiness Of Christians; Idolatry; Judgment Day; Love For God; Missions Encouragements of; Missions Triumphs of; Nations Owe Allegiance to Christ; Nations Ultimate Subjection of; Praise By Men; Praise Calls to; Praise For God's Holiness; Praise For Spiritual Blessings; The Christian's Reward; Royalty of Christ Guarantee of Salvation; Royalty of Christ Judgment the Prerogative of; Salvation Thanksgiving for; Seedtime and Harvest ; Sin Hatred of; Temperance Songs; Thanksgiving Due to God; Worship Call to Composer of "ELY" in The Psalter Turton, Thomas; b. 25 Feb. 1780 Yorkshire, England; d. 7 Jan. 1864 London; clergyman and scholar

Wesley Tactay Tabayoyong

b. 1925 Topics: The Church Easter; Responses to God Hallelujahs; Jesus Christ Easter - Resurrection; Jesus Christ Victory of Christ; The Christian Life Life, Death, and Parting; The Christian Life Salvation; Useful Musical Types Call and Response Composer of "ALLELUIA " in Hymns from the Four Winds

Stanley M. Wiersma

1930 - 1986 Person Name: Stanley Wiersma, 1930-1986 Topics: Antiphonal Psalms; Biblical Names and Places Aaron; Biblical Names and Places Israel; Church Year Easter; Church Year Passion/Palm Sunday; Elements of Worship Call to Worship; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Freedom; God's Triumph; God's Goodness; God's House; God's House; God's Name; God's People (flock, sheep); Mercy; Occasional Services Dedication / Consecration / Anniversary; Prayer; Processions; Salvation; Temple; Unity and Fellowship; Worship; Year A, B, C, Easter, Resurrection of the Lord; Year A, B, C, Lent, Liturgy of the Palms; Year C, Easter, 2nd Sunday Author of "Give Thanks to God for All His Goodness" in Psalms for All Seasons Pseudonym: Sietze Buning ********** Stanley Marvin Wiersma (b. Orange City, IA, 1930; d. Amsterdam, the Netherlands, 1986) was a poet and professor of English at Calvin College, Grand Rapids, Michigan, from 1959 until his sudden death in 1986. He attended Calvin as an under­graduate and received a Ph.D. from the University of Wisconsin in 1959. His love for the Genevan psalms is reflected in the two books of poetry for which he is most widely known: Purpaleanie and Other Permutations (1978) and Style and Class (1982), both written under the pseudonym Sietze Buning. He also wrote More Than the Ear Discovers: God in the Plays of Christopher Fry and translated many Dutch poems and hymn texts into English, including the children's hymns published in All Will Be New (1982). Bert Polman

Ernest R. Kroeger

1862 - 1934 Person Name: E. R. Kroeger Topics: Anger of God Righteous; Christ Glorying in; Christ The Savior; Christians Duties of; Church Unfaithful; God Adored and Exalted; God Attributes of; God Creator; God King; God Supremacy of; Gospel Invitations of ; Gospel Time of Acceptance; Heart Evil, Hard, and Stubborn; Praise A Part of Public Worship; Praise Calls to; Praise For God's Power; Praise For Works of Creation; Praise For Works of Providence; Procrastination; Retribution Inflicted; The Sabbath; Salvation Accepted Time of; Salvation Thanksgiving for; The Wicked Warned; Worship Acts of; Worship Only as God Appoints Composer of "[O come and let us sing to God]" in Bible Songs Born: August 10, 1862, St. Louis, Missouri. Died: April 7, 1934, St. Louis, Missouri. Buried: Bellefontaine Cemetery, St. Louis, Missouri. Kroeger was a charter member of the American Guild of Organists; member the National Institute of Arts of Letters; conductor of the Amphion Male Chorus in St. Louis (1883-84); organist at the Unitarian Church of the Messiah, St. Louis (1886); director of the College of Music at Forest Park University (1887); president of the Music Teachers’ National Association (1896-97); president of the Missouri State Music Teachers’ Association (1897-99); instrumental adjudicator at the annual Kansas Jubilee (1900-03); master of programs in the Bureau of Music at the St. Louis World’s Fair, 1904; adjudicator at the Welsh Eisteddfod in Canton, Ohio (1906); and director of the music department at Washington University, St. Louis (1925-34). He also ran the Kroeger School of Music in St. Louis (1904-34). --www.hymntime.com/tch/ ============ Successful American composer and teacher; born at St. Louis, Mo. He began studying violin and piano when he was five years old, and received his entire musical education in this country, principally in St. Louis, where he is located at present, and holds a prominent position as a teacher, pianist and composer. He is director of the College of Music at the Forest Park University for Women and is concert pianist of the Kroeger School of Music. Was president of the Music Teachers' National Association from 1895 to 1896, and of the Missouri State Music Teachers' Association from 1897 to 1899. Is a fellow of the American Guild of Organists and was master of programs of the Bureau of Music at the St. Louis Exposition in 1904. He has written a great many different kinds of music, and is one of a very few Americans who have published fugues. Mr. Kroeger says that some of his ideas are entirely musical, while others are attempts to illustrate poems in tones, such as his symphony, a suite, and overtures on Endymion, Thanatopis, Sardanapalus and Hiawatha. He has also published a very clever group of sonnets, on various themes; Twelve Concert Studies, which Hughes says "show the influence of Chopin upon a composer who writes with a strong German accent;" an etude, Castor and Pollux; a Romanze; and other studies. A Danse Negre and Caprice Negre resemble similar works of Gottschalk; and his Dance of the Elves is dedicated to Mme. Rive-King. --grandemusica.net/musical-biographies

Henry Hiles

1826 - 1904 Topics: Adoration; Christ Exaltation of; Christ Second Coming of; Christ The Saviour; Christ Worshiped; Christians Duties of; Church Glory of; Contributions; God Adored and Exalted; God Creator of All; God Glorious; God the judge; God Kingly Character of; God Sovereignty of ; Gospel Gracious Fruit of; Gospel Invitations of ; Idolatry; Judgment Day; Liberality; Missions Encouragements of; Missions Triumphs of; Offerings; Praise By Men; Praise By Nations; Praise By Universe; Praise Calls to; Praise For God's Justice; Praise Part of Public Worship; Royalty of Christ In His Church; Royalty of Christ Judgment the Prerogative of; Royalty of Christ Ultimate Acknowledgement of; Royalty of Christ Universal Domain of; Spritual Sacrifices; Salvation Thanksgiving for; The Sea; Temperance Songs; Worship Acts of; Worship Call to Composer of "ST. LEONARD" in The Psalter Born: December 31, 1826, Shrewsbury, England. Died: October 20, 1904, Worthing, England. Hiles was educated at Oxford (BMus 1862, DMus 1867). He played the organ at Shrewsbury, as his brother’s deputy (1846); Bishopwearmouth (1847); St. Michael’s, Wood Street (1859); the Blind Asylum, Manchester (1859); Bowden (1861); and St. Paul’s, Manchester (1863-67). He lectured in harmony and composition at Owen’s College in Manchester (1867) and Victoria University (1879), and was Professor at the Manchester College of Music (1893). He also conducted musical societies in Lancashire and Yorkshire, and owned and edited the Quarterly Music Review (1885-88). He retired in 1904, moving to Pinner, near Harrow. His works include: Twelve Tunes to Original or Favourite Hymns, 1867 Harmony of Sounds, three editions: 1871, 1872, 1879 Wesley Tune Book, 1872 (editor) Grammar of Music, 1879 First Lessons in Singing (Manchester: Hime & Addison, 1881) Part Writing or Modern Counterpoint (Novello: 1884) Harmony or Counterpoint, 1889 Harmony, Choral or Counterpun --www.hymntime.com/tch/

Deodotus Dutton

1808 - 1832 Person Name: Deodatus Dutton, Jr. Topics: Christ Glorying in; Christians Evangelists; Church Divinely Furnished; Covenant Keeping; Covenant Making; Covenant Of God; Covenant Promises; Divine Election; Glory of God In Providence; God Love and Mercy; Gospel Invitations of ; Grace Justifying; Grace Restoring; Grace Sovereign ; Miracles; Nations Dependence on God; Praise Calls to; Praise for temporal blessings; Praise For Works of Providence; Prayer Answers to; Protection Unceasing; Providence of God Over Saints; Purposes of God; Retribution Inflicted; Royalty of Christ Civil Rulers in Relation to; Royalty of Christ Guarantee of Salvation; Royalty of Christ Judgment the Prerogative of; Royalty of Christ Providential; Seeking God; Thanksgiving Declared Composer of "WOODSTOCK" in The Psalter Dutton, Deodatus, jun., b. cir. 1810, was a native of Monson, Massachusetts, U.S. He was a Licentiate of the third Presbytery, New York, but died before ordination, about 1832. His hymns in common use are:— 1. On Thibet's snow-capt mountain. Missions. This appeared in pt. ii. of the Christian Lyrics, 1831, in 3 stanzas of 8 lines. It is an imitation of Bp. Heber's “From Greenland's icy mountains." 2. O where can the soul find relief from its foes. Heaven. The date and first published of this hymn is uncertain. It is given, together with the above, in the Plymouth Collection, 1855. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= Born: De­cem­ber 22, 1808, Mon­son, Mass­a­chu­setts. Died: De­cem­ber 16, 1832, New York Ci­ty. Buried: Ma­rble Cem­e­te­ry, Man­hat­tan, New York. By age 14, Dut­ton was play­ing the or­gan at Cen­ter Church in Hart­ford, Con­nec­ti­cut. He at­tend­ed Brown Un­i­ver­si­ty and Wash­ing­ton (now Trin­i­ty) Coll­ege (grad­u­at­ed 1828), and was li­censed to preach by the Third Pres­by­tery of New York. How­ev­er, he ne­ver re­ceived a pas­tor­ate, and was still pur­su­ing his stu­dies at the time of his death. His works in­clude: The Amer­i­can Psalm­o­dy, 1829, with El­am Ives, Jr. --www.hymntime.com/tch/

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