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Sydney H. Nicholson

1875 - 1947 Person Name: Sidney Hugo Nicholson Topics: Judgment Composer (descant) of "DARWALL" in Voices United Sydney H. Nicholson, (b. St. Marylebone, London, England, 1875; d. Ashford, Kent, England, 1947) was an organist and church music educator who greatly influenced English hymnody. Educated at Oxford's New College, the Royal College of Music in London, and in Frankfurt, Germany, he became organist at several famous cathedrals, including Westminster Abbey (1919-1928). Nicholson founded and administered the School of English Church Music at Chislehurst in 1927; this important institution, with branches throughout the English-speaking world, was renamed the Royal School of Church Music in 1945. Located in Canterbury after World War II, its headquarters were moved to Addington Palace, Croydon, in 1954. Nicholson was music adviser for the 1916 Supplement of Hymns Ancient and Modern and prepared the way for its 1950 edition. He wrote Church Music: a Practical Handbook (1920) and Quires and Places Where They Sing (1932) and composed operettas, anthems, and hymn tunes. In 1938 he was knighted for his contributions to church music. Bert Polman

J. B. Herbert

1852 - 1927 Topics: Judgments On Wicked Composer of "[Why doth the wicked man]" in Bible Songs

L. L. Pickett

1859 - 1928 Person Name: L. L. Pickle Topics: Warning Message The Judgment Composer of "THE GREAT JUDGMENT MORNING" in The Christian Hymnary Rv Leander Lycurgus Pickett USA 1859-1928. Born at Burnsville, MS, he became a Methodist evangelist. He held meetings in several states and at Holiness campgrounds. After marrying Ludie, they served pastorates in northeast TX, and Columbia, SC, before moving to Wilmore, KY. Pickett married Pruvy Melviney Dorough in 1878, and they had a son, James, in 1880. After her death in 1887, he married Ludie in 1888. He was a renowned speaker, leader, minister, author, hymnwriter, and patriot, prominent in the Holiness Movement, and helped found Asbury College (now University), at Wilmore, KY, where he also served as the financial agent of the board of trustees for many years. The Picketts boarded m,inistry students attending Asbury, among whom was missionary E Stanley Jones. In 1905 a student prayer meeting at the Pickett home spilled out to the Asbury campus in a revival that spread around the town of Wilmore. Between 1891 and 1926 Pickett published 11 song books, some with others, including John Sweney, William J Kirkpatrick, John Bryant, Martin Knapp, Elisha A Hoffman, Burke Culpepper, William Marks, Benjamin Butts, and Robert McNeill. He died at Middlesboro, KY. John Perry

Chas. H. Gabriel

1856 - 1932 Topics: Judgment; Judgments On Wicked; Royalty of Christ Judgment His Prerogative Composer of "[The Lord forever shall endure]" in Bible Songs Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Matthias Greiter

1495 - 1550 Person Name: M. Greiter Topics: The Judgment Composer of "O HOLY GHOST, THOU HEAVENLY GIFT" in Christian Hymns Greitter, Matthäus, was a monk and chorister of Strassburg Cathedral, but in 1524 espoused the cause of the Reformation. In 1528 he was appointed assistant pastor of St. Martin's Church, and afterwards at St. Stephen's. When the Interim [Agricola] was forced on Strassburg, he was the only one of the Lutheran pastors that sought to further it, a course which he afterwards deeply regretted. His death is dated by Wetzel, i. 349, as Dec. 20, 1550; by the Allgemeine Deutsche Biographie, ix. 636, as Nov. 20, 1550; while Koch, ii. 104, says he died of the pestilence in 1552. Greitter was a distinguished musician, and with his friend Dachstein (q.v.) edited the Strassburg Kirchen ampt, 1524-5. Four psalm tunes by Greitter, and one by Dachstein were inserted by Calvin in his first Hymnbook published at Strassburg, 1539. All these were transferred to the first edition of the French-Genevan Psalter in 1542, and two of them, both by Greitter (the tunes to psalms 36 and 91), were retained in the final edition of 1562. Of his seven Psalm versions 4 have been translated into English :— i. Ach Gott, wie lang vergissest mein. Ps. xiii. 1524. Wackernagel, iii. p. 89, in 4 st. Translated as, "O Lord, how lang forever wil thow foirget," in the Gude and Godly Ballates, ed. 1568, folio 46 (1868, p. 78). ii. Da Israel aus Egypten zog. Ps. cxiv. In Die Zwen Psalmen: In exitu Israel, &c, Strassburg, 1527, thence in Wackernagel, iii. p. 93, in 2 stanzas. Translated as, "Quhen, fra Egypt departit Israeli," In the Gude & Godly Ballates, ed. 1568, folio 56 (1868, p. 95). iii. Nicht uns, nicht uns, o ewiger Herr. Ps. cxv, 1527, as ii., and Wackernagel, iii. p. 93, in 4 st. Translated as, “Not unto us, not unto us, O Lord," in the G. & G. Ballates, ed. 1568, folio 56 (1868, p. 95). iv. 0 Herre Gott, begnade mich. Ps. li. 1525. Wackernagel, iii. p. 90, in 5 st. Translated as, "O Lorde God, have mercy on me," by Bishop Coverdale, 1539 (Remains, 1846, p. 574). [Rev.James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Nicolaus Decius

1485 - 1541 Person Name: N. Decius, 1490?-1541 Topics: Judgment Composer of "ELBERFORD" in The Hymnal Decius, Nicolaus (Nicolaus a Curia or von Hofe, otherwise Hovesch, seems to have been a native of Hof, in Upper Franconia, Bavaria, and to have been originally called Tech. He became a monk, and was in 1519 Probst of the cloister at Steterburg, near Wolfenbüttel. Becoming favourable to the opinions of Luther, he left Steterburg in July, 1522, and went to Brunswick, where he was appointed a master in the St. Katherine and Egidien School. In 1523 he was invited by the burgesses of Stettin to labour there as an Evangelical preacher along with Paulus von Rhode. He became preacher at the Church of St. Nicholas; was probably instituted by the Town Council in 1526, when von Rhode was instituted to St. Jacob's; and at the visitation in 1535 was recognized as pastor of St. Nicholas'. He died suddenly at Stettin, March 21, 1541, with some suspicion of being poisoned by his enemies of the Roman Catholic faction (Koch, i. 419-421, 471, 472; ii. 483; Allg. Deutsche Biography, iii. 791-793).He seems to have been a popular preacher and a good musician. Three hymns are ascribed to him. These are versions of the “Sanctus," the "Gloria in excelsis," and the "Agnus Dei." The second and third are noted under these Latin first lines. He is also said to have composed or adapted the melodies set to them.      [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

William Knapp

1698 - 1768 Topics: The Last Things Judgment Composer of "WAREHAM" in The Lutheran Hymnal Born: 1698, Ware­ham, Dor­set­shire, Eng­land. Died: Sep­tem­ber 26, 1768, Poole, Dor­set­shire, Eng­land. Buried: Poole, Dor­set­shire, Eng­land.

Thomas Cotterill

1779 - 1823 Person Name: T. Cotteril and others. Topics: Judgment Alterer of "Great God, what do I see and hear!" in The Lutheran Hymnary Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals. Bert Polman =============== Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ====================== Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have— i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:— 1. Awake, O sword, the Father cried. Atonement. 2. Before Thy throne of grace, O Lord. Lent. 3. From Sinai's mount, in might array'd. The Law and the Gospel. 4. From Thine all-seeing Spirit, Lord. Ps. 139. 5. In all the ways and works of God. Ps. 145. 6. Out of the deeps, O Lord, we call. Ps. 130. 7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v. ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:— 8. Blessed are they who mourn for sin. Lent. 9. Father of mercies, let our songs [way, ways]. Thanksgiving. 10. I was alive without the law. Lent. 11. Lord of the Sabbath, 'tis Thy day. Sunday. iii. In the 8th edition of the same, 1819 :— 12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c. 13. I love the Lord, for He hath heard. Ps. 116. 14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar." 15. Lord, cause Thy face on us to shine. For Unity. 16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield. Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of. --John Julian, Dictionary of Hymnology (1907)

Timothy R. Matthews

1826 - 1910 Person Name: T. Richard Matthews Topics: Christ Second Coming and Judgment of Composer of "MARGARET" in Trinity Hymnal Timothy Richard Matthews MusB United Kingdom 1826-1910. Born at Colmworth, England, son of the Colmworth rector, he attended the Bedford and Gonville Schools and Caius College, Cambridge. In 1853 he became a private tutor to the family of Rev Lord Wriothesley Russell, a canon of St. George’s Chapel, Windsor Castle, where he studied under organist, George Elvey, subsequently a lifelong friend. He married Margaret Mary Thompson, and they had 11 children: Norton, Mary, George, Cecil, Evelyn, Eleanor, Anne, Arthur, Wilfred, Stephen, and John. Matthews served as Curate and Curate-in-Charge of St Mary’s Church, Nottingham (1853-1869). While there, he founded the Nottingham Working Men’s Institute. He became Rector at North Coates, Lincolnshire (1869-1907). He retired in 1907 to live with his eldest son, Norton, at Tetney vicarage. He edited the “North Coates supplemental tune book” and “Village organist”. An author, arranger, and editor, he composed morning and evening services, chants, and responses, earning a reputation for simple but effective hymn tunes, writing 100+. On a request he wrote six tunes for a children’s hymnal in one day. He composed a Christmas carol and a few songs. His sons, Norton, and Arthur, were also known as hymn tune composers. He died at Tetney, Lincolnshire, England. John Perry

Laurentius Laurenti

1660 - 1722 Topics: Christ Second Coming and Judgment of Author of "Rejoice, all ye believers" in Trinity Hymnal Laurenti, Laurentius, son of Herr Lorenz, or Laurenti, a burgess of Husum, in Schleswig, was born at Husum, June 8, 1660. He entered the University of Rostock in 1681, and after a year and a half spent there, went to Kiel to study music. In 1684 he was appointed cantor and director of the music at the cathedral church at Bremen. He died at Bremen, May 29, 1722 (Koch, iv. 281; Rotermund's continuation of Jöcher's Gelehrten-Lexicon, iii. 1405, &c). Laurenti was one of the best hymn-writers of the Pietistic school. His hymns are founded on the Gospels for Sundays and Festivals, and they draw out the bearing on the Christian life of the leading thoughts therein contained. They are of noble simplicity; are Scriptural, fervent, and often of genuine poetical worth. In Freylinghausen's Gesang-Buch, 1704 and 1714, no less than 34 are included, and many of these, with others by him, are still in extensive German use. They appeared in his:— Evangelia Melodica, das ist: Geistliche Lieder,und Lobgesange, nach den Sinn der ordentlichen Sonn-und Festages Evangelien, &c. Bremen, 1700 [Royal Library, Berlin], with 148 hymns on the Gospels, and two others. Of his hymns those which have passed into English are:—— i. Du wesentliches Wort. Christmas. Founded on St. John i. 1-12. In his Evangelia Melodica, 1700, p. 30, in 8 stanzas of 8 lines, entitled, "For the Third Day of Christmas." Included in Freylinghausen's Gesang-Buch, 1704, No. 20; and, recently, as No. 83, in the Berlin Geistliche Lieder, 1863. The translations in common use are:— 1. 0 Thou essential Word, Who from. A good translation, omitting st. iii., v., by Miss Winkworth, in her Lyra Germanica, first Ser., 1855, p. 15 (2nd edition, 1856, considerably altered); and repeated, abridged, in Flett's Collection, Paisley, 1871. Varying centos, beginning with st. i., 1. 5, altered to "O Saviour of our race," are found in America, as in Boardman's Selections, Philadelphia, 1861; the Pennsylvania Lutheran Church Book, 1868; and the Dutch Ref. Hymns of the Church, 1869. 2. 0 Thou essential Word, Who wast. By Miss Winkworth, in her Chorale Book for England, 1863, No. 54. This is her 1856 version (as above) rewritten to the original metre. Repeated, in full, in Dr. Thomas's Augustine Hymn Book, 1866, and the Ohio Lutheran Hymnal, 1880; and, abridged, in the English Presbyterian Psalms & Hymns, 1867, and Laudes Domini, N. Y., 1884. ii. Ermuntert euch, ihr Frommen. Second Advent. This is his finest hymn. In his Evangelia Melodica, 1700, p. 353, in 10 stanzas of 8 lines, entitled, "For the 27th Sunday after Trinity." It is founded on St. Matt. xxv. 1-13; and unites the imagery of the parable of the Ten Virgins with that of Rev. xx., xxi. Included, as No. 578, in Freylinghausen's Gesang-Buch, 1704; and, recently, as No. 1519, in the Berlin Geistliche Lieder, ed. 1863. The translation in common use is:— Rejoice, all ye believers. By Mrs. Findlater, in Hymns from the Land of Luther, 1st Ser., 1854, p. 61 (1884, p. 62), a good translation of st. i.-iii., vii., viii., x. In full, but altered to the original metre, in Schaff’s Christ in Song, 1869 and 1870. This version is found in a large number of English and American hymnals, under the following forms:— (1) Rejoice, all ye believers (st. i.). Varying centos are found in Mercer, 1864, Hymnal Companion, 1876, &c.; and in America in Hatfield's Church Hymn Book, 1872, Evangelical Hymnal, N. Y., 1880, and others. (2)

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