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Scripture:Luke 7

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A Sinner Forgiven

Author: Jeremiah J. Callanan Appears in 28 hymnals Scripture: Luke 7:48 First Line: To the hall of the feast came the sinful and fair Used With Tune: [To the hall of the feast came the sinful and fair]
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Altogether lovely

Appears in 1,097 hymnals Scripture: Luke 7:47 First Line: My Jesus, I love thee, I know thou art mine Topics: Joy, Spiritual; Love For Christ Used With Tune: GORDON
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Arme wittwe, weine nicht! Jesus will dich trösten

Appears in 44 hymnals Scripture: Luke 7:13 Topics: Der Hausstand Witwen und Waisen

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AZMON

Meter: 8.6.8.6 Appears in 998 hymnals Composer and/or Arranger: Carl Gotthelf Gläser; Lowell Mason Scripture: Luke 7:22 Tune Key: G Major Incipit: 51122 32123 34325 Used With Text: O for a Thousand Tongues to Sing
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ABERYSTWYTH

Meter: 7.7.7.7 D Appears in 260 hymnals Composer and/or Arranger: Joseph Parry Scripture: Luke 7:21-22 Tune Key: d minor Incipit: 11234 53213 21712 Used With Text: Jesus, Lover of My Soul
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AMEN SJUNGE HVARJE TUNGA

Meter: 8.7.8.7.7.7 Appears in 32 hymnals Composer and/or Arranger: Anton Peter Berggren, (1801-1880) Scripture: Luke 7:34 Tune Key: C Major Incipit: 53223 44317 62543 Used With Text: One There Is Above All Others

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Altogether lovely

Hymnal: Songs of Praise with Tunes #254 (1889) Scripture: Luke 7:47 First Line: My Jesus, I love thee Topics: Aspirations For Christ; Christ Precious; Confidence; Faith Assurance of; Love For Christ Tune Title: GORDON
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Altogether lovely

Hymnal: Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes #258 (1891) Scripture: Luke 7:47 First Line: My Jesus, I love thee, I know thou art mine Topics: Joy, Spiritual; Love For Christ Languages: English Tune Title: GORDON

Alleluia, sing to Jesus

Author: William Chatterton Dix, 1837-1898 Hymnal: Complete Anglican Hymns Old and New #12 (2000) Meter: 8.7.8.7 D Scripture: Luke 7:34 Topics: Easter; Holy Communion; Hope and Consolation; Redemption and Salvation; Year A Easter 6; Year A Easter 7; Year A Proper 9; Year A Trinity Sunday; Year B Fourth Sunday Before Advent; Year B Proper 13; Years A, B, and C Ascension Day Languages: English Tune Title: HYFRYDOL

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Unknown Scripture: Luke 7:36-50, 8:1-3 Composer of "MOZART" in Common Praise (1998) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

James Allen

1734 - 1804 Person Name: James Allen (1734-1804) Scripture: Luke 7:46 Author of "Sweet the moments, rich in blessing" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Allen, James, born at Gayle, Wensleydale, Yorkshire, June 24, 1734, and educated with a view to taking Holy Orders, first with two clergymen at different times, and then for one year at St. John's Coll., Cambridge. Leaving the University in 1752 he became a follower of Benjamin Ingham, the founder of the sect of the Inghamites, but subsequently joined himself to the Sandemanians; and finally built a chapel on his estate at Gayle, and ministered therein to the time of his death; died 31st Oct., 1804. He published a small volume, Christian Songs, containing 17 hymns, and was the editor and a principal contributor to the Kendal Hymn Book, 1757, and Appendix to the 2nd edition, 1761. -- John Julian, Dictionary of Hymnology (1907)

Heinrich Albert

1604 - 1651 Scripture: Luke 7:34 Composer of "GODESBERG" in Trinity Psalter Hymnal Alberti, or Albert, Heinrich, son of Johann Albert, tax collector at Lobenstein, in Voigtland (Reuss), born at Lobenstein, June 28, 1604. After some time spent in the study of law at Leipzig, lie went to Dresden and studied music under his uncle Heinrich Schutz, the Court Capellmeister. He went to Konigsberg in 1626, and was, in 1631, appointed organist of the Cathedral. In 1636 he was enrolled a member of the Poetical Union of Konigsberg, along with Dach, Roberthin, and nine others. He died at Konigsberg, Oct. 6, 1651. His hymns, which exhibit him as of a pious, loving, true, and artistic nature, appeared, with those of the other members of the Union, in his Arien etliche theils geistliche, theils iceltliche zur Andacht, guten Sitten, Keuscher Liebe und Ehrenlust dienende Lieder, pub. separately in 8 pts., 1638-1650, and in a collected form, Konigsberg, 1652, including in all, 118 secular, and 74 sacred pieces. Of the 78 sacred melodies which he composed and published in these 8 pts., 7 came into German common use (Koch, iii. 191-197; Allg. Deutsche Biog., i. 210-212, the latter dating his death, 1655 or 1656). Two of his hymns have been translated into English, viz.: i. Der rauhe Herbst kommt wieder. [Autumn.] 1st pub. as above in pt. viii., 1650, No. 9, in 9 stanzas of 6 lines, entitled "On the happy departure, Sep. 2, 1048, of Anna Katherine, beloved little daughter of Herr Andreas Hollander," of Kneiphof. Included, as No. 731, in the Unverfalschter Leidersegen, 1851, omitting st. iii., viii., ix. The translations are:— (1) "The Autumn is returning," by Miss Manington, 1863, p. 175. (2) "Sad Autumn's moan returneth," in E. Massie's Sacred Odes, vol. ii. 1867, p. 1. ii. Gott des Himmels und der Erden. [Morning.] First pub. as above in pt. v. 1643, No. 4, in 7 stanzas of 6 lines, included as No. 459 in the Unv. L. S., 1851. Of this hymn Dr. Cosack, of Konigsberg (quoted in Koch,viii. 186), says:— "For two hundred years it is hardly likely that a single day has greeted the earth that has not, here and there, in German lands, been met with Alberti's hymn. Hardly another morning hymn can be compared with it, as far as popularity and intrinsic value are concerned, if simplicity and devotion, purity of doctrine and adaptation to all the circumstances of life are to decide." Sts. ii., iii., v. have been special favorites in Germany, st. v. being adopted by children, by brides, by old and young, as a morning prayer. The fine melody (in the Irish Church Hymnal called "Godesberg") is also by Alberti. Translations in common use:— 1. God, the Lord of what's created, in full in J. C. Jacobi's Div. Hymns 1720. p. 35. In his 2nd ed. 1732, p. 169, altered to—" God, the Lord of the Creation " ; and thence slightly altered as No. 478 in part i. of the Moravian Hymn Book, 1754, with a doxology as in the Magdeburg G. B., 1696. In 1789, No. 743, altered to—"God, omnipotent Creator"; with st. ii., iv., vii., omitted; st. iii., viii. being also omitted in the 1801 and later ed. In 1868, st. iii.—v. were included as No. 511 in the Pennsylvania Lutheran Ch. Bk., with st. ii., vi., vii. from A. T. Russell. 2. God, Thou Lord of Earth and Heaven, in full, by H. J. Buckoll in his H. from the German, 1842, p. 22. His translations of st. iv.-vi. beginning—" Now the morn new light is pouring," were included as No. 3 in the Rugby School Hymn Book, 1843 (ed. 1876, No. 4), and of st. v., vi., altered to "Jesus! Lord! our steps be guiding," as No. 130 in Dr. Pagenstecher's Collection, 1864. 3. God, who heaven and earth upholdest. A good tr. omitting st. iv. and based on Jacobi, by A. T. Russell, as No. 64 in the Dalston Hospital Collection, 1848. In his own Psalms & Hymns, 1851, No. 3, the translations of st. vi., vii. were omitted, and this was repeated as No. 218, in the New Zealand Hymnal, 1872. The Pennsylvania Lutheran Church Book takes st. i. partly from Miss Winkworth. 4. God who madest earth and heaven, Father, Son, and Holy Ghost. A good and full tr. by Miss Winkworth in her Lyra Germanica, 1st ser., 1855, p. 213 (later ed., p. 215, slightly altered). In full in R. M. Taylor's Par. Church Hymnal 1872, No. 27. A cento from st. i., 11.1-4; v., 11. 1-4; vi., 11. 1-4; with v., 11. 5, 6; and vii., 11. 5, 6, was included as No. 23 in the Irish Church Hymnal 1873. In 1868, included in L. Rehfuess' Church at Sea, p. 79, altered to—"Creator of earth and heaven." In 1863 it was altered in metre and given as No. 160 in the Chorale Book for England. From this Porter's Church Hymnal 1876, No. 54, omits st. iii. Also in the Ohio Lutheran Hymnal, 1880, No. 293. 5. God who madest earth and heaven. A good translation omitting st. vii., and with st. i., 11. 1-4, from Miss Winkworth, contributed by R. Massie, as No. 501, to the 1857 ed. of Mercer's Church Psalms & Hymns (Ox. ed. 1864, No. 7, omitting st. v.). 6. God of mercy and of might. A good translation (omitting st. v., vi,) by Dr. Kennedy, as No. 811, in his Hymnologia Christiana, 1863, repeated in Dr. Thomas's Aug. Hymn Book 1866, No. 510; and, omitting the translations of st. vii., as No. 31, in Holy Song, 1809. --John Julian, Dictionary of Hymnology (1907)