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Search Results

Scripture:Revelation 4

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Texts

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By the Sea of Crystal

Author: William Kuipers Meter: 6.5.6.5 D Appears in 9 hymnals Scripture: Revelation 4 Topics: Doxologies; Biblical Names & Places Satan; Deliverance; The New Creation; Biblical Names & Places Satan; Deliverance; Doxologies; Lamb of God; New Creation Used With Tune: CRYSTAL
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Bright the vision that delighted

Author: Richard Mant, 1776-1848 Meter: 8.7.8.7 Appears in 47 hymnals Scripture: Revelation 4:8 Lyrics: 1 Bright the vision that delighted once the sight of Judah's seer; sweet the countless tongues united to entrance the prophet's ear. 2 Round the Lord in glory seated cherubim and seraphim filled his temple, and repeated each to each the alternate hymn: 3 'Lord, thy glory fills the heaven; earth is with its fullness stored; unto thee be glory given, holy, holy, holy, Lord.' 4 Heaven is still with glory ringing, earth takes up the angels' cry, 'Holy, holy, holy,' singing, 'Lord of hosts, the Lord most high.' 5 With his seraph train before him, with his holy church below, thus unite we to adore him, bid we thus our anthem flow: 6 'Lord, thy glory fills the heaven; earth is with its fullness stored; unto thee be glory given, holy, holy, holy, Lord.' Topics: Fifth Sunday Before Lent Year C; Trinity Sunday; Proper 17 Year C Used With Tune: LAUS DEO (REDHEAD 46)

Before Jehovah's Awful Throne

Author: Isaac Watts Meter: 8.8.8.8 Appears in 966 hymnals Scripture: Revelation 4:10-11 Topics: God Worship Used With Tune: WATTS

Tunes

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BLAENWERN

Meter: 8.7.8.7 D Appears in 87 hymnals Composer and/or Arranger: William Penfro Rowlands, 1860-1937 Scripture: Revelation 4 Tune Key: F Major Incipit: 55665 13321 7655 Used With Text: Love Divine, All Loves Excelling
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BEECHER

Meter: 8.7.8.7 D Appears in 772 hymnals Composer and/or Arranger: John Zundel, 1815-1882 Scripture: Revelation 4:10 Tune Key: B Flat Major Incipit: 55653 23217 61654 Used With Text: Love Divine, All Loves Excelling

BEHOLD THE LORD

Meter: Irregular Appears in 2 hymnals Composer and/or Arranger: Gerald Coates, 1944-; Noel Richards Scripture: Revelation 4 Tune Key: G Major Incipit: 51232 34251 23143 Used With Text: Behold the Lord upon his throne

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Before Jehovah's Awful Throne

Author: Isaac Watts Hymnal: Church Hymnal, Mennonite #30 (1927) Meter: 8.8.8.8 Scripture: Revelation 4:10-11 Topics: God Worship Languages: English Tune Title: WATTS

Before Jehovah's Awful Throne

Author: Isaac Watts Hymnal: Church Hymnal, Mennonite #30 (2017) Meter: 8.8.8.8 Scripture: Revelation 4:10-11 Topics: God Worship Languages: English Tune Title: WATTS
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Behold the glories of the Lamb

Author: Watts Hymnal: The Voice of Praise #223 (1873) Meter: 8.6.8.6 Scripture: Revelation 4:10-11 Lyrics: 1 Behold the glories of the Lamb, Amidst his Father's throne! Prepare new honors for his name, And songs before unknown. 2 Let elders worship at his feet, The Church adore around; With vials full of odors sweet, And harps of sweeter sound. 3 Now to the Lamb that once was slain, Be endless blessings paid; Salvation, glory, joy, remain Forever on thy head. 4 Thou hast redeemed our souls with blood, Hast set the prisoners free; Hast made us kings and priests to God; And we shall reign with thee. Topics: Christ Intercession and Reign; The Glories of the Lamb

People

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Authors, composers, editors, etc.

H. W. Baker

1821 - 1877 Person Name: Henry W. Baker, 1821-1877 Scripture: Revelation 4:8 Translator of "Of the Father's Love Begotten" in Gather Comprehensive Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig van Beethoven (1770-1827) Scripture: Revelation 4:8 Composer of "ODE TO JOY" in Church Hymnary (4th ed.) A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Scripture: Revelation 4:8-10 Composer of "LAUDES DOMINI" in Worship and Rejoice Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman