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Christ Is Made the Sure Foundation (Cristo, Firme Fundamento)
Author: John M. Neale, 1818-1866; Alberto Merubia, b. 1919 Meter: 8.7.8.7.8.7 Appears in 289 hymnals Topics: Amor de Dios para Nosotros Scripture: Psalm 118:19-24 Used With Tune: WESTMINSTER ABBEY Text Sources: 11th C.
Christ Is Made the Sure Foundation (Cristo, Firme Fundamento)
Cuando Sientas Que Tu Hermano (When Our Sisters or Our Brothers)
Author: Anónima; Mary Louise Bringle, n. 1953 Appears in 9 hymnals Topics: Amor de Dios para Nosotros First Line: Cuando sientas que tu hermano necesita de tu amor (When our sisters or our brothers stand in need of loving care) Refrain First Line: ¡Gloria, gloria, aleluya! (Glory, glory! Hallelujah!) Scripture: Matthew 5:3-8 Used With Tune: BATTLE HYMN OF THE REPUBLIC
Cuando Sientas Que Tu Hermano (When Our Sisters or Our Brothers)
Cantemos al Amor (Come Sing to God)
Author: Restituto del Valle, 1865-1930; Mary Louise Bringle, n. 1953 Appears in 10 hymnals Topics: Amor de Dios para Nosotros First Line: Cantemos al Amor de los amores (Come sing to God, the Love beyond all others) Refrain First Line: ¡Gloria a Cristo Jesús! (Glory to you, Jesus Christ! Scripture: Matthew 18:20 Used With Tune: AMOR DE LOS AMORES
Cantemos al Amor (Come Sing to God)
[Cuán gloriosa será la mañana]
Appears in 13 hymnals Composer and/or Arranger: Ronald F. Krisman, n. 1946 Topics: Amor de Dios para Nosotros Tune Sources: Tradicional Tune Key: C Major Incipit: 13553 44235 55667 Used With Text: Cuán Gloriosa Será la Mañana (O How Glorious Will Be That Great Morning)
[Cuán gloriosa será la mañana]
CONCORDI LAETITIA
Meter: 7.7.7.7.5 Appears in 221 hymnals Composer and/or Arranger: Pierre de Corbeil, c. 1190-1222; Ronald F. Krisman, n. 1946 Topics: Amor de Dios para Nosotros Tune Key: E Flat Major Incipit: 12312 71556 34553 Used With Text: Bendigamos al Señor (Let Us Bless Our Saving Lord)
CONCORDI LAETITIA
Cantemos al Amor (Come Sing to God)
Author: Restituto del Valle, 1865-1930; Mary Louise Bringle, n. 1953 Hymnal: Oramos Cantando = We Pray In Song #469 (2013) Topics: Amor de Dios para Nosotros First Line: Cantemos al Amor de los amores (Come sing to God, the Love beyond all others) Refrain First Line: ¡Gloria a Cristo Jesús! (Glory to you, Jesus Christ! Scripture: Matthew 18:20 Languages: English; Spanish Tune Title: AMOR DE LOS AMORES
Cantemos al Amor (Come Sing to God)
Cuando Sientas Que Tu Hermano (When Our Sisters or Our Brothers)
Author: Anónima; Mary Louise Bringle, n. 1953 Hymnal: Oramos Cantando = We Pray In Song #657 (2013) Topics: Amor de Dios para Nosotros First Line: Cuando sientas que tu hermano necesita de tu amor (When our sisters or our brothers stand in need of loving care) Refrain First Line: ¡Gloria, gloria, aleluya! (Glory, glory! Hallelujah!) Scripture: Matthew 5:3-8 Languages: English; Spanish Tune Title: BATTLE HYMN OF THE REPUBLIC
Cuando Sientas Que Tu Hermano (When Our Sisters or Our Brothers)
Canto de Alegría (Joyfully We Sing Here)
Author: Enrique S. Turrall, 1867-1953; Mary Louise Bringle, n. 1953 Hymnal: Oramos Cantando = We Pray In Song #549 (2013) Topics: Amor de Dios para Nosotros First Line: Canto de alegría porque tengo amor (Joyfully we sing here of the Savior's grace) Refrain First Line: Canto porque tengo amor (Singing of the Savior's grace) Scripture: Romans 8:28-39 Languages: English; Spanish Tune Title: ARGENTINA
Canto de Alegría (Joyfully We Sing Here)
Johann Crüger
1598 - 1662 Person Name: Johann Crüger, 1598-1662 Topics: Amor de Dios para Nosotros Composer of "NUN DANKET" in Oramos Cantando = We Pray In Song Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
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Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
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Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
Robert Campbell
1814 - 1868 Person Name: Robert Campbell, 1814-1869 Topics: Amor de Dios para Nosotros Translator (English) of "At the Lamb's High Feast We Sing (Un Banquete Tan Triunfal)" in Oramos Cantando = We Pray In Song Robert Campbell was an advocate residing in Edinburgh. He is not much known as an author, but some of his hymns have been adopted in several hymnals. He was Roman Catholic. His death occurred in 1868.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Campbell, Robert. Advocate, of Sherrington, Scotland, was born at Trochmig, Ayrshire, Dec. 19, 1814. When quite a boy he attended the University of Glasgow. Though showing from his earliest years a strong predilection for Theological studies, eventually he fixed upon the Scottish law as a profession. To this end he entered the Law Classes of the University of Edinburgh, and in due course entered upon the duties of an advocate. Originally a Presbyterian, at an early age he joined the Episcopal Church of Scotland. He became a zealous and devoted Churchman, directing his special attention to the education of the children of the poor. His classical attainments were good, and his general reading extensive. In 1848 he began a series of translations of Latin hymns. These he submitted to Dr. Neale, Dr. Mills of Ely, and other competent judges. In 1850, a selection therefrom, together with a few of his original hymns, and a limited number from other writers, was published as Hymns and Anthems for Use in the Holy Services of the Church within the United Diocese of St. Andrews, Dunkeld, and Dunblane. Edinburgh, R. Lendrum & Co.
This collection, known as the St. Andrews Hymnal, received the special sanction of Bishop Torry, and was used throughout the Diocese for some years. Two years after its publication he joined the Roman Catholic Church. During the next sixteen years he devoted much time to the young and poor. He died at Edinburgh, Dec. 29, 1868.
From his collection of 1850, four translations were given in Hymns Ancient & Modern, 1861, "At the Lamb's high feast we sing;" “Come, pure hearts, in sweetest measures;" "Ye Choirs of New Jerusalem;" " Ye servants of a martyr'd God" (altered). Attention was thereby directed to his translations. They are smooth, musical, and well sustained. A large number, not included in his 1850 collection, were left by him in manuscript. From these Mr. O.Shipley has printed several in his Annus Sanctus, 1884. (C. MSS.)
--John Julian, Dictionary of Hymnology (1907)
Robert Campbell
Sydney Carter
1915 - 2004 Person Name: Sydney Carter, 1915-2004 Topics: Amor de Dios para Nosotros Author of "I Danced in the Morning (Dancé en la Mañana)" in Oramos Cantando = We Pray In Song
Sydney Carter
