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Scripture:1 Peter 4

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How Firm a Foundation

Meter: 11.11.11.11 Appears in 2,149 hymnals Scripture: 1 Peter 4:12 First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord, is laid for your faith in his excellent word! What more can he say than to you he hath said, to you who for refuge to Jesus have fled? 2 "Fear not, I am with thee, O be not dismayed, for I am thy God, and will still give thee aid; I'll strengthen thee, help thee, and cause thee to stand, upheld by my righteous, omnipotent hand. 3 "When through the deep waters I call thee to go, the rivers of sorrow shall not overflow; for I will be with thee, thy troubles to bless, and sanctify to thee thy deepest distress. 4 "When through fiery trials thy pathway shall lie, my grace, all sufficient, shall be thy supply; the flame shall not hurt thee, I only design thy dross to consume, and thy gold to refine. 5 "The soul that on Jesus still leans for repose, I will not, I will not desert to its foes; that soul, though all hell should endeavor to shake, I'll never, no, never, no, never forsake!" Topics: God Promises; God Promises; Holy Scriptures; Trials Used With Tune: FOUNDATION Text Sources: Rippon's Selection of Hymns, 1787, alt.
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Hail! gladdening Light, of his pure glory poured

Author: John Keble Meter: Irregular Appears in 62 hymnals Scripture: 1 Peter 4:13 Lyrics: 1 Hail gladdening Light, of his pure glory poured who is the immortal Father, heavenly, blest, Holiest of Holies, Jesus Christ, our Lord. 2 Now we are come to the sun's hour of rest, the lights of evening round us shine, we hymn the Father, Son, and Holy Spirit divine. 3 Worthiest art thou at all times to be sung with undefiléd tongue, Son of our God, Giver of life, alone; therefore in all the world thy glories, Lord, we own. Topics: Our Response to God in the morning and evening; Light Used With Tune: SEBASTE Text Sources: Greek, 3rd century or earlier
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Hear the Voice of Jesus Calling

Author: Daniel March, 1816-1909 Meter: 8.7.8.7 D Appears in 507 hymnals Scripture: 1 Peter 4:10 Topics: Commissioning; Consecration; Evangelism and Mission Used With Tune: RIPLEY

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HESPERUS

Meter: 8.8.8.8 Appears in 488 hymnals Composer and/or Arranger: Henry Baker (1835-1910) Scripture: 1 Peter 4:16 Tune Key: F Major Incipit: 33351 22355 54534 Used With Text: 'Take up your cross,' the Saviour said
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HIGHWOOD

Meter: 11.10.11.10 Appears in 39 hymnals Composer and/or Arranger: Richard Runciman Terry (1865-1938) Scripture: 1 Peter 4:10 Tune Key: B Flat Major Incipit: 56327 16531 23462 Used With Text: Great God of every shining constellation
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HOLY MANNA

Meter: 8.7.8.7 D Appears in 226 hymnals Scripture: 1 Peter 4:10-11 Tune Sources: Columbian Harmony, Cincinnati, 1825; Worship & Rejoice, Carol Stream, 2001 (Setting) Tune Key: F Major Incipit: 55611 22132 11656 Used With Text: Gracious God, You Send Great Blessings

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How Firm a Foundation (Cuán firme cimiento)

Author: Vicente Mendoza, 1875-1955 Hymnal: Santo, Santo, Santo #291 (2019) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, ye saints of the Lord (Cuán firme cimiento se ha dado a la fe) Lyrics: 1 How firm a foundation, ye saints of the Lord, Is laid for your faith in God's excellent Word! What more can be said than to you God hath said, To you who for refuge to Jesus have fled? 2 "Fear not, I am with thee, O be not dismayed, For I am thy God, and will still give thee aid; I'll strengthen thee, help thee, and cause thee to stand, Upheld by my righteous, omnipotent hand. 3 "When through the deep waters I call thee to go, The rivers of sorrow shall not overflow; For I will be near thee, thy troubles to bless, And sanctify to thee thy deepest distress. 4 "The soul that on Jesus hath leaned for repose, I will not, I will not desert to its foes; That soul, though all hell should endeavor to shake, I'll never, no never, no never forsake!" --- 1 ¡Cuán firme cimiento se ha dado a la fe, de Dios en su eterna Palabra de amor! ¿Qué más él pudiera en su libro añadir si todo a sus fieles lo ha dicho el Señor? 2 "No temas por nada, contigo estoy; tu Dios yo soy solo, tu ayuda seré. Tu fuerza y firmeza en mi diestra estarán, y en ella sostén y poder te daré. 3 "No habrán de anegarte las ondas del mar, si en aguas profundas te ordeno salir. Pues siempre contigo en angustia estaré, y todas tus penas podré bendecir. 4 "Al alma que anhele la paz que hay en mí, jamás en sus luchas la habré de dejar. Si todo el infierno la quiere perder, ¡yo nunca, no, nunca la puedo olvidar!" Topics: Dificultades; Trouble; Dios Protección y Refugio; God Protection and Refuge; Palabra de Dios; Word of God; Providence; Providencia; Victory; Victoria Languages: English; Spanish Tune Title: FOUNDATION
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How Firm a Foundation

Hymnal: Worship and Rejoice #411 (2003) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, you saints of the Lord Lyrics: 1 How firm a foundation, you saints of the Lord, is laid for your faith in his excellent Word! What more can he say than to you he has said, to you who for refuge to Jesus have fled? 2 "Fear not, I am with you, O be not dismayed, for I am your God, and will still give you aid; I'll strengthen you, help you, and cause you to stand, upheld by my righteous, omnipotent hand. 3 "When through the deep waters I call you to go, the rivers of sorrow shall not overflow; for I will be with you in trouble to bless, and sanctify to you your deepest distress. 4 "When through fiery trials your pathway shall lie, my grace, all sufficient, shall be your supply; the flame shall not hurt you, I only design your dross to consume, and your gold to refine. 5 "The soul that on Jesus still leans for repose, I will not, I will not desert to its foes; that soul, though all hell should endeavor to shake, I'll never, no, never, no, never forsake!" Topics: Promise & Hope Languages: English Tune Title: FOUNDATION
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How Firm a Foundation

Author: "K" Hymnal: Glory to God #463 (2013) Meter: 11.11.11.11 Scripture: 1 Peter 4:12 First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord, is laid for your faith in God's excellent Word! What more can be said than to you God hath said, to you who for refuge to Jesus have fled? 2 "Fear not, I am with thee, O be not dismayed, for I am thy God, and will still give thee aid; I'll strengthen thee, help thee, and cause thee to stand, upheld by my righteous, omnipotent hand. 3 "When through the deep waters I call thee to go, the rivers of sorrow shall not overflow; for I will be near thee, thy troubles to bless, and sanctify to thee thy deepest distress. 4 "When through fiery trials thy pathway shall lie, my grace, all sufficient, shall be thy supply; the flame shall not hurt thee; I only design thy dross to consume, and thy gold to refine. 5 "The soul that on Jesus hath leaned for repose, I will not, I will not desert to its foes; that soul, though all hell should endeavor to shake, I'll never, no, never, no, never forsake." Topics: Assurance; Comfort; Community in Christ; Faith; Grace; Scripture; The Word; Trusting in the Promises of God Languages: English Tune Title: FOUNDATION

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William Walsham How

1823 - 1897 Person Name: William W. How Scripture: 1 Peter 4:10 Author of "We Give Thee but Thine Own" in Hymns of Faith William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph P. Holbrook

1822 - 1888 Scripture: 1 Peter 4:19 Arranger of "JEWETT" in The Hymnbook Joseph P. Holbrook was a tune writer in the parlor music style, and used the popular melodies of Mason and Hastings, Bradbury and Root, Greatorex and Kingsley in his collections. He furnished settings for the choir hymns in Songs for the Sanctuary in his Quartet and chorus Choir (New York, 1871, and sought more recogniation than had been given him in a hymnal of his own, Worship in Song (New York, 1880); a book that found no welcome. from The English hymn: its development and use in worship By Louis FitzGerald Benson

Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn Scripture: 1 Peter 4:8-11 Composer of "LYONS" in Moravian Book of Worship Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry