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Scripture:Ephesians 5

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Hark! A Thrilling Voice Is Sounding

Author: Edward Caswall, 1814-1878 Meter: 8.7.8.7 Appears in 136 hymnals Scripture: Ephesians 5:8-14 Lyrics: 1 Hark! A thrilling voice is sounding! "Christ is near," we hear it say. "Cast away the works of darkness, all you children of the day!" 2 See, the Lamb, so long expected, comes with pardon down from heav'n. Let us haste, with tears of sorrow, one and all, to be forgiv'n; 3 So, when next he comes in glory and the world is wrapped in fear, he will shield us with his mercy and with words of love draw near. 4 Honor, glory, might, dominion to the Father and the Son with the everlasting Spirit while eternal ages run! Topics: Advent Used With Tune: MERTON Text Sources: Latin, c. 5th-10th cent.
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Hom-frato, amu kore fraton vian

Author: John Greenleaf Whittier; Montagu Christie Butler Appears in 3 hymnals Scripture: Ephesians 5:1-2 First Line: Hom-frato, amu kore fraton vian! Lyrics: 1. Hom-frato, amu kore fraton vian! Ĉar paco fontas el la kompatem'. Adori estas: ami fraton sian; Himnado, preĝ': rideto, bon-farem'. 2. La religio, kiun Kristo konas, Al kor-rompitoj venas kun esper'; Perditojn trovas; helpon ame donas Al orfoj kaj vidvinoj en mizer'. 3. Sekvadu do al sankta la ekzemplo De Lia bon-farado kaj hom-am'. La mondo estos vasta Dia templo; La tuta vivo: ĝoja danko-psalm'. 4. Milito mortos tiam de la tero, Katenoj krevos per la Dia grac'. Fortretos am' la fajron de kolero, Kaj tie plantos arbon de la pac'. Topics: Human Brotherhood; Unity and Peace Used With Tune: WELWYN
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Habitual Devotion

Author: Miss Helen Maris Williams (1762-1827) Appears in 684 hymnals Scripture: Ephesians 5:20 First Line: While Thee I seek, protecting Pow'r Topics: Afflictions Rejoicing in; Communion With God; God Omnipresent; God Presence of; God Providence of; Guidance; Peace Christian; Resignation; Trust In God Used With Tune: BRATTLE STREET

Tunes

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HOUSTON

Meter: 10.7.10.8 with refrain Appears in 39 hymnals Composer and/or Arranger: Kathleen Thomerson Scripture: Ephesians 5:8 Tune Key: D Major Incipit: 13455 56545 1345 Used With Text: I Want to Walk as a Child of the Light
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HYFRYDOL

Meter: 8.7.8.7 D Appears in 573 hymnals Composer and/or Arranger: Rowland Hugh Prichard Scripture: Ephesians 5:27 Tune Key: F Major Incipit: 12123 43212 54332 Used With Text: Love Divine, All Loves Excelling
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HORSLEY

Meter: 8.6.8.6 Appears in 172 hymnals Composer and/or Arranger: William Horsley (1774-1858) Scripture: Ephesians 5:2 Tune Key: E Flat Major Incipit: 12343 54325 31765 Used With Text: There is a green hill far away

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Habitual Devotion

Author: Miss Helen Maria Williams (1762-1827) Hymnal: Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes #338 (1891) Scripture: Ephesians 5:20 First Line: While thee I seek, protecting Pow'r Topics: Afflictions Rejoicing in; Communion With God; God Providence of; Guidance; Peace Christian; Resignation; Trust In God Languages: English Tune Title: BRATTLE STREET
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Habitual Devotion

Author: Miss Helen Maris Williams (1762-1827) Hymnal: Songs of Praise with Tunes #369 (1889) Scripture: Ephesians 5:20 First Line: While Thee I seek, protecting Pow'r Topics: Afflictions Rejoicing in; Communion With God; God Omnipresent; God Presence of; God Providence of; Guidance; Peace Christian; Resignation; Trust In God Tune Title: BRATTLE STREET
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Hallelujah, hallelujah

Hymnal: Common Praise (1998) #324 (1998) Scripture: Ephesians 5:15-20 Lyrics: Hallelujah, hallelujah, hallelujah, hallelujah! Topics: Easter (season); Praise of God Languages: English Tune Title: HALLELUJAH

People

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Authors, composers, editors, etc.

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Scripture: Ephesians 5:25-27 Composer of "SHANTI" in Christian Worship Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

George Herbert

1593 - 1633 Person Name: George Herbert, 1593-1633 Scripture: Ephesians 5:15-20 Author of "Teach Me, My God and King" in Common Praise (1998) Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632." His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse. The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke] --John Julian, Dictionary of Hymnology (1907)

Joseph Haydn

1732 - 1809 Person Name: Haydn Scripture: Ephesians 5:22-23 Composer of "[Iglesia de Cristo reanima tu amor]" in Himnos de Gloria Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman