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Once in Royal David's City
Author: Cecil F. Alexander, 1818-95 Meter: 8.7.8.7.7.7 Appears in 407 hymnals Scripture: Hebrews 4:14-16 Lyrics: 1 Once in royal David's city
Stood a lowly cattle shed,
Where a mother laid her baby
In a manger for His bed:
Mary was that mother mild,
Jesus Christ her little child.
2 He came down to earth from heaven,
Who is God and Lord of all,
And His shelter was a stable,
And His cradle was a stall;
With the poor and mean and lowly
Lived on earth our Savior holy.
3 For He is our childhood's pattern,
Day by day like us He grew;
He was little, weak, and helpless,
Tears and smiles like us He knew;
And He feels for all our sadness,
And He shares in all our gladness.
4 And our eyes at last shall see Him,
Through His own redeeming love;
For that child so dear and gentle
Is the Lord in heav'n above;
And He leads His children on
To the place where He is gone.
5 Not in that poor, lowly stable
With the oxen standing by
Shall we see Him, but in heaven,
Set at God's right hand on high.
Then like stars His children, crowned,
All in white, His praise will sound! Used With Tune: IRBY
Once in Royal David's City
O God of Bethel, by whose hand
Author: Philip Doddridge, 1702-1751 Meter: 8.6.8.6 Appears in 377 hymnals Scripture: Hebrews 4:16 Lyrics: 1 O God of Bethel, by whose hand
thy people still are fed,
who through this weary pilgrimage
hast all our fathers led;
2 Our vows, our prayers, we now present
before thy throne of grace;
God of our fathers, be the God
of their succeeding race.
3 Through each perplexing path of life
our wandering footsteps guide;
give us each day our daily bread,
and raiment fit provide.
4 O spread thy covering wings around
till all our wanderings cease,
and at our Father's loved abode
our souls arrive in peace. Topics: Proper 11 Year A; Proper 15 Year C Used With Tune: SALZBURG (HAYDN)
O God of Bethel, by whose hand
O Love, How Deep, How Broad
Author: Benjamin Webb, 1819-1885 Meter: 8.8.8.8 Appears in 139 hymnals Scripture: Hebrews 4:15 First Line: O love, how deep, how broad, how high Lyrics: 1 O Love, how deep, how broad, how high,
how passing thought and fantasy:
that God, the Son of God, should take
our mortal form for mortals' sake.
2 For us baptized, for us he bore
his holy fast and hungered sore;
for us temptations sharp he knew,
for us the tempter overthrew.
3 For us he prayed, for us he taught,
for us his daily works he wrought,
by words and signs and actions, thus
still seeking not himself, but us.
4 For us to evil power betrayed,
scourged, mocked, in purple robe arrayed,
he bore the shameful cross and death,
for us gave up his dying breath.
5 For us he rose from death again;
for us he went on high to reign;
for us he sent his Spirit here
to guide, to comfort, and to cheer.
6 All glory to our Lord and God
for love so deep, so high, so broad--
the Trinity whom we adore
forever and forevermore. Used With Tune: PUER NOBIS Text Sources: Latin hymn, 15th c.
O Love, How Deep, How Broad
ORWIGSBURG
Meter: 10.9.10.9 with refrain Appears in 225 hymnals Composer and/or Arranger: Elisha A. Hoffman Scripture: Hebrews 4:15 Tune Key: D Flat Major Incipit: 12355 12321 12355 Used With Text: I Must Tell Jesus
ORWIGSBURG
Our Understanding Priest
Hymnal: Seventh-day Adventist Hymnal #738 (1985) Scripture: Hebrews 4 First Line: We see Jesus, who was made a little lower than the angels, Topics: Scripture Readings
Our Understanding Priest
O Jesus, I have promised
Author: John Ernest Bode, 1816-74 Hymnal: Together in Song #595 (1999) Meter: 7.6.7.6 D Scripture: Hebrews 4:14-16 Lyrics: 1 O Jesus, I have promised
to serve you to the end;
Lord, be for ever near me,
my master and my friend:
I shall not fear the battle
if you are by my side,
nor wander from the pathway
if you will be my guide.
2 Still let me feel you near me;
the world is ever near;
I see the sights that dazzle
and tempting sounds I hear;
my foes are ever near me,
around me and within;
but, Jesus, draw me nearer
and shield my soul from sin.
3 O let me hear you speaking
in accents clear and still,
above the storms of passion,
the murmurs of self-will;
Lord, speak to reassure me,
to chasten or control;
O speak, and make me listen,
true guardian of my soul.
4 Lord, let me see your footmarks
and in them plant my own;
that I may follow boldly
and in your strength alone;
O guide me, call me, draw me,
uphold me to the end;
and then in heaven receive me,
my Saviour and my friend. Topics: Commitment; Guidance; Jesus Christ Friend and Companion; Jesus Christ Lordship; Perseverance; Pilgrimage; Temptation Languages: English Tune Title: WOLVERCOTE
O Jesus, I have promised
Our merciful High Priest
Author: Isaac Watts Hymnal: Hymnal of the Methodist Episcopal Church #254 (1891) Meter: 8.6.8.6 Scripture: Hebrews 4:15 First Line: With joy we meditate the grace Topics: Christ Grace of; Christ High-priest; Christ Prayer of; Christ Priesthood of; Christ Sympathy of; Christ Temptations of; Faith In Christ; Trust In Christ Languages: English
Our merciful High Priest
Fintan O'Carroll
1922 - 1981 Person Name: Fintan O'Carroll, 1922-1981 Scripture: Hebrews 4:12 Composer of "[Speak Lord, your servant is list'ning]" in Glory and Praise (3rd. ed.) Fintan O’Carroll was born on 31st July 1922 in Wexford, and spent most of his life in Waterford. On completion of his secondary school studies Fintan took up a position as a Clerk in C.I.E., the national railway.
He won first prize in a traditional music competition, aged 12, playing violin, and went on to study violin at home, taking lessons as and when the opportunity arose. While working at C.I.E. Fintan undertook a correspondence course in Music from Trinity College, Dublin. His heart was in music, and he left C.I.E. in 1967 after 27 years service, whereupon he completed his degree at Trinity to gain his B.Mus. along with the Prout Prize for the most outstanding student of the year. All the time Fintan had taken a keen interest in composition, particularly sacred music. Fintan became a fulltime teacher at the Presentation Convent Secondary School in Waterford, a job which payed about half the salary in C.I.E. at the time. He supplemented his income by taking 52 private pupils, conducting 2 brass bands, and led the orchestra in every musical show that offered.
Some of the many musical organizations that owe a debt of musical gratitude to Fintan, whether it be as leader, violinist, conductor, organist, composer, or founder include Waterford Orchestral Players; Waterford Festival of Light Opera Orchestra; St Saviours Church, Bridge Street; the Franciscan Friary; the Church of SS Josephs and Benildus; St Patrick’s; Waterford Cathedral; St Patrick’s Brass Band; HFC Brass Band, New Ross; Mount Sion Silver Band. It is particularly with the brass bands that we are interested and it is fair to say that Fintan brought a sense of musicality and musicianship to these bands which helped greatly in the development of their players and the achievement of competition successes at all levels. Many musicians have commented later in their life that it was the love of music instilled in them by Fintan that carried them through their own musical lives.
One of the proudest moments of Fintan’s musical career must have been when his Mass of the Immaculate Conception was chosen for the occasion of the visit of Pope John Paul II to Limerick in 1979. He took part in the Offertory Procession on this momentous occasion.
Fintan died in July 1981 and was survived by his wife Josephine, a fine contralto voice, and whom he credits with much of his own success. They had six children: Fiona, Deirdre, Fergus, Declan, Kevin, Aoileann, and Cian, many of which play a very active role in the musical life of Waterford and beyond.
--www.mountsionsilverband.org/history/
Fintan O'Carroll
F. A. Gore Ouseley
1825 - 1889 Person Name: F. A. G. Ouseley Scripture: Hebrews 4:15-16 Composer of "CONTEMPLATION (Ouseley)" in Rejoice in the Lord Born: August 12, 1825, London, England.
Died: April 6, 1889, Hereford, England.
Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England.
Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time.
Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s.
His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years.
Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises:
Harmony (London: 1868)
Counterpoint (London: 1869)
Canon and Fugue (London: 1869)
Form and General Composition (London: 1875)
--www.hymntime.com/tch/
F. A. Gore Ouseley
Henry K. Oliver
1800 - 1885 Scripture: Hebrews 4:12-13 Composer of "FEDERAL STREET" in Lift Up Your Hearts Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (18591861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875).
Bert Polman
Henry K. Oliver
