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Texts

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Text authorities

Venite, Exultemus Domino (O Come and Let Us Sing)

Author: Taizé Community Appears in 2 hymnals First Line: Venite, exultemus Domino (O come and let us sing to God, our hope) Topics: liturgical Opening Hymns

Vayan en paz

Author: Natalie Sleeth (estadounidense, 1930-1992); Ervin Barrios (mexicano, n. 1954) Appears in 1 hymnal First Line: Vayan en paz, vayan en paz Topics: Doxologías y Cánones; Doxologies and Canons; Música Litúrgica; Liturgical Music Used With Tune: GO IN PEACE
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Vain, delusive world, adieu

Author: Charles Wesley, 1707-1788 Appears in 289 hymnals

Tunes

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Tune authorities
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VICTORY

Meter: 8.8.8.4 with alleluias Appears in 348 hymnals Composer and/or Arranger: Giovanni P. da Palestrina, c. 1525-94 Tune Key: D Major Incipit: 55565 54353 33333 Used With Text: The Strife Is O'er, the Battle Done
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VULPIUS (GELOB'T SEI GOTT)

Appears in 141 hymnals Composer and/or Arranger: Henry Ley, 1887-1962 Tune Sources: Vulpius's Gesangbuch , Jena, 1609 Tune Key: C Major Incipit: 17655 67111 25176 Used With Text: Good Christian men, rejoice and sing!
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VENI VENI EMMANUEL

Meter: 8.8.8.8 with refrain Appears in 279 hymnals Composer and/or Arranger: Thomas Helmore, 1811-1866; Richard Proulx, b. 1937 Tune Sources: Mode I Tune Key: e minor Incipit: 13555 46543 4531 Used With Text: O Come, O Come, Emmanuel

Instances

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Published text-tune combinations (hymns) from specific hymnals

Venite, Exultemus Domino (O Come and Let Us Sing)

Author: Taizé Community Hymnal: More Voices #9 (2007) First Line: Venite, exultemus Domino (O come and let us sing to God, our hope) Lyrics: O come and let us sing to God, our hope, ... Topics: Gathering, Centring, and Invocation; Hope; Justice Scripture: Psalm 95:1 Languages: English; Latin Tune Title: [O come let us sing to God, our hope]

Venite exultemus Domino (O Come and Let Us Sing To God)

Hymnal: Taizé #29 (1998) First Line: Venite exultemus Domino (O come and let us sing to God, our hope) Lyrics: (O come and let us sing to God, our hope. ... Languages: English; Latin Tune Title: [Venite exultemus Domino]

Vayan al Mundo/Go Out to the World

Author: Jaime Cortez, n. 1963; Bob Hurd, n. 1950 Hymnal: Flor Y Canto (2nd ed.) #707 (2001) First Line: Sing to the Lord a new song Refrain First Line: Vayan al mundo Lyrics: the nations. 1 Sing to the Lord a new ... Topics: Alegría; Cantos de Salida; Ministerio y Misión; La Liturgia de las Horas Laudes; Ritos de la Iglesia Sacramento del Orden; Ritos de la Iglesia Rito de la Profesión Religiosa; Triduo Pascual Vigelia Pascual; Pascua de Resurrección Domingos y Ferias Scripture: Psalm 96 Languages: English; Spanish Tune Title: [Sing to the Lord a new song]

People

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Authors, composers, editors, etc.

Henry Van Dyke

1852 - 1933 Person Name: Henry van Dyke Author of "Joyful, Joyful, We Adore You" in Voices United See biography and works at CCEL

Judson W. Van DeVenter

1855 - 1939 Person Name: J. W. Van DeVenter Author of "Then Sing the Songs" in Gospel Songs of Grace and Glory Judson W. Van DeVenter was born 15 December 1855 on a farm near the village of Dundee, Michigan. He was educated in the country and village schools, and at Hillsdale College. He later moved to St. Petersburg, Florida. He wrote about 100 hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Ralph Vaughan Williams

1872 - 1958 Adapter and Harmonizer of "KINGSFOLD" in Psalter Hymnal (Gray) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

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The cantor intones each Christological title, e.g., “Jesus, Lamb of God,” “Prince of Peace”…