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Scripture:1 Corinthians 15

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Victory

Author: B. E. W. Appears in 68 hymnals Scripture: 1 Corinthians 15:57 First Line: Hallelujah, what a tho't! Refrain First Line: Victory, yes, victory Used With Tune: [Hallelujah, what a tho't!]

Victory in Jesus

Author: Eugene M. Bartlett Appears in 97 hymnals Scripture: 1 Corinthians 15:3 First Line: I heard an old, old story Refrain First Line: O victory in Jesus Topics: Christ Savior; Christ Savior Used With Tune: [I heard an old, old story]
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Victory over the fears of death

Meter: 8.6.8.6 Appears in 159 hymnals Scripture: 1 Corinthians 15:55 First Line: O for an overcoming faith Topics: Death and Resurrection Used With Tune: PIETY

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VICTORY

Appears in 348 hymnals Composer and/or Arranger: Giovanni da Palestrina, 1525-1594; William H. Monk, 1823-1889 Scripture: 1 Corinthians 15:51-54 Tune Key: D Major Incipit: 55565 54353 33333 Used With Text: The Strife Is O'er
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VRUCHTEN

Meter: 6.7.6.7 D Appears in 79 hymnals Composer and/or Arranger: Joachim Oudaen Scripture: 1 Corinthians 15:51-52 Tune Sources: David's Psalmen (Amsterdam, 1685) Tune Key: E Major Incipit: 51234 55654 65432 Used With Text: This Joyful Eastertide
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VILLE DU HAVRE

Meter: 11.8.11.9 with refrain Appears in 332 hymnals Composer and/or Arranger: Philip P. Bliss Scripture: 1 Corinthians 15:3 Tune Key: D Flat Major Incipit: 55433 23465 43517 Used With Text: When Peace like a River (It Is Well with My Soul)

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Vail

Author: Isaac Watts Hymnal: The Christian Sunday School Hymnal #43 (1883) Scripture: 1 Corinthians 15:3 First Line: Alas! and did my Savior bleed? Refrain First Line: Jesus died for you, Jesus died for me Lyrics: 1 Alas! and did my Savior bleed? And did my Sovereign die; Would he devote that sacred head For such a worm as I? Refrain: Jesus died for you, Jesus died for me; Yes, Jesus died for all mankind, Bless God, salvation's free. 2 Was it for crimes that I had done He groaned upon the tree? Amazing pity! grace unknown! And love beyond degree! [Refrain] 3 Well might the sun in darkness hide, And shut his glories in, When God's own Son was crucified For man the creature's sin. [Refrain] 4 Thus might I hide my blushing face While his dear cross appears; Dissolve my heart in thankfulness, And melt mine eyes to tears. [Refrain] 5 But tears of grief can ne'er repay The debt of love I owe; Here, Lord, I give myself away; 'Tis all that I can do. [Refrain] Tune Title: [Alas! and did my Savior bleed]
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Victoria sobre la muerte

Hymnal: Celebremos Su Gloria #569 (1992) Scripture: 1 Corinthians 15:20 First Line: Sabemos que si nuestra casa terrenal Topics: Hogar Celestial; Celestial Home Languages: Spanish
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Vital spark of heavenly flame

Author: Pope Hymnal: The Voice of Praise #881 (1873) Scripture: 1 Corinthians 15:55-57 Lyrics: 1 Vital spark of heavenly flame, Quit, oh, quit this mortal frame! Trembling, hoping, lingering, flying! Oh, the pain, the bliss of dying! Cease, fond nature, cease thy strife, Let me languish into life! 2 Hark! they whisper--angels say, Sister spirit, come away! What is this absorbs me quite, Steals my senses, shuts my sight, Drowns my spirits, draws my breath? Tell me, soul, can this be death? 3 The world recedes; it disappears; Heaven opens on my eyes; my ears With sounds seraphic ring: Lend, lend your wings! I mount! I fly! O grave, where is thy victory? O death, where is thy sting? Topics: Life and Death; The Dying Christian to his Soul

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams Scripture: 1 Corinthians 15:55 Harmonizer of "ORIENTIS PARTIBUS" in Rejoice in the Lord Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Jaroslav J. Vajda

1919 - 2008 Person Name: Jaroslav J. Vajda, 1919- Scripture: 1 Corinthians 15:52 Author of "God of the Sparrow" in Worship and Rejoice Jaroslav J. Vajda (b. Lorain, Ohio, 1919; d. 2008) Born of Czechoslovakian parents, Vajda was educated at Concordia College in Fort Wayne, Indiana, and Concordia Theological Seminary in St. Louis, Missouri. Ordained as a Lutheran pastor in 1944, he served congregations in Pennsylvania and Indiana until 1963. He was editor of the periodicals The Lutheran Beacon (1959-1963) and This Day (1963-1971) and book editor and developer for Concordia Publishing House in St. Louis from 1971 until his retirement in 1986. Working mainly with hymn texts, Vajda served on several Lutheran commissions of worship. A writer of original poetry since his teens, he was the author of They Followed the King (1965) and Follow the King (1977). His translations from Slovak include Bloody Sonnets (1950), Slovak Christmas (1960), An Anthology of Slovak Literature (1977), and contributions to the Lutheran Worship Supplement (1969) and the Lutheran Book of Worship (1978). A collection of his hymn texts, carols, and hymn translations was issued as Now the Joyful Celebration (1987); its sequel is So Much to Sing About (1991). Vajda's hymns are included in many modern hymnals, and he was honored as a Fellow of the Hymn Society in the United States and Canada in 1988. Bert Polman

Melchior Vulpius

1570 - 1615 Person Name: Melchior Vulpius, c. 1560-1615 Scripture: 1 Corinthians 15:51-54 Composer of "VULPIUS" in Together in Song Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman