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John Bacchus Dykes

1823 - 1876 Composer of "FERRIER" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William Dalrymple Maclagan

1826 - 1910 Person Name: William D. MacLagan Composer of "[PALMS OF GLORY]" in The Hymnal Maclagan, William Dalrymple , D.D., son of David Maclagan, M.D., was born in Edinburgh, June 18, 1826. In early life he entered the army, and served for some time in India. Retiring with the rank of lieutenant, he entered St. Peter's College, Cambridge, where he graduated B.A. 1856 and M.A. in 1860. Taking Holy Orders, he was curate of St. Saviour's, Paddington, 1856-58, and St. Stephen's, Marylebone, 1858-60. He then became Secretary to the London Diocesan Church Building Society, from 1860 to 1865; curate of Enfield, 1865-69; Rector of Newington, 1869-75; and Vicar of Kensington, 1875-78. He was also Hon. Chaplain to the Queen, and Prebendary of Reculverland in St. Paul's Cathedral, London. In 1878 he was consecrated Bishop of Lichfield. Bishop Maclagan's work has been mainly of a practical character, and his publications are few. The few hymns which he has written have been received with great favour, and create a desire for more of the same kind and quality. The following are in common use.:— 1. Again the trumpet sounds. Missions. Written about 1870. Appeared in the Hymns Ancient & Modern Hymns Ancient & Modern series of Hymns for Mission Services. 1871. 2. Be still, my soul, for God is near. Holy Communion. Part ii. is “O Body, broken for my sake." Written about 1873 for St. Mary's, Newington. In Thring's Collection, 1882. 3. Holy Spirit, Lord of love. Confirmation. Written about 1873, and published in Mrs. C. Brock's Children's Hymn Book, 1884. 4. It is finished, blessed Jesus [Saviour]. Good Friday. Written for Hymns Ancient & Modern, 1875. In several collections. 5. Lord, when Thy Kingdom comes, remember me. Good Friday. Written for the 1875 ed. of Hymns Ancient & Modern. Sometimes given in two parts: Pt. ii. Beginning, “Lord, when with dying lips my prayer is said." 6. The Saints of God their conflict past. All Saints. First published in Church Bells, 1870; and again in the Society for Promoting Christian Knowledge Church Hymns, 1871. 7. What thanks and praise to Thee we owe. St. Luke. Written for the 1875 edition of Hymns Ancient & Modern These hymns are of more than usual merit, being characterized by great simplicity, tenderness, and fervour. The special season or purpose is clearly indicated, and its lessons earnestly enforced. -- John Julian, Dictionary of Hymnology (1907) ============= Maclagan, Abp. W. D., pp. 709, i.; 1578, ii. At the present time all Abp. Maclagan's hymns are in common use, and most of his tunes likewise. With regard to the latter, it is exceptional to find so many tunes by the author of popular hymns sharing the same popularity in the principal hymnals. In Church Hymnal, 1903, and Hymns Ancient & Modern, 1904, combined, there are eight of his tunes, whilst the hymns are six in all. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Henry J. Gauntlett

1805 - 1876 Person Name: Henry J. Gauntlett, 1805-1876 Composer of "UNIVERSITY COLLEGE" in Hymns for Schools and Colleges Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Nathaniel S. Godfrey

1817 - 1883 Person Name: S. N. Godfrey Composer of "ELLINGHAM" in The Sunday School Hymnary Born: November, 30, 1817, London, England. Died: October 26, 1883, Southsea, Hampshire, England. Son of an apothecary at Turvey, Bedfordshire, Godfrey was educated at St. Catharine’s College, Cambridge (summa cum laude, 1847). He served as Curate of Swansea (1847-48) and Biddenham, Bedford (1848-50). He resigned in 1858 to become minister and Perpetual Curate at St. Bartholomew’s Temperance Church in Portsea, Hampshire. While at Portsea, he was suspended for three years for practicing spiritualism. --www.hymntime.com/tch/

Eric Werner

1901 - 1988 Composer of "[In the morning I will raise]" in Union Songster Werner, Eric; b. Aug. 1, 1901, Lundenberg, near Vienna, d. July 28, 1988, New York; Austrian-American musicologist

William Henry Furness

1802 - 1896 Person Name: William H. Furness, 1802-1896 Author of "In the morning I will raise" in Hymns for Schools and Colleges Furness, William Henry, D.D., born in Boston, 1802, and graduated at Harvard in Arts and Theology, 1820. From 1825 he has been an Unitarian Pastor in Philadelphia. He is an accomplished scholar, and has been an active worker in reforms of various kinds. His publications are numerous and include a Manual of Domestic Worship, 1840, and a translation of Schiller's Song of the Bell. His hymns are somewhat numerous, and several of them have great merit. The best and most widely used are:— 1. Father in heaven, to Thee my heart. Resignation. Appeared in The Christian Disciple, 1822. It was repeated in this form in some of the older collections, and a few modern hymnals, including the Boston Unitarian Hymns [& Tune] Book, 1868. In 1846 it was given in Longfellow and Johnson's Book of Hymns as "Father in heaven, to Whom our hearts;" again in their Hymns of the Spirit, 1864, and in Dr. Martineau's Hymns of Praise & Prayer, 1873. This hymn is sometimes ascribed to "H. Ware," but in error. 2. Feeble, helpless, how shall I? Jesus our Leader. First published in the Cheshire Unitarian Christian Hymns, 1844, No. 272, in 5 stanzas of 4 lines. It is in several modern collections, including Lyra Sacra Americana, 1868: Thring's Collection, 1882. 3. Have mercy, 0 Father. Divine direction desired. Contributed to Dr. Martineau's Hymns of Praise and Prayer, 1873, in 2 stanzas of 6 lines. 4. Here in a world of doubt. Psalms xlii. Contributed to the N. Y. Lutheran Collection, 1834, and repeated in his Manual of Domestic Worship, 1840, Martineau's Hymns, &c, 1873. 5. Here in the broken bread. Holy Communion. Appeared in the Appendix to the Philadelphia Unitarian Collection, 1828. It is in a few modern collections, including the Boston Unitarian Hymn [and Tune] Book, 1868. 6. Holy Father, Gracious art Thou. Purity & Peace. Contributed to Dr. Martineau's Hymns, &c, 1873, in 1 stanza of 12 lines. 7. I eel within a want. Likeness to Christ desired. Appeared in the Cheshire (U. S.) Unitarian Christian Hymns, 1844, No. 687, in 4 stanzas of 4 lines. It is in a few collections both old and new. 8. In the morning I will raise [pray] . Morning. Appeared in his Manual of Domestic Worship, 1840, in 6 stanzas of 4 lines, and repeated in Dr. Martineau's Hymns, &c, 1873. In Longfellow and Johnson's Book of Hymns, 1846, and the Boston Unitarian Hymn [& Tune] Book it begins with stanzas ii., "In the morning I will pray." 9. 0 for a prophet's fire. Holy Communion. Published in the Appendix to the Philadelphia Unitarian Collection, 1828, and repeated in the Cheshire (U. S.) Unitarian Christian Hymns, 1844, and later hymn-books. 10. Richly, O richly have I been. The Prodigal Son. In his Manual of Devotion, 1840. In Longfellow and Johnson's Book of Hymns, 1846, and their Hymns of the Spirit, 1864, it is given as "O richly, Father, have I been"; whilst in Hedge & Huntington's Hymns for the Church of Christ, 1853, the Boston Unitarian Hymns [and Tune] Book, 1868, and others, it opens with stanzas ii., "Unworthy to be called Thy son." 11. Slowly by Thy [God's] hand unfurled. Eternal Light. Given in his Manual of Domestic Worship, 1840, and repeated in a few hymnals. In Drs. Hedge & Huntington's Hymns for the Church of Christ, 1853, the first line was changed to “Slowly by God's hand unfurled." This is the reading of the Boston Unitarian Hymn [& Tune] Book, 1868. Dr. Martineau retains the original reading in his Hymns, &c, 1873. 12. Thou only Living, only True. Ordination. In Dr. Martineau's Hymns, &c, 1873, where it is dated 1868. 13. To the High and Holy One. Consecration of Church. In Lyra Sacra Americana, 1868. From this is taken "To the truth that makes us free" (stanzas ii.), in the Boston Hymns of the Spirit, 1864. 14. What is the world that it should share? Invocation of the Spirit. Given in The Christian Disciple, 1822, and Dr. Martineau's Hymns, &c, 1873. It begins with stanza ii. of his hymn "Here in Thy temple, Lord, we bow." In Lyra Sacra Americana it reads, "Oh, is there aught on earth to share." 15. What is this that stirs within? The Soul. Appeared in his Manual of Domestic Worship, 1840. In 1844 it passed into the Cheshire (U.S.) Unitarian Christian Hymns, No. 318, and later into numerous collections, both old and new. Furness died in 1896. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) =================== Furness, W. H., p. 402, ii. His Verses, Translations, and Hymns were published 1886. Of his hymns the following, in addition to those on pp. 402-3, have come into common use:— 1. She is not dead, but sleepeth. [Death and Burial.] 2. That God is Love, unchanging Love. [God is Love.] This is in several American collections, including the Boston Unitarian Hymns for Church and Home, 1895, where it is dated 1892. 3. Thou Who dost all things give. [Seeing the Unseen.] This is dated in The Pilgrim Hymnal, 1904, as having been written in 1860. It is from the Author's Verses, &c, 1886. Also in Border's Treat. of Amer. Sacred Song, 1896. Dr. Furness was b. April 20, 1802, and d. in 1896. --John Julian, Dictionary of Hymnology, New Supplement (1907)

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