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Scripture:John 16:4-15
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Anonymous

Scripture: John 16:13 Author of "Come Now Almighty King" in Gather Comprehensive In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Simon Browne

1680 - 1732 Person Name: Browne Scripture: John 16:8-13 Author of "Come, gracious Spirit, heavenly Dove" in The Voice of Praise Simon Browne was born at Shepton Mallet, Somersetshire, about 1680. He began to preach as an "Independent" before he was twenty years of age, and was soon after settled at Portsmouth. In 1716, he became pastor in London. In 1723, he met with some misfortunes, which preyed upon his mind, and produced that singular case of monomania, recorded in the text-books of Mental Philosophy; he thought that God had "annihilated in him the thinking substance, and utterly divested him of consciousness." "Notwithstanding," says Toplady, "instead of having no soul, he wrote, reasoned, and prayed as if he had two." He died in 1732. His publications number twenty-three, of which some are still in repute. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Browne, Simon. A contemporary of Dr. Watts, born at Shepton Mallet, Somersetshire, cir. 1680, and died in 1732. After studying for the Independent Ministry under the Rev. John Moore, of Bridgewater, he became pastor of an Independent charge in Portsmouth, and then, in 1716, of the Independent-Chapel in Old Jewry, London. His lateryears were clouded by a peculiar malady, under the influence of which "he imagined that God had in a gradual manner annihilated in him the thinking substance, and utterly divested him of consciousness." It is supposed that the death of a highwayman at his hands during a violent struggle, followed by that of his wife and son a short time after, had much to do in producing this sad result. Whilst thus contending that he had no power to think, he produced a work in defence of Christianity, another in defence of the Trinity, a third as an Exposition of the 1st Epistle to the Corinthians, and a fourth in the form of a Dictionary. His publications number over 20. Of these works, he is known to hymnology through his:— Hymns and Spiritual Songs, in Three Books, designed as a Supplement to Dr. Watts, &c, 1720, 2nd edition 1741, 3rd edition 1760. It contains 166 hymns, 7 doxologies, and a Preface of some historical interest. In the old collections Simon Browne's hymns (all of which are from the above collection) held a prominent position, but in modern hymnals they are fast passing out of use. The best known and most widely used are "Come, Holy [gracious] Spirit, Heavenly Dove," "O God, on Thee we all depend," and "Lord, at Thy feet we sinners lie." In addition the following are also in common use:— 1. Eternal God, Almighty Cause. Unity of God. 2. Eternal God, of beings First. God all in all . 3. Frequent the day of God returns. Sunday. 4. Great First of beings, Mighty Lord. Creation. 5. Great God, my joyful thanks to Thee. Thanksgiving. 6. Great God, Thy peerless excellence. Imitation of God. 7. Great Lord of earth and seas and skies. Providence. 8. Great Ruler of the earth and sky. Providence. 9. Hail, Holy Spirit, bright, immortal, Dove. Whitsuntide. 10. Hail, happy day, the [thou] day of holy rest. Sunday. 11. I cannot shun the stroke of death. Death. 12. Lord, Thou art good; all nature shows. Divine Goodness. 13. Lord, what a feeble frame is ours. Frailty of Life. 14. O God, on Thee we all depend. Confidence in God. -- John Julian, Dictionary of Hymnology (1907)

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Scripture: John 16:7 Composer of "DOWN AMPNEY" in Church Hymnary (4th ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Felice Giardini

1716 - 1796 Person Name: Felice de Giardini, 1716-1796 Scripture: John 16:13 Composer of "ITALIAN HYMN" in Gather Comprehensive Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry

John Cosin

1594 - 1672 Scripture: John 16:12 Translator of "Come, Holy Ghost, Our Souls Inspire" in The Worshiping Church The following note is from Bird's "Songs of the Spirit," p. 171. "Cosin was a native of Norwich, and scholar of Caius College, Cambridge; Prebend of Durham, 1624; Rector of Branspeth, 1626; in 1660, Dean and then Bishop of Durham. His 'Collection of Private Devotions for the Hours of Prayer,' much offended the Puritans, who styled it 'a book of Cozening Devotions.' This work contains ten short hymns (three of them from the Latin), which are supposed to be his. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ======================= Cosin, John, D.D., son of Giles Cosin, of Norwich, born at Norwich Nov. 30, 1594; educated at the Free School of that city and Caius College, Cambridge. Taking Holy Orders he became (besides holding minor appointments) Prebendary of Durham Cathedral; Rector of Brancepeth, 1626; Master of Peterhouse, Cambridge, 1634, and Vice-Chancellor of the University and Dean of Peterborough, 1640. He suffered much at the hands of the Puritans; but after the Restoration in 1660, he became Dean and then Bishop of Durham. Died at Westminster, Jan. 15, 1672. His translation of the Veni Greater Spiritus (q. v.), 44. “Come, Holy Ghost, our souls inspire," was included in his Collection of Private Devotions, 1627. --John Julian, Dictionary of Hymnology (1907)

Brian Foley

1919 - 2000 Person Name: William Brian Foley (1919-2000) Scripture: John 16:7 Author of "Holy Spirit, come, confirm us" in Church Hymnary (4th ed.)

Harriet Auber

1773 - 1862 Person Name: Lyle Scripture: John 16:7-8 Author of "Our blest Redeemer, ere he breathed" in The Voice of Praise Auber, Harriet, daughter of Mr. James Auber, b. in London, Oct. 4, 1773. During the greater part of her quiet and secluded life she resided at Broxbourne and Hoddesdon, Herts, and died at the latter place on the 20th Jan., 1862. Miss Auber wrote devotional and other poetry, but only a portion of the former was published in her Spirit of the Psalms, in 1829. This collection is mainly her work, and from it some useful versions of the Psalms have been taken and included in modern hymn-books, about 20 appearing in Spurgeon's Our Own Hymn Book, 1866. Miss Auber's name is widely known, but it is principally through her exquisite lyric, "Our blest Redeemer, ere He breathed," and the Epiphany hymn, "Bright was the guiding star that led." (For criticism of her work, see English Psalters, §. 17.) In addition to these and other hymns by Miss Auber, which are annotated under their respective first lines, the following are also in C. V., but principally in America:— 1.  Arise, ye people, and adore.   Easter. 2.  As Thy chosen people, Lord.   Ps. lxciii. 3.  Can guilty man indeed believe?   Ps. xciv. 4.  Delightful is the task to sing.   Ps. cxlvii. 5.  Father of Spirits, Nature's God.   Ps. cxxxi. 6.  Hail, gracious Source of every good.   Ps. Ixv. 7.  Hasten, Lord, the glorious time.   Ps. lxxii. 8.  Jehovah reigns, O earth, rejoice.   Ps. xccii. 9.  Join, all ye servants of the Lord.   H. Scriptures. 10.  Jesus, Lord, to Thee we sing.   Ps. cx. 11.  O all ye lands, rejoice in God.   Ps. lxvi. 12.  O God our Strength, to Thee the song.   Ps. lIxxxi. 13.  O praise our great and gracious Lord.   Ps. lxxviii. 14.  On thy church, O power divine.   Ps. lxvii. 15.  Sweet is the work, O Lord.   Sunday. 16.  That Thou, O Lord, art ever nigh.   Ps. lxxv. 17.  The Lord, Who hath redeemed our souls.   Ps. xxxi. 18.  When all bespeaks a Father's love.   Ps. set. 19.  When dangers press and fears invade.   Ps. lxii. 20.  Who, O Lord, when life is o'er.   Ps. xv. 21.  Whom have we   Lord,  in  heaven, but Thee.   Ps. lxxiii. 22.  Wide, ye heavenly gates, unfold.   Ascension. 23.  With hearts in love abounding.   Ps. xlv. 24.  With joy we hail the sacred day.   Sunday. 25.  Vainly through the night the ranger.   Ps. cxvii. All these psalm-versions and hymns are from her Spirit of the Psalms,   London, 1829. - John Julian, Dictionary of Hymnology (1907) ========================= Auber, Harriet, p. 90, ii. The following versions of psalms from her Spirit of the Psalms, 1829, are also in common use:- 1. Great God, wert Thou extreme to mark. Ps. cxxx. "Thy servants in the temple watched," begins with stanza ii. of this. 2. How blest are they who daily prove. Ps. xli. 3. How blest the children of the Lord. Altered from Ps. cxii. 4. Jehovah, great and awful name. Part of Ps. Ixxviii. 5. 0 Thou Whom heaven's bright host revere. Ps. Ixxxiv. 6. Praise the Lord, our mighty King. Ps. cxxxv. 7. Spirit of peace, Who as a [celestial] Dove. Ps. cxxxiii. 8. Thou by Whose strength the mountains stand. Ps. Ixv. 9. To heaven our longing eyes we raise. Ps. cxxi. 10. Vainly through night's weary hours. Ps. cxxvii. Sometimes "Vainly through the night the ranger." 11. While all the golden harps above. Easter. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in:Hymn Writers of the Church

Charles Wesley

1707 - 1788 Scripture: John 16:13 Author of "Come, Holy Ghost, our hearts inspire" in The Presbyterian Book of Praise Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Wilson Niwagila

b. 1940 Scripture: John 16:7-15 Author of "Gracious Spirit, Heed Our Pleading" in With One Voice Wilson Niwagila was born in Bukoba, Tanzania, and later studied theology in Tanzania, the United States, and Germany. He became a Lutheran parish pastor in several congregations in Tanzania and Germany. In Tanzania, he was the Lutheran secretary for Christian Education, the director of the Evangelical Academy, and provost of Makumira University College. He resided in Germany for a period as the Executive Secretary for Evangelism of the United Evangelical Mission for Germany, Asia, and Africa. Upon his return to Tanzania, he served as a member of the Task-Force for the establishment of the Bishop Josiah Kibira University College of the Tumaini University in the Kagera Region-Tanzania. --Evangelical Lutheran Church in Tanzania

Howard S. Olson

1922 - 2010 Person Name: Howard S. Olson, b. 1922 Scripture: John 16:7-15 Translator of "Gracious Spirit, Heed Our Pleading" in With One Voice Howard Olson (b. 1922; d. 2010), longtime missionary/teacher in African, compiled a number of African songs in Set Free (Augsburg Fortress, 1993). Many were folk tunes to which Christian Swahili texts were later added. He wrote in the introduction: “In their original form these tunes wee sung with uninhibited improvisation. Consequently the form in which these songs appear in this book represents only one of several possibilities.” Sing! A New Creation

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