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Let All Mortal Flesh Keep Silence

Author: Gerard Moultrie Meter: 8.7.8.7.8.7 Appears in 172 hymnals First Line: Let all mortal flesh keep silence, And with fear and trembling stand Topics: liturgical Communion Liturgy; liturgical Communion Songs Text Sources: Liturgy of St James

Que el Mortal Silencio Guarde

Author: Gerard Moultrie; George Paul Simmonds Appears in 1 hymnal Text Sources: "Liturgy of St. James"

Ĉio karna nun eksilentu

Author: Gerard Moultrie; Leland Bryant Ross Appears in 2 hymnals Text Sources: Liturgy of St. James (4th c.)

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PICARDY

Meter: 8.7.8.7.8.7 Appears in 236 hymnals Tune Sources: Traditional French melody, 17th C.; harm. English Hymnal, 1906 Tune Key: d minor Incipit: 12345 54555 567 Used With Text: Let All Mortal Flesh Keep Silence
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[Let all mortal flesh keep silence]

Appears in 1 hymnal Composer and/or Arranger: Morris C. Queen, 1921- Tune Key: E Flat Major Incipit: 12345 64211 23456 Used With Text: Let All Mortal Flesh Keep Silence
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VERONA

Appears in 5 hymnals Tune Sources: Italian Melody Tune Key: G Major Incipit: 13534 65235 42165 Used With Text: Let all mortal flesh keep silence

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Let All Mortal Flesh Keep Silence

Author: Gerald Moultrie, 1829-1885 Hymnal: Songs of Zion #217 (1981) Lyrics: Let all mortal flesh keep silence, let all mortal flesh keep silence, And with fear and trembling stand; Ponder nothing earthly minded, For with blessing in His hand, Christ our God to earth descendeth, Our full homage to demand. Amen. Topics: Service Music Introits Languages: English Tune Title: [Let all mortal flesh keep silence]

Let All Mortal Flesh Keep Silence

Author: Gerard Moultrie, 1829-1885 Hymnal: Hymnal of Christian Unity #52 (1964) First Line: Let all mortal flesh keep silence, and with fear and trembling stand Topics: Holy Communion Languages: English Tune Title: [Let all mortal flesh keep silence, and with fear and trembling stand]
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Let All Mortal Flesh Keep Silence

Author: Gerard Moultrie Hymnal: Voices Together #65 (2020) Meter: 8.7.8.7.8.7 Lyrics: 1 Let all mortal flesh keep silence, and with fear and trembling ... blood, he will give to all the faithful his own self ... Topics: Angels; Angels; Blood of Christ; Body of Christ; Communion; Heritage Before 1500; Incarnation; Jesus Christ Birth of; Jesus Christ Second Coming of; Praise; Reign of Christ; Silence Scripture: Isaiah 6:1-10 Tune Title: PICARDY

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Arranger of "PICARDY" in Trinity Hymnal (Rev. ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Michl Fischer

Person Name: Michel Fischer Harmonizer of "PICARDIE" in Les Chants du Pèlerin

Anonymous

Composer of "PICARDY" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

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