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O Thou through suffering perfect made

Author: Bp. W. W. How Meter: 8.8.8.8 Appears in 19 hymnals First Line: O Thou thro' suffering perfect made Lyrics: 1 O Thou thro' suffering perfect made, On Whom the ... sickness, grief, and pain, No sufferer turns to Thee in vain ... Topics: Charities; Hospitals Used With Tune: [O Thou thro' suffering perfect made]
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Here We Suffer Grief And Pain

Author: Thomas Bilby Appears in 68 hymnals Refrain First Line: Oh! that will be joyful! Lyrics: 1 Here we suffer grief and pain, Here we ... Used With Tune: [Here we suffer grief and pain] Text Sources: The Nursery Book, The Infant Teacher's Assistant , 1831-32

Perfect Through Suffering

Author: Fanny J. Crosby Appears in 1 hymnal First Line: We are made perfect through suffering Refrain First Line: Ere we awake in His likeness

Tunes

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BANGOR

Meter: 8.6.8.6 Appears in 100 hymnals Tune Sources: William Tans'ur's 'Harmony of Syon', 1734 Tune Key: c minor Incipit: 53215 17655 56765 Used With Text: According to thy gracious word
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MY SAVIOR'S LOVE

Meter: 8.7.8.7 with refrain Appears in 170 hymnals Composer and/or Arranger: Charles H. Gabriel Tune Key: A Flat Major Incipit: 55351 23177 71215 Used With Text: I Stand Amazed in the Presence
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NUN KOMM DER HEIDEN HEILAND

Meter: 7.7.7.7 Appears in 131 hymnals Composer and/or Arranger: Seth Calvisius Tune Sources: Enchiridion Oder Handbüchlein, Erfurt, 1524 Tune Key: g minor Incipit: 11732 12113 43453 Used With Text: Savior of the Nations, Come

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Who Will Suffer with the Savior?

Author: Daniel S. Warner Hymnal: Timeless Truths #1032 Meter: 8.7.8.7 D Refrain First Line: Lord, we fellowship Thy passion Lyrics: 1 Who will suffer with the Savior? Take the ... , we fellowship Thy passion, Gladly suffer shame and loss; With Thy ... trod? [Refrain] 3 Who will suffer for the gospel, Follow Christ ... pure; Forward, brethren, work and suffer, Faithful to the end endure ... Scripture: Colossians 1:24 Tune Title: [Who will suffer with the Savior?]

The Son of Man Must Suffer

Author: Paul O. Davidson Hymnal: Singing the New Testament #52 (2008) First Line: "The Son of Man must suffer many things" Lyrics: Son of Man must suffer many things." So ... Topics: Suffering of Christ Scripture: Matthew 16:21 Languages: English Tune Title: [The Son of Man Must Suffer Many Things]
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Suffer the Children

Author: C. F. L. Hymnal: The Century Gospel Songs #17 (1901) First Line: Suffer the children, O beautiful words Refrain First Line: Suffer the children to come unto me Languages: English Tune Title: [Suffer the children, O beautiful words]

People

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Authors, composers, editors, etc.

Kathrina von Schlegel

1697 - 1797 Person Name: Katharina von Schlegel Author of "Be Still, My Soul" in Trinity Hymnal (Rev. ed.) Schlegel, Catharina Amalia Dorothea von. Little is known of this lady. According to Koch, iv., p. 442, she was born Oct. 22, 1697, and was "Stiftsfräulein" in the Evangelical Lutheran Stift (i.e. Protestant nunnery) at Cöthen. On applying to Cöthen, however, her name did not occur in the books of the Stift; and from the correspondence which she carried on, in 1750-52, with Heinrich Ernst, Count Stolberg, it would rather seem that she was a lady attached to the little ducal court at Cöthen. (manuscript from Dr. Eduard Jacobs, Wernigerode, &c.) Further details of her life it has been impossible to obtain. The only one of her hymns which has passed into English is:— Stille, mein Wille, dein Jesus hilft siegen. Cross and Consolation. A fine hymn on waiting for God. It appeared in 1752, as above, No. 689, in 6 stanzas of 6 lines; and is included in Knapp's Evangelischer Lieder-Schatz, 1837, No. 2249 (1865, No. 2017). The translation in common "Be still my soul!—-the Lord is on thy side." This is a good translation, omitting stanzas iii., by Miss Borthwick, in Hymns from the Land of Luther, 2nd Ser., 1855, p. 37 (1884, p. 100). [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Henry Hart Milman

1791 - 1868 Person Name: Henry Hart Milman, 1791-1868 Author of "Ride on, ride on in majesty!" in The Book of Praise Milman, Henry Hart, D.D., the youngest son of Sir Francis Milman (who received his Baronetage as an eminent Court physician), was born Feb. 10th, 1791, and educated at Dr. Burney's at Greenwich, and subsequently at Eton. His career at B. N. C. Oxford, was brilliant. He took a first class in classics, and carried off the Newdigate, Latin Verse, Latin Essay, and English Essay. His Newdigate on the Apollo Belvedere, 1812, is styled by Dean Stanley "the most perfect of Oxford prize poems." His literary career for several years promised to be poetical. His tragedy Fazio was played at Covent Garden, Miss O'Neill acting Bianca. Samor was written in the year of his appointment to St. Mary's, Reading (1817); The Fall of Jerusalem (1820); Belshazzar and The Martyr of Antioch (1822), and Anne Boleyn, gained a brilliant reception from the reviewers and the public. He was appointed Poetry Professor at Oxford in 1821, and was succeeded ten years after by Keble. It must have been before 1823, the date of Heber's consecration to Calcutta, that the 13 hymns he contributed to Heber's Hymns were composed. But his poetry was only the prelude to his larger work. The Bampton Lectures (1827) mark his transition to theological study, and the future direction of it was permanently fixed by his History of the Jews (1829). This book raised a storm of obloquy. It was denounced from the University pulpit, and in the British Critic. "It was the first decisive inroad of German theology into England, the first palpable indication that the Bible could be studied like another book, that the characters and events of the sacred history could be treated at once critically and reverently" (Dean Stanley). In 1835 he was presented by Sir Robert Peel to a Canonry at Westminster and the Rectory of St. Margaret's. In 1839 appeared his valuable edition of Gibbon's Decline and Fall; and in 1840 his History of Christianity to the Abolition of Paganism in the Roman Empire. Among his minor works in a different field were his Life of Keats and his edition and Life of Horace. It was not till 1854 that his greatest work—-for "vast and varied learning, indefatigable industry, calm impartiality, and subtle and acute criticism, among the most memorable in our language" (Quart Rev.)—-Latin Christianity—-appeared. He had been appointed Dean of St. Paul's in 1849. The great services under the dome originated in his tenure of the Deanery. His latest work, published after his death, Sept. 24, 1868, was The Annals of St. Paul’s. Though one of the most illustrious in the school of English liberal theology, he had no sympathy with the extreme speculations of Germany. The "criticism" of Tübingen "will rarely bear criticism." He "should like an Ewald to criticise Ewald." "Christianity will survive the criticism of Dr. Strauss," and the "bright flashing artillery" of Rénan. His historical style has been compared to Gibbon in its use of epigram and antithesis. His narrative is full of rapidity of movement. His long complex paragraphs have often a splendour of imagination as well as wealth of thought. All the varied powers of his mind found vent in his conversation; he was called, after his death, "the last of the great converters." The catalogue of his friends from the days of Heber, "his early friend," to those of Hallam, Macaulay, and Dean Stanley, was long and distinguished. Milman's 13 hymns were published in Heber's posthumous Hymns in 1827, and subsequently in his own Selection of Psalms & Hymns, 1837. The fine hymn for The Burial of the Dead, in Thring's Collection, "Brother, thou art gone before us," is from The Martyr of Antioch (1822). Like Heber's, they aim at higher literary expression and lyric grace. He makes free use of refrains. The structure is often excellent. His style is less florid and fuller of burning, sometimes lurid force than Heber's. His hymn for the 16th Sunday after Trinity, "When our heads are bowed with woe," has no peer in its presentation of Christ's human sympathy; the hymn for the 2nd Sunday in Lent, “Oh! help us, Lord! each hour of need," is a piece of pure deep devotion. "Ride on, ride on in majesty," the hymn for Palm Sunday, is one of our best hymns. And the stanzas for Good Friday, "Bound upon the accursed tree," form one of the finest meditations on the Passion. All his hymns are still in common use. [Rev.H.Leigh Bennett, M.A.] --John Julian, Dictionary of Hymnology (1907)

John Milton

1608 - 1674 Person Name: John Milton, 1608-1674 Author of "Let Us With Gladsome Mind" in Psalms for All Seasons Milton, John, was born in London, Dec. 9, 1608, and died there Nov. 8, 1674. His poetical excellences and his literary fame are matters apart from hymnology, and are fully dealt with in numerous memoirs. His influence on English hymn-writing has been very slight, his 19 versions of various Psalms having lain for the most part unused by hymnal compilers. The dates of his paraphrases are:— Ps. cxiv. and cxxxvi., 1623, when he was 15 years of ago. These were given in his Poems in English and Latin 1645. Ps. lxxx.-lxxxviii., written in 1648, and published as Nine Psalmes done into Metre, 1645. Ps. i., 1653; ii., “Done August 8, 1653;" iii., Aug. 9, 1653; iv. Aug. 10, 1653; v., Aug. 12, 1653; vi., Aug. 13, 1653; vii.Aug. 14, 1653; viii., Aug. 14, 1653. These 19 versions were all included in the 2nd ed. of his Poems in English and Latin, 1673. From these, mainly in the form of centos, the following have come into common use:— 1. Cause us to see Thy goodness, Lord. Ps. lxxxv. 2. Defend the poor and desolate. Ps. lxxxii. 3. God in the great assembly stands. Ps. lxxxii. 4. How lovely are Thy dwellings fair. Ps. lxxxiv. From this, "They pass refreshed the thirsty vale," is taken. 5. Let us with a gladsome [joyful] mind. Ps. cxxxvi. 6. O let us with a joyful mind. Ps. cxxxvi. 7. The Lord will come and not be slow. Ps. lxxxv. Of these centos Nos. 4 and 5 are in extensive use. The rest are mostly in Unitarian collections. There are also centos from his hymn on the Nativity, "This is the month, and this the happy morn" (q.v.). --John Julian, Dictionary of Hymnology (1907)

Hymnals

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New Hymn and Tune Book

Publication Date: 1889 Publisher: A.M.E. Z. Book Concern Publication Place: New York

Songs for Suffering Saints

Publication Date: 2004 Publisher: Eric Schumacher Publication Place: Keokuk, Iowa Editors: Eric Schumacher

Songs in the Night; or Hymns for the Sick and Suffering. 2nd ed.

Publication Date: 1853 Publisher: S. K. Whipple & Co. Publication Place: Boston, Mass. Editors: Augustus Charles Thompson; S. K. Whipple & Co.

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This composition, set in F major and C major, is based on the themes of Christ’s suffering and dea…
Reflecting on Jesus' great sacrifice, this piece will lead the congregation to contemplate the meani…
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