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Christ Is Made the Sure Foundation

Author: J. M. Neale Meter: 8.7.8.7.8.7 Appears in 289 hymnals Text Sources: Latin, 6th or 7th cent.
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Christ the foundation of the Church

Appears in 196 hymnals First Line: Behold the sure foundation stone Lyrics: 1 Behold the sure foundation stone Which God in Zion lays, To build our heaernly hopes upon, And his eternal praise. 2 Chosen of God, to sinners dear, And saints adore the name, They trust their whole salvation here, Nor shall they suffer shame. 3 The ... Topics: Children made blessings; Christ the church's foundation; Christ his resurrection on the Lord's day; Church built on Jesus Christ; Deliverance from death; Hosanna for the Lord's day; Lord's day psalm; Praise for eminent Deliverance; Public Praise for private Mercies; Public Thanks for private Mercies; Children made blessings; Christ the church's foundation; Christ his resurrection on the Lord's day; Church built on Jesus Christ; Deliverance from death; Hosanna for the Lord's day; Lord's day psalm; Praise for eminent Deliverance; Public Praise for private Mercies; Public Thanks for private Mercies Scripture: Psalm 118:22-23
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Blessèd city, heavenly Salem

Author: J. M. Neale, 1818-1866 Meter: 8.7.8.7.8.7 Appears in 74 hymnals Lyrics: ... do soar, who for Christ's dear name in this ... places now compacted by the heavenly Architect, who therewith ... decked. PART TWO - 5 Christ is made the sure foundation, Christ the Head and corner-stone, chosen ... pours perpetual melody, God the One in Three adoring ... Topics: Dedication Scripture: 1 Corinthians 3:11 Used With Tune: WESTMINSTER ABBEY Text Sources: Latin, before 9th century

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WESTMINSTER ABBEY

Meter: 8.8.8.8 Appears in 93 hymnals Composer and/or Arranger: Henry Purcell (1659-1695); Barry Rose (1934-) Tune Sources: O God, thou art my God; adapt. The Psalmist, 1842 Tune Key: A Flat Major Incipit: 35314 27512 32176 Used With Text: Christ Is Made the Sure Foundation
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REGENT SQUARE

Meter: 8.7.8.7.8.7 Appears in 894 hymnals Composer and/or Arranger: Henry Smart Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: Christ Is Made the Sure Foundation
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HERE BEHOLD ME, KING OF GLORY

Meter: 8.7.8.7.8.7 Appears in 29 hymnals Tune Sources: Darmst. Gesangbuch. 1698 Tune Key: D Major Incipit: 55117 65373 17665 Used With Text: Christ, Thou art the sure foundation

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Christ is made the sure foundation

Author: Rev. J. M. Neale Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #483a (1894) Meter: 8.7 Lyrics: ... Christ is made the sure foundation, Christ the head and cornerstone, Chosen of the Lord, and precious, Binding all the ... jubilation Pours perpetual melody; God the One in Three adoring In ... gain from Thee, forever With the blessèd to retain, And hereafter ... Topics: Consecration of Churches; Processional; House of God Languages: English Tune Title: [Christ is made the sure foundation]
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Christ is made the sure foundation

Author: Rev. J. M. Neale Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #483b (1894) Meter: 8.7 Lyrics: ... Christ is made the sure foundation, Christ the head and cornerstone, Chosen of the Lord, and precious, Binding all the ... jubilation Pours perpetual melody; God the One in Three adoring In ... gain from Thee, forever With the blessèd to retain, And hereafter ... Topics: Consecration of Churches Tune Title: [Christ is made the sure foundation]

Christ is Made the Sure Foundation

Hymnal: Songs of Service. Rev. ed. #a88 (1948) Languages: English Tune Title: [Christ is made the sure foundation]

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Henry Purcell

1659 - 1695 Person Name: Henry Purcell, 1659-1695 Composer of "WESTMINSTER ABBEY" in With One Voice Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

John Goss

1800 - 1880 Person Name: J. Goss, 1800-80 Composer of "LAUDA ANIMA" in Evangelical Lutheran Hymnary John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

John Francis Wade

1711 - 1786 Person Name: John Wade, 1711-1786 Composer of "ST. THOMAS " in Gather Comprehensive John Francis Wade (b. England, c. 1711; d. Douay, France, 1786) is now generally recognized as both author and composer of the hymn "Adeste fideles," originally written in Latin in four stanzas. The earliest manuscript signed by Wade is dated about 1743. By the early nineteenth century, however, four additional stanzas had been added by other writers. A Roman Catholic, Wade apparently moved to France because of discrimination against Roman Catholics in eighteenth-century England—especially so after the Jacobite Rebellion of 1745. He taught music at an English college in Douay and hand copied and sold chant music for use in the chapels of wealthy families. Wade's copied manuscripts were published as Cantus Diversi pro Dominicis et Festis per annum (1751). Bert Polman