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Hymnal, Number:ador1971

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Hymnals

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Adoru kantante

Publication Date: 1971 Publisher: Kristana Esperantista Ligo Internacia Publication Place: Ede (Gld.), Nederlando Editors: Å. Ahlrén; W. J. Downes; H. A. de Hoog; H. A. Rosbach; A. Burkhardt

Texts

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Text authorities

For all the saints

Appears in 1 hymnal First Line: Pro la sanktuloj jam pasintaj for Used With Tune: Sine Nomine

Eternulo, granda Dio

Appears in 2 hymnals Used With Tune: Rhuddlan

Lead us, heavenly Father

Appears in 2 hymnals First Line: Nin, ho Patro, pilotadu Used With Tune: Rhuddlan

Tunes

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ADESTE FIDELES

Appears in 1,383 hymnals Composer and/or Arranger: John Francis Wade, ĉ. 1711-86 Incipit: 11512 55323 43211 Used With Text: Adeste fideles
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Passion Chorale

Appears in 530 hymnals Incipit: 51765 45233 2121 Used With Text: O Haupt voll Blut und Wunden (O Sacred Head)
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Blaenwern

Appears in 90 hymnals Incipit: 55665 13321 7655 Used With Text: Come Thou fount of every blessing

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Adoru kantante

Author: W. J. Downes Hymnal: Ador1971 #0 (1971) Languages: Esperanto Tune Title: Adoru kantante
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Venu, kredantoj

Author: W. J. Downes Hymnal: Ador1971 #1 (1971) First Line: Venu, kredantoj, kantu al Dio! Languages: Esperanto Tune Title: Bunessan
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Herre Gud, ditt dyre navn og ære

Author: Petter Dass, 1647-1707; H. A. Rosbach Hymnal: Ador1971 #2 (1971) First Line: Sankta Dio, Via nom' kaj gloro Languages: Esperanto Tune Title: DEUS FORTIS

People

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Authors, composers, editors, etc.

John Francis Wade

1711 - 1786 Person Name: John Francis Wade, ĉ. 1711-86 Hymnal Number: 45 Composer (attributed to) of "ADESTE FIDELES" in Adoru kantante John Francis Wade (b. England, c. 1711; d. Douay, France, 1786) is now generally recognized as both author and composer of the hymn "Adeste fideles," originally written in Latin in four stanzas. The earliest manuscript signed by Wade is dated about 1743. By the early nineteenth century, however, four additional stanzas had been added by other writers. A Roman Catholic, Wade apparently moved to France because of discrimination against Roman Catholics in eighteenth-century England—especially so after the Jacobite Rebellion of 1745. He taught music at an English college in Douay and hand copied and sold chant music for use in the chapels of wealthy families. Wade's copied manuscripts were published as Cantus Diversi pro Dominicis et Festis per annum (1751). Bert Polman

John Bacchus Dykes

1823 - 1876 Hymnal Number: 7 Composer of "St. Oswald" in Adoru kantante As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Robert Grant

1779 - 1838 Person Name: Robert Grant, 1779-1838 Hymnal Number: 6 Author of "O worship the King" in Adoru kantante Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)