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Hymnal, Number:aop1882

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Hymnals

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The Ark of Praise

Publication Date: 1882 Publisher: John J. Hood Publication Place: Philadelphia, Penn. Editors: J. R. Sweney; John J. Hood

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From Every Stormy Wind

Author: H. Stowell Appears in 1,286 hymnals First Line: From every stormy wind that blows Used With Tune: RETREAT
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He Dies! the friend

Author: Isaac Watts Appears in 645 hymnals First Line: He dies, the friend of sinners dies Lyrics: 1 He dies! the Friend of sinners dies! Lo! Salem’s daughters weep around; A solemn darkness veils the skies, A sudden trembling shakes the ground. Come, saints, and drop a tear or two For Him who groaned beneath your load; He shed a thousand drops for you,— A thousand drops of richer blood. 2 Here’s love and grief beyond degree, The Lord of Glory dies for man! But lo! what sudden joys we see, Jesus, the dead, revives again! The rising God forsakes the tomb; In vain the tomb forbids his rise; Cherubic legions guard Him home, And shout him welcome to the skies. 3 Break off your tears, ye saints, and tell How high your great Deliverer reigns; Sing how He spoiled the hosts of hell And led the monster Death in chains! Say, “Live forever, wondrous King! Born to redeem, and strong to save;” Then ask the monster, Where’s thy sting? And, Where’s thy vict’ry, boasting grave? Used With Tune: DUANE STREET
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Jesus Shall Reign

Author: Isaac Watts Meter: 8.8.8.8 Appears in 1,802 hymnals First Line: Jesus shall reign where'er the sun Used With Tune: MIGDOL

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EUCHARIST

Appears in 185 hymnals Incipit: 33355 65453 32342 Used With Text: Glorying in the Cross
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[Take my life, and let it be]

Appears in 90 hymnals Composer and/or Arranger: Wm. J. Kirkpatrick Incipit: 33365 13222 6523 Used With Text: Entire Consecration
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[Hover o'er me, Holy Spirit]

Appears in 209 hymnals Composer and/or Arranger: Jno. R. Sweney Incipit: 33215 61234 56532 Used With Text: Fill me Now

Instances

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Glory to the Lamb

Author: Isaac Watts, 1674-1748 Hymnal: AoP1882 #3 (1882) First Line: Come, let us join our cheerful songs With angels round the throne Lyrics: 1 Come let us join our cheerful songs With angels round the throne; Ten thousand thousand are their tongues, But all their joys are one. Refrain: Glory to the Lamb! Glory to the Lamb! Glory to the bleeding Lamb! Glory to the Lamb! Glory to the Lamb! Glory to the bleeding Lamb! 2 “Worthy the Lamb that died,” they cry, “To be exalted thus!” “Worthy the Lamb,” our hearts reply, “For He was slain for us!” [Refrain] 3 Jesus is worthy to receive Honor and power divine; And blessings more than we can give, Be, Lord, forever Thine. [Refrain] 4 The whole creation join in one, To bless the sacred Name Of Him that sits upon the throne, And to adore the Lamb. [Refrain] Tune Title: [Come, let us join our cheerful songs]
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Speed to the Life-Boat

Author: Fanny J. Crosby Hymnal: AoP1882 #4 (1882) First Line: Out on the deep, on a starless deep Refrain First Line: Speed to the lifeboat Lyrics: 1 Out on the deep, on a starless deep, In the midst of the billow’s roar, Out on the deep, in a slender barque, That will sink e’er you reach the shore. Refrain: Speed to the life-boat! quick, to the life-boat! List, while warning voices call; Speed to the life-boat! quick, to the life-boat! Come, there is room for all. 2 Out on the deep, on a treacherous deep, And alone, with no hand to guide, Out on the deep, and a storm is nigh That will break o’er the rolling tide. [Refrain] 3 Turn from your course to the beams of hope, As they shine from the light-house tow’r, Turn to the arm of redeeming love, And be saved by its gentle power. [Refrain] 4 Haste, while the time and your strength remain, You can trust to your barque no more, See how it sails by the winds are torn, It will sink ere you gain the shore. [Refrain] Tune Title: [Out on the deep, on a starless deep]
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He Saved My Soul

Author: E. M. Sangster Hymnal: AoP1882 #5 (1882) First Line: You ask me, brethren, how I know that Jesus is divine Refrain First Line: Glory, glory to Jesus Lyrics: 1 You ask me, brethren, how I know that Jesus is divine: The rather ask how I know that yonder sun doth shine; The rather bid me tell you how I know that billows roll, Or winds sweep on from north to south! Why, friends, “He saved my soul,” Refrain: Glory, glory to Jesus, Let the chorus roll! Glory, glory to Jesus, Because “He saved my soul.” 2 A wand’rer from my Father’s house, he took me by the hand; A mariner on raging seas, he guided me to land; A weary, storm-tossed man, he came, and made me like a child, As hungry to receive the truth, As gentle and as mild.— [Refrain] 3 He saved me! saved me from myself, and saved me from my sins, And here, just in that precious truth, my paradise begins; I know that Christ the blessed One is Man, and is Divine, I know because—oh! brethren, hear! “He saved a soul like mine.”— [Refrain] Tune Title: [You ask me, brethren, how I know that Jesus is divine]

People

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Authors, composers, editors, etc.

Edgar Page

1836 - 1921 Person Name: Edgar Page Stites Hymnal Number: 59 Author of "Trusting Jesus, that is all" in The Ark of Praise Real name Edgar Page Stites. Used Edgar Page ====================== Page, Edgar, is set forth in I. D. Sankey's Sacred Songs & Solos, 1878-81, as the author of (1) "I've reached the land of corn and wine" (Peace with God); (2) ”Simply trusting every day" (Trust in Jesus). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Page, Edgar, p. 1585, i. In his Sacred Songs, &c, Mr. Sankey attributes the hymns "I've reached the land of corn and wine," and "Simply trusting every day," to "Edgar Page," as stated on p. 1585, i.; but in his My Life and Sacred Songs, 1906, he gives both to "E. P. Stites," together with some details concerning them, but without any reference to the change in his ascription of authorship. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Thomas Moore

1779 - 1852 Person Name: T. Moore Hymnal Number: 136 Author of "Come, Ye Disconsolate" in The Ark of Praise Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England. John Perry ================== Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:— 1. As down in the sunless retreats of the ocean. Private Prayer. 2. But who shall see the glorious day. The Final Bliss of Man. 3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c. 4. Fallen is thy throne, O Israel. Israel in Exile. 5. Like morning when her early breeze. Power of Divine Grace. 6. O Thou Who driest the mourner's tear. Lent. 7. Since first Thy word [grace] awaked my heart. God All and in All. 8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel. 9. The bird [dove] let loose in eastern skies. Prayer for Constancy. 10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken. 11. Thou art, O God, the Life and Light. God, the Light and Life of Men. 12. Were not the sinful Mary's tears? Lent. Of these hymns No. 11 has attained the greatest popularity. --John Julian, Dictionary of Hymnology (1907)

E. A. Hoffman

1839 - 1929 Hymnal Number: 29 Author of "Glory to His Name" in The Ark of Praise Elisha Hoffman (1839-1929) after graduating from Union Seminary in Pennsylvania was ordained in 1868. As a minister he was appointed to the circuit in Napoleon, Ohio in 1872. He worked with the Evangelical Association's publishing arm in Cleveland for eleven years. He served in many chapels and churches in Cleveland and in Grafton in the 1880s, among them Bethel Home for Sailors and Seamen, Chestnut Ridge Union Chapel, Grace Congregational Church and Rockport Congregational Church. In his lifetime he wrote more than 2,000 gospel songs including"Leaning on the everlasting arms" (1894). The fifty song books he edited include Pentecostal Hymns No. 1 and The Evergreen, 1873. Mary Louise VanDyke ============ Hoffman, Elisha Albright, author of "Have you been to Jesus for the cleansing power?" (Holiness desired), in I. D. Sankey's Sacred Songs and Solos, 1881, was born in Pennsylvania, May 7, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==============