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Hymnal, Number:cd1894

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The Crowning Day

Publication Date: 1894 Publisher: Ruebush Kieffer Publication Place: Dayton, Va. Editors: J. H. Ruebush; J. H. Hall; Aldine S. Kieffer; Ruebush Kieffer

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I Long to Be There

Appears in 695 hymnals First Line: My heavenly home is bright and fair Refrain First Line: Oh, angels guide me home Lyrics: 1 My heav’nly home is bright and fair, I long to be there. No pain nor death can enter there. I long to be there. Refrain: Oh, angels, guide me home, Angels, guide me home, Angels, guide me home, I long to be there. 2 My Father’s house is built on high; I long to be there. Far, far above the starry sky. I long to be there. [Refrain] 3 Its glitt’ring tow’rs the sun outshine; I long to be there. That heav’nly mansion shall be mine. I long to be there. [Refrain] Used With Tune: [My heavenly home is bright and fair]
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Rock of Ages

Appears in 3,243 hymnals First Line: Jesus, Lover of my soul Refrain First Line: Rock of Ages, cleft for me Lyrics: 1 Jesus, Lover of my soul, Let me to Thy bosom fly, While the billows near me roll, While the tempest still is high. Refrain: Rock of Ages, cleft for me, Rock of Ages, cleft for me, Rock of Ages, cleft for me, Let me hide myself in Thee. 2 Other refuge have I none: Hangs my helpless soul on Thee: Leave, ah, leave, me not alone; Still support and comfort me. [Refrain] 3 All my trust on Thee is stayed; All my help from Thee I bring; Cover my defenseless head With the shadow of Thy wing. [Refrain] Used With Tune: [Jesus, Lover of my soul]
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Coronation

Author: Edward Perronet Appears in 3,448 hymnals First Line: All hail the pow'r of Jesus' name Scripture: Hebrews 2:9 Used With Tune: [All hail the power of Jesus' Name]

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[On Jordan’s stormy banks I stand]

Appears in 95 hymnals Composer and/or Arranger: T. C. O'Kane Incipit: 13565 31211 22254 Used With Text: On Jordan's Stormy Banks
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[Once more we come before our God]

Appears in 1,062 hymnals Composer and/or Arranger: Dr. Arne Incipit: 13332 11123 54332 Used With Text: Arlington
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[How gentle God’s commands]

Appears in 33 hymnals Composer and/or Arranger: W. B. Bradbury Incipit: 55332 35533 21566 Used With Text: Lottie

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Coronation

Author: Edward Perronet Hymnal: CD1894 #1 (1894) First Line: All hail the pow'r of Jesus' name Scripture: Hebrews 2:9 Tune Title: [All hail the power of Jesus' Name]
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I Am Washed in the Blood

Author: Rev. Elisha A. Hoffman Hymnal: CD1894 #2 (1894) First Line: I have been to Jesus to be cleans'd with pow'r Lyrics: 1 I have been to Jesus to be cleans’d with pow’r, In the blood, precious blood, And I linger at the fount this very hour, At the fount of Jesus’ blood. Refrain: I am washed in the blood, In the heart-cleansing blood of the Lamb; I am washed in the blood, I am washed in the blood of the Lamb. 2 I will walk in meekness at my Saviour’s side, O the blood, the precious blood, I will trust each moment in the Crucified, O the blood, the precious blood. [Refrain] 3 I will keep unspotted from the world and sin, Thro’ the blood, the precious blood, In the fountain flowing for the soul unclean, In the fount of Jesus’ blood. [Refrain] Tune Title: [I have been to Jesus to be cleansed with pow’r]
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Blest be the tie that binds

Author: Rev. John Fawcett Hymnal: CD1894 #3 (1894) Meter: 6.6.8.6 Tune Title: DENNIS

People

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Authors, composers, editors, etc.

I. Baltzell

1832 - 1893 Hymnal Number: 36 Composer of "[I want to be a worker for the Lord]" in The Crowning Day Baltzell, Isaiah. (near Frederick, Maryland, November 26, 1832--January 16, 1893, Frederick). He was educated in the common schools, and at New Windsor Academy, Carroll County, Maryland. In 1859 he married Cecilia Caroline James at Mountain Jackson, Virginia. Originally a Lutheran, he joined the United Brethren Church in 1847, was licensed to preach by the Virginia Conference in 1854, and ordained in 1856. In 1862 he joined the Pennsylvania Conference. He was presiding elder from 1875 to 1880, and from 1883 to 1889. He was a delegate to three General Conferences, and was a trustee of Otterbein University. In 1873 he was appointed by the General Conference a member of the committee to superintend the publication of Hymns for the Sanctuary. His first compilation was Revival Songster (Baltimore, 1859). He was joint editor, with G.W.M. Rigor, or Choral Gems (1871); joint editor, with E.S. Lorenz, of Heavenly Carols, Songs of Grace, Gates of Praise, Songs of Cheer, Songs of the Kingdom, Holy Voices, Songs of Refreshing, Notes of Triumph, Garnered Sheaves, Songs of the Morning, and The Master's Praise. He was also author of music and services for special occasions, and the editor and publisher of Carols of Praise. See: Shuey, W.A. (1892). Manual of the United Brethren Publishing House; Historical and Descriptive: 243-244. Some of his hymns bear the pseudonym Amicus. --Harry Eskew, DNAH Archives

Will L. Thompson

1847 - 1909 Person Name: W. L. T. Hymnal Number: 106 Author of "There's a Great Day Coming" in The Crowning Day Will Lamartine Thompson (1847-1909) Born: November 7, 1847, East Li­ver­pool, Ohio. Died: Sep­tem­ber 20, 1909, New York, New York. Buried: Ri­ver­view Cem­e­te­ry, East Li­ver­pool, Ohio. Rebuffed in an ear­ly at­tempt to sell his songs to a com­mer­cial pub­lish­er, Thomp­son start­ed his own pub­lish­ing com­pa­ny. He lat­er ex­pand­ed, open­ing a store to sell pi­an­os, or­gans and sheet mu­sic. Both a lyr­i­cist and com­pos­er, he en­sured he would al­ways re­mem­ber words or mel­o­dies that came to him at odd times: "No mat­ter where I am, at home or ho­tel, at the store or tra­vel­ing, if an idea or theme comes to me that I deem wor­thy of a song, I jot it down in verse. In this way I ne­ver lose it." Thompson took ill dur­ing a tour of Eur­ope, and his fam­i­ly cut short their tra­vels to re­turn home. He died a few weeks lat­er. Music-- 1.Jesus Is All the World to Me 2.Lead Me Gently Home, Father 3.Softly and Tenderly Jesus Is Calling 4.There’s a Great Day Coming --hymntime.com/tch ================================== Various biographical sketches and newspaper articles about Thompson are available in the DNAH Archives.

Charles Wesley

1707 - 1788 Hymnal Number: 107 Author of "Jesus, Lover of My Soul" in The Crowning Day Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.