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Search Results

Hymnal, Number:chbw1878

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Hymnals

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Published hymn books and other collections
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The Chapel hymn book, with tunes

Publication Date: 1878 Publisher: Ivison, Blakeman, Taylor & Co. Publication Place: New York Editors: Edwin F. Hatfield

Texts

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Go, worship at Immanuel's feet

Author: Isaac Watts Appears in 96 hymnals Used With Tune: THE SON OF GOD
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Away, my unbeliving fear

Author: Charles Wesley Appears in 174 hymnals Used With Tune: GERMANY
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Saviour, when, in dust, to thee

Author: Robert Grant Appears in 443 hymnals Used With Tune: HOLLINGSIDE

Tunes

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HOLLINGSIDE

Appears in 285 hymnals Composer and/or Arranger: John B. Dykes Incipit: 35655 43176 53123 Used With Text: Saviour, when, in dust, to thee
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THE SON OF GOD

Appears in 513 hymnals Composer and/or Arranger: Charles Burney, cir. 1760 Tune Key: E Flat Major Incipit: 13455 67151 54321 Used With Text: Go, worship at Immanuel's feet
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GERMANY

Appears in 704 hymnals Composer and/or Arranger: Ludwig van Beethoven Incipit: 51712 56711 17627 Used With Text: Away, my unbeliving fear

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Holy, holy, holy! Lord God Almighty

Author: Reginald Heber Hymnal: CHBW1878 #1 (1878)
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Awake, my soul! and, with the sun

Author: Thomas Ken Hymnal: CHBW1878 #2 (1878)
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Glory to thee, my God! this night

Author: Thomas Ken Hymnal: CHBW1878 #3 (1878)

People

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Authors, composers, editors, etc.

Robert Grant

1779 - 1838 Person Name: Robert Grant Hymnal Number: 323 Author of "Saviour, when, in dust, to thee " in The Chapel hymn book, with tunes Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Hymnal Number: 323 Composer of "HOLLINGSIDE" in The Chapel hymn book, with tunes As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Ludwig van Beethoven

1770 - 1827 Hymnal Number: 503 Composer of "GERMANY" in The Chapel hymn book, with tunes A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman