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Hymnal, Number:cpwi2010

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CPWI Hymnal

Publication Date: 2010 Publisher: The Church in the Province of the West Indies Publication Place: St John, Barbados

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Go tell it on the mountain

Author: John Wesley Work, III, 1901-1967 Meter: 7.6.7.6 with refrain Appears in 108 hymnals First Line: While shepherds kept their watching Lyrics: Refrain: Go tell it on the mountain, over the hills and everywhere; go tell it on the mountain that Jesus Christ is born! 1 While shepherds kept their watching o’er silent flocks by night, behold, throughout the heavens there shone a holy light. [Refrain] 2 The shepherds feared and trembled when lo! above the earth rang out the angel chorus that hailed our Saviour’s birth. [Refrain] 3 Down in a lowly manger the humble Christ was born, and God sent us salvation that blessed Christmas morn. [Refrain] Topics: Hymns for the Church Year Christmas Scripture: Isaiah 40:9 Used With Tune: GO TELL IT Text Sources: African-American spiritual, 19th century
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Sing we of the blessed Mother

Author: George Boorne Timms, 1910-1997 Meter: 8.7.8.7 D Appears in 17 hymnals Lyrics: 1 Sing we of the blessèd Mother who received the angel's word, and obedient to his summons bore in love the infant Lord; sing we of the joys of Mary at whose breast that child was fed who is Son of God eternal and the everlasting Bread. 2 Sing we, too, of Mary's sorrows, of the sword that pierced her through, when beneath the cross of Jesus she his weight of suffering knew, looked upon her Son and Saviour reigning high on Calvary's tree, saw the price of man's redemption paid to set the sinner free. 3 Sing again the joys of Mary when she saw the risen Lord, and in prayer with Christ's apostles, waited on his promised word: from on high the blazing glory of the Spirit's presence came, heavenly breath of God's own being, manifest through wind and flame. 4 Sing the chiefest joy of Mary when on earth her work was done, and the Lord of all creation brought her to his heavenly home: Virgin Mother, Mary blessèd, raised on high and crowned with grace, may your Son, the world's redeemer, grant us all to see his face. Topics: Saints' and Other Holy Days The Blessed Virgin Mary Used With Tune: ABBOT'S LEIGH

A new commandment I give unto you

Author: Anonymous; Ancieto Nazareth Meter: 12.9.12.9 Appears in 1 hymnal First Line: By this shall all know that you are my disciples Topics: General Hymns The Christian Life Scripture: John 13:34-35 Used With Tune: A NEW COMMANDMENT

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SLANE

Meter: 10.11.11.11 Appears in 251 hymnals Composer and/or Arranger: Erik Routley, 1917-1982 Tune Sources: Irish traditional melody Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Lord of all hopefulness, Lord of all joy
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WILTSHIRE

Meter: 8.6.8.6 Appears in 135 hymnals Composer and/or Arranger: George Thomas Smart, 1776-1867 Tune Key: A Major Incipit: 55117 14322 35555 Used With Text: Through all the changing scenes of life
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INNOCENTS

Meter: 7.7.7.7 Appears in 438 hymnals Tune Sources: The Parish Choir, London, 1846-1861, 1860 Tune Key: E Major Incipit: 34517 65123 54323 Used With Text: Gentle Jesus, meek and mild

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At thy feet, O Christ, we lay

Author: William Bright, 1824-1901 Hymnal: CPWI2010 #1 (2010) Meter: 7.7.7.7.7.7 Lyrics: 1 At thy feet, O Christ, we lay thine own gift of this new day; doubt of what it holds in store makes us crave thine aid the more; lest it prove a time of loss, mark it, Saviour, with thy cross. 2 If it flow on calm and bright, be thyself our chief delight: if it bring unknown distress, good is all that thou canst bless; only, while its hours begin, pray we, keep them clear of sin. 3 We in part our weakness know, and in part discern our foe; well for us, before thine eyes all our danger open lies; turn not from us, while we plead thy compassions and our need. 4 Fain would we thy word embrace, live each moment on thy grace, all our selves to thee consign, fold up all our wills in thine, think and speak and do and be simply that which pleases thee. 5 Hear us, Lord, and that right soon; hear, and grant the choicest boon that thy love can e’er impart, loyal singleness of heart: do shall this and all our days, Christ our God, show forth thy praise. Topics: Hymns for the Church Year Morning Languages: English Tune Title: SUNRISE
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Awake, my soul, and with the sun

Author: Thomas Ken, 1637-1711 Hymnal: CPWI2010 #2 (2010) Meter: 8.8.8.8 Lyrics: 1 Awake, my soul, and with the sun thy daily stage of duty run; shake off dull sloth, and joyful rise to pay thy morning sacrifice. 2 Redeem thy mis-spent time that's past, and live this day as if thy last; improve thy talent with due care; for the great day thyself prepare. 3 Let all thy converse be sincere, thy conscience as the noon-day clear; think how all-seeing God thy ways and all thy secret thoughts surveys. 4 Wake, and lift up thyself, my heart, and with the angels bear thy part; who all night long unwearied sing high praise to the eternal King. 5 Praise God, from whom all blessings flow, praise him all creatures here below, praise him above, angelic host, praise Father, Son, and Holy Ghost. Topics: Hymns for the Church Year Morning Languages: English Tune Title: MORNING HYMN
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Christ, whose glory fills the skies

Author: Charles Wesley (1707-1788) Hymnal: CPWI2010 #3 (2010) Meter: 7.7.7.7.7.7 Lyrics: 1 Christ, whose glory fills the skies, Christ, the true and only Light, Sun of Righteousness, arise, triumph o'er the shades of night; dayspring from on high, be near; Day-star, in my heart appear. 2 Dark and cheerless is the morn unaccompanied by thee; joyless is the day's return, till thy mercy's beams I see; till they inward light impart, glad my eyes, and warm my heart. 3 Visit then this soul of mine, pierce the gloom of sin and grief; fill me, Radiancy Divine, scatter all my unbelief; more and more thyself display, shining to the perfect day. Topics: Hymns for the Church Year Morning Scripture: John 1:9 Languages: English Tune Title: RATISBON

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St. Bernard of Clairvaux

1090 - 1153 Person Name: Bernard of Clairvaux, 1091-1153 Hymnal Number: 142 Author of "O sacred head, surrounded" in CPWI Hymnal Bernard of Clairvaux, saint, abbot, and doctor, fills one of the most conspicuous positions in the history of the middle ages. His father, Tecelin, or Tesselin, a knight of great bravery, was the friend and vassal of the Duke of Burgundy. Bernard was born at his father's castle on the eminence of Les Fontaines, near Dijon, in Burgundy, in 1091. He was educated at Chatillon, where he was distinguished for his studious and meditative habits. The world, it would be thought, would have had overpowering attractions for a youth who, like Bernard, had all the advantages that high birth, great personal beauty, graceful manners, and irresistible influence could give, but, strengthened in the resolve by night visions of his mother (who had died in 1105), he chose a life of asceticism, and became a monk. In company with an uncle and two of his brothers, who had been won over by his entreaties, he entered the monastery of Citeaux, the first Cistercian foundation, in 1113. Two years later he was sent forth, at the head of twelve monks, from the rapidly increasing and overcrowded abbey, to found a daughter institution, which in spite of difficulties and privations which would have daunted less determined men, they succeeded in doing, in the Valley of Wormwood, about four miles from the Abbey of La Ferté—itself an earlier swarm from the same parent hive—on the Aube. On the death of Pope Honorius II., in 1130, the Sacred College was rent by factions, one of which elected Gregory of St. Angelo, who took the title of Innocent II., while another elected Peter Leonis, under that of Anacletua II. Innocent fled to France, and the question as to whom the allegiance of the King, Louie VI., and the French bishops was due was left by them for Bernard to decide. At a council held at Etampes, Bernard gave judgment in favour of Innocent. Throwing himself into the question with all the ardour of a vehement partisan, he won over both Henry I., the English king, and Lothair, the German emperor, to support the same cause, and then, in 1133, accompanied Innocent II., who was supported by Lothair and his army, to Italy and to Rome. When Lothair withdrew, Innocent retired to Pisa, and Bernard for awhile to his abbey of Clairvaux. It was not until after the death of Anacletus, the antipope, in January, 1138, and the resignation of his successor, the cardinal-priest Gregory, Victor II., that Innocent II., who had returned to Rome with Bernard, was universally acknowledged Pope, a result to which no one had so greatly contributed as the Abbot of Clairvaux. The influence of the latter now became paramount in the Church, as was proved at the Lateran Council of 1139, the largest council ever collected together, where the decrees in every line displayed the work of his master-hand. After having devoted four years to the service of the Pope, Bernard, early in 1135, returned to Clairvaux. In 1137 he was again at Rome, impetuous and determined as ever, denouncing the election of a Cluniac instead of a Clairvaux monk to the see of Langres in France, and in high controversy in consequence with Peter, the gentle Abbot of Cluny, and the Archbishop of Lyons. The question was settled by the deposition by the Pope of the Cluniac and the elevation of a Clairvaux monk (Godfrey, a kinsman of St. Bernard) into his place. In 1143, Bernard raised an almost similar question as to the election of St. William to the see of York, which was settled much after the same fashion, the deposition, after a time, if only for a time, of William, and the intrusion of another Clairvaux monk, Henry Murdac, or Murduch, into the archiepiccopal see. Meantime between these two dates—in 1140—the condemnation of Peter Abilaid and his tenets, in which matter Bernard appeared personally as prosecutor, took place at a council held at Sens. Abelard, condemned at Sens, appealed to Rome, and, resting awhile on his way thither, at Cluny, where Peter still presided as Abbot, died there in 1142. St. Bernard was next called upon to exercise his unrivalled powers of persuasion in a very different cause. Controversy over, he preached a crusade. The summer of 1146 was spent by him in traversing France to rouse the people to engage in the second crusade; the autumn with a like object in Germany. In both countries the effect of his appearance and eloquence was marvellous, almost miraculous. The population seemed to rise en masse, and take up the cross. In 1147 the expedition started, a vast horde, of which probably not a tenth ever reached Palestine. It proved a complete failure, and a miserable remnant shared the flight of their leaders, the Emperor Conrad, and Louis, King of France, and returned home, defeated and disgraced. The blame was thrown upon Bernard, and his apology for his part in the matter is extant. He was not, however, for long to bear up against reproach; he died in the 63rd year of his age, in 1153, weary of the world and glad to be at rest. With the works of St. Bernard, the best ed. of which was pub. by Mabillon at Paris in the early part of the 18th cent. (1719), we are not concerned here, except as regards his contributions, few and far between as they are, to the stores of Latin hymnology. There has been so much doubt thrown upon the authorship of the hymns which usually go by his name,—notably by his editor, Mabillon himself,—that it is impossible to claim any of them as having been certainly written by him; but Archbishop Trench, than whom we have no greater modern authority on such a point, is satisfied that the attribution of them all, except the "Cur mundus militat," to St. Bernard is correct. "If he did not write," the Archbishop says, "it is not easy to guess who could have written them; and indeed they bear profoundly the stamp of his mind, being only inferior in beauty to his prose." The hymns by which St. Bernard is best known as a writer of sacred poetry are: (1.) "Jesu duicis memoria," a long poem on the " Name of Jesus"—known as the "Jubilus of St. Bernard," and among mediaeval writers as the " Rosy Hymn." It is, perhaps, the best specimen of what Neale describes as the "subjective loveliness " of its author's compositions. (2.) "Salve mundi Salutore," an address to the various limbs of Christ on the cross. It consists of 350 lines, 50 lines being addressed to each. (3.) "Laetabundus, exultet fidelis chorus: Alleluia." This sequence was in use all over Europe. (4.) "Cum sit omnis homo foenum." (5.) " Ut jucundas cervus undas." A poem of 68 lines, and well known, is claimed for St. Bernard by Hommey in his Supplementum Patrum, Paris, 1686, p. 165, but on what Archbishop Trench, who quotes it at length, (Sac. Lat. Poetry, p. 242,) deems " grounds entirely insufficient." (6.) " Eheu, Eheu, mundi vita," or " Heu, Heu, mala mundi vita." A poem of nearly 400 lines, is sometimes claimed for St. Bernard, but according to Trench, “on no authority whatever." (7.) “O miranda vanitas." This is included in Mabillon's ed. of St. Bernard's Works. It is also attributed to him by Rambach, vol. i. p. 279. Many other hymns and sequences are attributed to St. Bernard. Trench speaks of a " general ascription to him of any poems of merit belonging to that period whereof the authorship was uncertain." Hymns, translated from, or founded on, St. Bernard's, will be found in almost every hymnal of the day, details of which, together with many others not in common use, will be found under the foregoing Latin first lines. -John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

John Henry Newman

1801 - 1890 Person Name: John Henry Newman, 1801-1890 Hymnal Number: 143 Author of "Praise to the Holiest in the height" in CPWI Hymnal Newman, John Henry , D.D. The hymnological side of Cardinal Newman's life and work is so small when compared with the causes which have ruled, and the events which have accompanied his life as a whole, that the barest outline of biographical facts and summary of poetical works comprise all that properly belongs to this work. Cardinal Newman was the eldest son of John Newman, and was born in London, Feb. 21, 1801. He was educated at Ealing under Dr. John Nicholas, and at Trinity College, Oxford, where he graduated in honours in 1820, and became a Fellow of Oriel in 1822. Taking Holy Orders in 1824, he was for a short time Vice-Principal of St. Alban's Hall, and then Tutor of Oriel. His appointment to St. Mary's, Oxford, was in the spring of 1828. In 1827 he was Public Examiner, and in 1830 one of the Select University Preachers. His association with Keble, Pusey, and others, in what is known as "The Oxford Movement," together with the periodical publication of the Tracts for the Times, are matters of history. It is well known how that Tract 90, entitled Bernards on Certain Passages in the Thirty-nine Articles, in 1841, was followed by his retirement to Littlemore; his formal recantation, in February, 1843, of all that he had said against Rome; his resignation in September of the same year of St. Mary's and Littlemore; and of his formal application to be received into the communion of the Church of Rome, Oct. 8, 1845. In 1848 he became Father Superior of the Oratory of St. Philip Neri, at Birmingham; in 1854 Rector of the newly founded Roman Catholic University at Dublin; and in 1858 he removed to the Edgbaston Oratory, Birmingham. In 1879 he was created a Cardinal, and thus received the highest dignity it is in the power of the Pope to bestow. Cardinal Newman's prose works are numerous, and his Parochial Sermons especially being very popular. His Apologia pro Vita Sua, 1864, is a lucid exposition and masterly defence of his life and work. Cardinal Newman's poetical work began with poems and lyrical pieces which he contributed to the British Magazine, in 1832-4 (with other pieces by Keble and others), under the title of Lyra Apostolica. In 1836 these poems were collected and published under the same title, and Greek letters were added to distinguish the authorship of each piece, his being δ. Only a few of his poems from this work have come into use as hymns. The most notable is, "Lead, kindly Light". His Tract for the Times, No. 75, On the Roman Breviary, 1836, contained translations of 14 Latin hymns. Of these 10 were repeated in his Verses on Religious Subjects, 1853, and his Verses on Various Occasions, 1865, and translations of 24 additional Latin hymns were added. Several of these translations are in common use, the most widely known being "Nunc Sancte nobis" ("Come, Holy Ghost, Who ever One"). His collection of Latin hymns from the Roman and Paris Breviaries, and other sources was published as Hymni Ecclesiae, in 1838, and again in 1865. His Dream of Gerontius, a poem from which his fine hymn, "Praise to the Holiest in the height," is taken, appeared in his Verses on Various Occasions, in 1868. Cardinal Newman's influence on hymnology has not been of a marked character. Two brilliant original pieces, and little more than half a dozen translations from the Latin, are all that can claim to rank with his inimitable prose. --John Julian, Dictionary of Hymnology (1907) ================= Newman, John Henry, p. 822, ii. He died at Edgbaston, Birmingham, Aug. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Newman, Card. J. H., pp. 802, ii.; 1581, ii. The following are also in use at the present time, but, except No. 13, almost exclusively in R. C. collections. The dates in brackets are those given in Newman's Verses, 1868; all thus marked were composed in the Birmingham Oratory at these dates:— i. In the Rambler, 1850. 1. In the far North our lot is cast. [S. Philip Neri.] (1850.) March, 1850, p. 250. In the Birmingham Oratory Hymn Book, 1857 and 1906, it begins, " On Northern coasts," and in the Parochial Hymn Book, 1880, with st. ii. " Founder and Sire! to mighty Rome." 2. The Angel-lights of Christmas morn. [Candlemas.] (1849.) March, 1850, p. 251. 3. There sat a Lady all on the ground. [B. V. M.] (1849.) May, 1850, p. 425. ii. Verses, 1853. 4. All is Divine which the Highest has made. [For an inclement May.] (1850.) 1853, p. 128. 5. Green are the leaves, and sweet the flowers. [May.] (1850.) 1853, p. 125. 6. My oldest friend, mine from the hour. [Guardian Angel] (1853.) 1853, p. 12. 7. The holy monks conceal'd from men. [S. Philip Neri.] (1850.) 1853, p. 134. 8. The one true Faith, the ancient Creed. [The Catholic Faith.] 1853, p. 140. 9. This is the saint of sweetness and compassion. [S. Philip Neri.] 1853, p. 136. Rewritten (1857) as "This is the saint of gentleness and kindness" in the Birmingham Oratory Hymn Book, 1857, No. 49. iii. Birmingham Oratory Hymn Book, 1857. 10. Help, Lord, the souls which Thou hast made. [The Faithful Departed.] (1857.) 1857, No. 76. iv. Birmingham Oratory H. Book, 1862. 11. I ask not for fortune, for silken attire. [S. Philip Neri.] (1857.) 1862, No. 54. 12. Thou champion high. [S. Michael.] (1862.) 1862, No. 41. v. Dream of Gerontius, 1866. 13. Firmly I believe and truly. [The Faith of a Christian.] 1866, p. 9; Verses, 1868, p. 318; The English Hymnal 1906. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ----- John Henry Newman was born in London, in 1801. He studied at Trinity College, Oxford, graduating B.A. in 1820, and was subsequently Fellow of Oriel College. In 1825, he became Vice Principal of S. Alban's Hall, and was Tutor of his college for several years. In 1828, he became incumbent of S. Mary's, Oxford, with the chaplaincy of Littlemore. In 1842, he went to preside over a Brotherhood he had established at Littlemore. He was the author of twenty-four of the "Tracts for the Times," amongst them the celebrated Tract No. 90, which brought censure upon its author. In 1845, he left the Church of England and entered the Church of Rome. He was appointed Father Superior of the Oratory of S. Philip Neri, at Birmingham, and in 1854, Rector of the new Roman Catholic University at Dublin, an office he filled till 1858. He has published a large number of works. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================

Stewart Cross

1928 - 1989 Person Name: Stewart Cross, 1928-1989 Hymnal Number: 275 Author of "Father, Lord of all Creation" in CPWI Hymnal