Go, Tell It on the Mountain

Representative Text

Go, tell it on the mountain,
over the hills and everywhere;
go, tell it on the mountain
that Jesus Christ is born.

1 While shepherds kept their watching
o’er silent flocks by night,
behold, throughout the heavens
there shone a holy light. [Refrain]

2 The shepherds feared and trembled
when lo! above the earth
rang out the angel chorus
that hailed our Savior‘s birth. [Refrain]

3 Down in a lowly manger
the humble Christ was born,
and God sent us salvation
that blessed Christmas morn. [Refrain]

Source: Hymns of Promise: a large print songbook #160

Adapter: John W. Work

John Wesley Work II (sometimes Jr.) was born, educated, worked and died in Nashville. He majored in history and Latin at Fisk University (B.A. 1895, M.S. 1898), after which he was instructor of Greek and Latin until 1906 when he was appointed chair of the department. Work and his brother, Frederick Jerome (1879-1942), were leading figures in the preservation, performance and study of African-American spirituals. They published several collections of slave songs and spirituals, including New Jubilee Songs as Sung by Fisk Jubilee Singers (1901) and Folk Songs of the American Negro (1907). John Work II’s treatise The Folk Song of the American Negro (1915) was one of the earliest studies of African-American music undertaken by a descend… Go to person page >


Scripture References: all st. = Luke 2:8-20 ref. = Matt. 28:19 The text of this beloved spiritual was first published in Folk Song of the American Negro (1907), a study of African American folk music by John Wesley Work, Jr. (PHH 476). The song may date back to earlier sources, but evidently the original text was lost. According to Edith McFall Work, widow of John Wesley Work, III:
the verses of these songs were published by John Work, II, in place of the original ones which could not be found. In 1940 John Work, III, had the songs copyrighted and published [at 215] in his book American Negro Songs.” -Companion to the United Methodist Hymnal, p. 360
In American Negro Songs and Spiritual (1940), John Wesley Work, III, attributes the newer text to his uncle Frederick J. Work. "He may have composed it" [the tune], wrote J. W. Work, III. "I know he composed the verses." John, III, recalled that when he was a child, the students at Fisk University began singing this before daybreak on Christmas morning, going from building to building. Later, his arrangement for use in choral concerts by the Fisk Jubilee Singers helped to popularize the spiritual. The refrain theme comes from Old Testament passages in which praise to God for his acts of deliverance was often shouted, both literally and metaphorically, from the mountaintops (Isa. 42:11). While the three stanzas tell the essence of the Christmas story, the refrain underscores the missionary impetus of the Christian church: "go and make disciples of all nations" (Matt. 28:19). The "go, tell," which initially applied to the singers caroling on the university campus, is a signal for us to leave the comfortable confines of Christian worship and "go, tell" the message of Christ's redemption to the whole world. Because of the spiritual's oral tradition, variants in text and melody exist. A textual variant for "Go, Tell It" is an Easter version with the following refrain text:
Go, tell it on the mountain, Over the hills and everywhere; Go, tell it on the mountain That Jesus lives again.
Liturgical Use: Christmas morning; a Christmas candlelight service; "carols from many lands" service; the refrain could be used by itself as a chorus on Christmas Day, or it could be combined with the Easter refrain version (see above) and used during worship services that focus on missions. --Psalter Hymnal Handbook Note: The book American Negro Songs and Spirituals: A Comprehensive Collection of 230 Folk Songs, Religious and Secular, with a forward by John W. Work (1940), states that "These verses were supplied by John Work Sr. in place of the original ones which could not be found." (p. 215).



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Include 22 pre-1979 instances
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